
Collegium Musicum '23 - J. S. Bach: The Art of Fugue on Bach's Original Instruments (2025) [Hi-Res]
BAND/ARTIST: Collegium Musicum '23
- Title: J. S. Bach: The Art of Fugue on Bach's Original Instruments
- Year Of Release: 2025
- Label: Ramée
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:22:39
- Total Size: 418 mb / 2.73 gb
- WebSite: Album Preview
Tracklist
01. Die Elenden sollen essen, BWV 75: VII. Chorale. Was Gott tut, das ist wohlgetan (Transcr. for Organ by Johannes Lang)
02. Die Kunst der Fuge, BWV 1080: No. 1, Contrapunctus 1
03. Die Kunst der Fuge, BWV 1080: No. 3, Contrapunctus 3
04. Die Kunst der Fuge, BWV 1080: No. 2, Contrapunctus 2
05. Die Kunst der Fuge, BWV 1080: No. 4, Contrapunctus 4
06. Die Kunst der Fuge, BWV 1080: No. 14a, Canon per Augmentationem in Contrario Motu, perpetuus
07. Die Kunst der Fuge, BWV 1080: No. 5, Contrapunctus 5
08. Die Kunst der Fuge, BWV 1080: No. 6, Contrapunctus 6 in Stylo Francese
09. Die Kunst der Fuge, BWV 1080: No. 7, Contrapunctus 7 per Augmentationem et Diminutionem
10. Die Kunst der Fuge, BWV 1080: No. 14, Canon per Augmentationem in Contrario Motu
11. Die Kunst der Fuge, BWV 1080: No. 8, Contrapunctus 8 a 3
12. Die Kunst der Fuge, BWV 1080: No. 9, Contrapunctus 9 alla Duodecima
13. Die Kunst der Fuge, BWV 1080: No. 15, Canon alla Ottava
14. Die Kunst der Fuge, BWV 1080: No. 10, Contrapunctus 10 alla Decima
15. Die Kunst der Fuge, BWV 1080: No. 11, Contrapunctus 11
16. Die Kunst der Fuge, BWV 1080: No. 12,1, Contrapunctus 12
17. Die Kunst der Fuge, BWV 1080: No. 12,2, Contrapunctus 12, forma inversa
18. Die Kunst der Fuge, BWV 1080: No. 16, Canon alla Decima in Contrapunto alla Terza
19. Die Kunst der Fuge, BWV 1080: No. 13,1, Contrapunctus 13 a 3, forma inversa
20. Die Kunst der Fuge, BWV 1080: No. 13,2, Contrapunctus 13 a 3, forma recta
21. Die Kunst der Fuge, BWV 1080: No. 17, Canon alla Duodecima in Contrapunto alla Quinta
22. Die Kunst der Fuge, BWV 1080: No. 19, Fuga a 3 Soggetti
23. Vor deinen Thron tret' ich, BWV 668: Chorale. Wenn wir in hoechsten Noethen (Transcr. for Organ by Johannes Lang)
![Collegium Musicum '23 - J. S. Bach: The Art of Fugue on Bach's Original Instruments (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-06/1749565928_collegium-musicum-23-j_-s_-bach-the-art-of-fugue-on-bachs-original-instruments-2025-back.jpg)
Johann Sebastian Bach took the opportunity to enhance the previously mediocre inventory of string instruments in Leipzig's two main churches in 1729 by purchasing four violins, two violas and two cellos from the workshop of Johann Christian Hoffmann (Leipzig 1683-1750). Three of these eight instruments, two violins and a viola, are still owned by the Thomaskirche. They could only be admired in a display case for decades, but here they can be heard in a recording for the first time. The Art of Fugue is framed by Bach's first and last Leipzig chorale arrangements, recorded on the Hildebrandt organ in Stormthal near Leipzig, which Bach had examined and inaugurated. Hearing these emblematic works on instruments that the Cantor himself had played is an extraordinary experience that provides direct historical testimony to the sound world of Johann Sebastian Bach.
01. Die Elenden sollen essen, BWV 75: VII. Chorale. Was Gott tut, das ist wohlgetan (Transcr. for Organ by Johannes Lang)
02. Die Kunst der Fuge, BWV 1080: No. 1, Contrapunctus 1
03. Die Kunst der Fuge, BWV 1080: No. 3, Contrapunctus 3
04. Die Kunst der Fuge, BWV 1080: No. 2, Contrapunctus 2
05. Die Kunst der Fuge, BWV 1080: No. 4, Contrapunctus 4
06. Die Kunst der Fuge, BWV 1080: No. 14a, Canon per Augmentationem in Contrario Motu, perpetuus
07. Die Kunst der Fuge, BWV 1080: No. 5, Contrapunctus 5
08. Die Kunst der Fuge, BWV 1080: No. 6, Contrapunctus 6 in Stylo Francese
09. Die Kunst der Fuge, BWV 1080: No. 7, Contrapunctus 7 per Augmentationem et Diminutionem
10. Die Kunst der Fuge, BWV 1080: No. 14, Canon per Augmentationem in Contrario Motu
11. Die Kunst der Fuge, BWV 1080: No. 8, Contrapunctus 8 a 3
12. Die Kunst der Fuge, BWV 1080: No. 9, Contrapunctus 9 alla Duodecima
13. Die Kunst der Fuge, BWV 1080: No. 15, Canon alla Ottava
14. Die Kunst der Fuge, BWV 1080: No. 10, Contrapunctus 10 alla Decima
15. Die Kunst der Fuge, BWV 1080: No. 11, Contrapunctus 11
16. Die Kunst der Fuge, BWV 1080: No. 12,1, Contrapunctus 12
17. Die Kunst der Fuge, BWV 1080: No. 12,2, Contrapunctus 12, forma inversa
18. Die Kunst der Fuge, BWV 1080: No. 16, Canon alla Decima in Contrapunto alla Terza
19. Die Kunst der Fuge, BWV 1080: No. 13,1, Contrapunctus 13 a 3, forma inversa
20. Die Kunst der Fuge, BWV 1080: No. 13,2, Contrapunctus 13 a 3, forma recta
21. Die Kunst der Fuge, BWV 1080: No. 17, Canon alla Duodecima in Contrapunto alla Quinta
22. Die Kunst der Fuge, BWV 1080: No. 19, Fuga a 3 Soggetti
23. Vor deinen Thron tret' ich, BWV 668: Chorale. Wenn wir in hoechsten Noethen (Transcr. for Organ by Johannes Lang)
![Collegium Musicum '23 - J. S. Bach: The Art of Fugue on Bach's Original Instruments (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-06/1749565928_collegium-musicum-23-j_-s_-bach-the-art-of-fugue-on-bachs-original-instruments-2025-back.jpg)
Johann Sebastian Bach took the opportunity to enhance the previously mediocre inventory of string instruments in Leipzig's two main churches in 1729 by purchasing four violins, two violas and two cellos from the workshop of Johann Christian Hoffmann (Leipzig 1683-1750). Three of these eight instruments, two violins and a viola, are still owned by the Thomaskirche. They could only be admired in a display case for decades, but here they can be heard in a recording for the first time. The Art of Fugue is framed by Bach's first and last Leipzig chorale arrangements, recorded on the Hildebrandt organ in Stormthal near Leipzig, which Bach had examined and inaugurated. Hearing these emblematic works on instruments that the Cantor himself had played is an extraordinary experience that provides direct historical testimony to the sound world of Johann Sebastian Bach.
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