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Bear Mace - Slaves of the Wolf (2025) Hi-Res

Bear Mace - Slaves of the Wolf (2025) Hi-Res

BAND/ARTIST: Bear Mace

  • Title: Slaves of the Wolf
  • Year Of Release: 2025
  • Label: Bear Mace
  • Genre: Death Metal
  • Quality: FLAC 24bit-48kHz / FLAC (tracks) / MP3 320 Kbps
  • Total Time: 33:53
  • Total Size: 508 / 289 / 97 mb
  • WebSite:
Tracklist:

01. Slaves of the Wolf (00:04:20)
02. Worthless Lives (00:04:06)
03. Drown Them in Their Blood (00:04:30)
04. The Iceman Cometh (00:02:58)
05. Captured and Consumed (00:04:36)
06. Heretics Burn (00:04:44)
07. Prophecy (00:04:03)
08. Cancerous Winds (00:04:36)

Total length: 00:33:53
Label: Bear Mace
Genre: Death Metal

Band Members:
Fucking Hate - Bass
Infidel Castro - Drums
Mike Cirrhosis - Guitars
Crossbow Death - Guitars
Tommy Bellino - Guitars
The Lord Devourer - Vocals
Garry Napalm - Drums



Released on June 6, 2025, Bear Mace’s third album delivers a meticulously crafted homage to old-school death metal. Critics highlight the precision of the production—engineered by Sanford Parker, mixed/mastered by Damian Herring—and praise its “raw, dynamic” balance: aggressive yet crystal-clear, every blast-beat, riff, and bass note distinctly audible.

The performances draw high acclaim. Vocalist Chris Scearce is noted for his “ground-shaking depth,” clarity, and sheer power, while drumming by Garry Naples is described as a “sonic avalanche” and “clean, crisp and full”—a vital backbone of the album’s punch. Twin guitar leads add flamboyant thrash energy, with solos weaving menace and melody in equal measure.

Lyrical content dives deep into war, survival, historical atrocities, and darker narratives. Tracks such as “Slaves of the Wolf” and “Worthless Lives” evoke battlefield imagery and societal decay. The album features impactful storytelling, e.g. “The Iceman Cometh” recounts the serial killer Richard Kuklinski, and “Captured and Consumed” brings WWII horror with guest vocals by Kam Lee from Massacre.

Reviewers agree: this is a “work of excellence,” a “ferocious throwback,” and a “weaponised” take on death metal. MetalTalk called it “a work of excellence end to end,” and Defenders of the Faith awarded it 9/10, stating: “Slaves makes both outing sound like paltry rehearsals by comparison.”




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  • angel44
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