Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard - Bosmans: Cello Concertos Nos. 1 & 2 & Poème (2025) [Hi-Res]
![Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard - Bosmans: Cello Concertos Nos. 1 & 2 & Poème (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-06/1750249251_ed-spanjaard-bosmans-cello-concertos-nos_-1-2-poeme-2025.jpg)
BAND/ARTIST: Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard
- Title: Bosmans: Cello Concertos Nos. 1 & 2 & Poème
- Year Of Release: 2025
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:19:23
- Total Size: 373 mb / 1.49 gb
- WebSite: Album Preview
Tracklist
01. Poème for Cello & Orchestra
02. Cello Concerto No. 1: I. Allegro moderato
03. Cello Concerto No. 1: II. Presto
04. Cello Concerto No. 1: III. Lento - Moderato
05. Cello Concerto No. 2: I. Andante molto moderato - Allegro vivace
06. Cello Concerto No. 2: II. Scherzo. Allegro
07. Cello Concerto No. 2: III. Lento - Allegro molto
![Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard - Bosmans: Cello Concertos Nos. 1 & 2 & Poème (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-06/1750250589_0761203569427.jpg)
Henriëtte Bosmans’ mother was a pianist and her father played principal cello in Amsterdam's Concertgebouw Orchestra, so it is no wonder that both of these instruments were lasting influences on her musical thinking and sensibilities. Her friendship with cellists Marix Loevensohn and Frieda Belinfante did the rest to guide this Dutch composer’s imagination towards the expressive possibilities of the "little violone". In addition to various pieces of chamber music, the somewhat Iberian-spiced Poème as well as two concertos were written in the early 1920s. Despite their relative proximity in time, Henriëtte Bosmans succeeded in not repeating herself. The works are marked by imaginative forms, wildly varied tasks demanded of the soloist and a sophisticated treatment of the orchestra. Despite these works' success, they had disappeared into the annals of history for far too long.
01. Poème for Cello & Orchestra
02. Cello Concerto No. 1: I. Allegro moderato
03. Cello Concerto No. 1: II. Presto
04. Cello Concerto No. 1: III. Lento - Moderato
05. Cello Concerto No. 2: I. Andante molto moderato - Allegro vivace
06. Cello Concerto No. 2: II. Scherzo. Allegro
07. Cello Concerto No. 2: III. Lento - Allegro molto
Henriëtte Bosmans’ mother was a pianist and her father played principal cello in Amsterdam's Concertgebouw Orchestra, so it is no wonder that both of these instruments were lasting influences on her musical thinking and sensibilities. Her friendship with cellists Marix Loevensohn and Frieda Belinfante did the rest to guide this Dutch composer’s imagination towards the expressive possibilities of the "little violone". In addition to various pieces of chamber music, the somewhat Iberian-spiced Poème as well as two concertos were written in the early 1920s. Despite their relative proximity in time, Henriëtte Bosmans succeeded in not repeating herself. The works are marked by imaginative forms, wildly varied tasks demanded of the soloist and a sophisticated treatment of the orchestra. Despite these works' success, they had disappeared into the annals of history for far too long.
| Classical | FLAC / APE | HD & Vinyl
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