Julia Rinderle, Marilies Guschlbauer - Grandes Dames (2025) [Hi-Res]
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BAND/ARTIST: Julia Rinderle, Marilies Guschlbauer
- Title: Grandes Dames
- Year Of Release: 2025
- Label: Cavi-Music
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:06:11
- Total Size: 285 mb / 1.15 gb
- WebSite: Album Preview
Tracklist
01. 3 Romances, Op. 22: No. 3, Leidenschaftlich schnell (Performed on Cello & Piano)
02. 3 Romances, Op. 22: Postlude for Cello and Piano
03. 3 Romances, Op. 22: Capriccio in A-Flat Major, H-U. 247
04. 4 Sketches, Op. 15: No. 3, Dreaming (Version for Cello & Piano)
05. 4 Sketches, Op. 15: Mein Schatten kann übers Wasser gehen
06. Sonate dramatique Titus et Bérénice: I. Moderato – Molto movimento Intercertitude de Titus
07. Sonate dramatique Titus et Bérénice: II. Vivace Appartements de Bérénice
08. Sonate dramatique Titus et Bérénice: III. Lento – Tristamente Bérénice sait tout
09. Sonate dramatique Titus et Bérénice: IV. Allegro molto movimento Le terrible moment approche
10. Solitude
The cello and piano duo perform works by six Grandes Dames: Clara Schumann, Fanny Hensel, Lera Auerbach, Amy Beach, Flora Geisselbrecht, and Rita Strohl.
Rita Strohl's Sonata has been part of our concerts for several years now, and we wanted to introduce that work with a series of shorter works to begin the CD. Thus, although the first five pieces are thoroughly different, the order we have chosen for them is deliberate; we feel that there is a kind of common thread running through them. The tracklist is conceived like a concert programme; the last piece, Rita Strohl's melancholy Solitude, fulfills the function of an encore.
Women had to struggle for recognition as composers well into the 20th century, and many of their works remain undiscovered because music, like painting and literature, was considered a predominantly male domain for a long time. Statistics reveal a bleak picture of the limited impact of female composers in all areas of classical music. Yet there are so many treasures to be unearthed! We aim to rediscover this wonderful music, which was thought to have been forgotten, and to perform as much of it as possible. The fact that these works also enrich the constantly growing yet comparatively small body of repertoire written for cello and piano is, of course, a bonus.... (from the booklet notes)
01. 3 Romances, Op. 22: No. 3, Leidenschaftlich schnell (Performed on Cello & Piano)
02. 3 Romances, Op. 22: Postlude for Cello and Piano
03. 3 Romances, Op. 22: Capriccio in A-Flat Major, H-U. 247
04. 4 Sketches, Op. 15: No. 3, Dreaming (Version for Cello & Piano)
05. 4 Sketches, Op. 15: Mein Schatten kann übers Wasser gehen
06. Sonate dramatique Titus et Bérénice: I. Moderato – Molto movimento Intercertitude de Titus
07. Sonate dramatique Titus et Bérénice: II. Vivace Appartements de Bérénice
08. Sonate dramatique Titus et Bérénice: III. Lento – Tristamente Bérénice sait tout
09. Sonate dramatique Titus et Bérénice: IV. Allegro molto movimento Le terrible moment approche
10. Solitude
The cello and piano duo perform works by six Grandes Dames: Clara Schumann, Fanny Hensel, Lera Auerbach, Amy Beach, Flora Geisselbrecht, and Rita Strohl.
Rita Strohl's Sonata has been part of our concerts for several years now, and we wanted to introduce that work with a series of shorter works to begin the CD. Thus, although the first five pieces are thoroughly different, the order we have chosen for them is deliberate; we feel that there is a kind of common thread running through them. The tracklist is conceived like a concert programme; the last piece, Rita Strohl's melancholy Solitude, fulfills the function of an encore.
Women had to struggle for recognition as composers well into the 20th century, and many of their works remain undiscovered because music, like painting and literature, was considered a predominantly male domain for a long time. Statistics reveal a bleak picture of the limited impact of female composers in all areas of classical music. Yet there are so many treasures to be unearthed! We aim to rediscover this wonderful music, which was thought to have been forgotten, and to perform as much of it as possible. The fact that these works also enrich the constantly growing yet comparatively small body of repertoire written for cello and piano is, of course, a bonus.... (from the booklet notes)
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