Agnes Giebel, Berliner Philharmoniker, Dietrich Fischer-Dieskau, Günther Weissenborn - Handel: Apollo e Dafne, HWV 122 (2025) [Hi-Res]
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- Title: Handel: Apollo e Dafne, HWV 122
- Year Of Release: 2025
- Label: Deutsche Grammophon (DG)
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz
- Total Time: 00:43:48
- Total Size: 216 mb / 1.62 gb
- WebSite: Album Preview
Tracklist
01. Apollo e Dafne, HWV 122: No. 1, Recit. La terra è liberata
02. Apollo e Dafne, HWV 122: No. 2, Aria. Pende il ben dell'universo
03. Apollo e Dafne, HWV 122: No. 3, Recit. Ch'il superbetto Amore
04. Apollo e Dafne, HWV 122: No. 4, Aria. Spezza l'arco e getta l'armi
05. Apollo e Dafne, HWV 122: No. 5, Aria. Felicissima quest'alma
06. Apollo e Dafne, HWV 122: No. 6, Recit. Che voce! Che beltà! (Apollo, Dafne)
07. Apollo e Dafne, HWV 122: No. 7, Aria. Ardi, adori e preghi invano
08. Apollo e Dafne, HWV 122: No. 8, Recit. Che crudel! Ch‘importuno (Apollo, Dafne)
09. Apollo e Dafne, HWV 122: No. 9, Duet. Una guerra ho dentro il seno (Dafne, Apollo)
10. Apollo e Dafne, HWV 122: No. 10, Recit. Placati al fin, o cara
11. Apollo e Dafne, HWV 122: No. 11, Aria. Come rosa in su la spina
12. Apollo e Dafne, HWV 122: No. 12, Recit. Ah! Ch'un Dio non dovrebbe
13. Apollo e Dafne, HWV 122: No. 13, Aria. Come in ciel benigna stella
14. Apollo e Dafne, HWV 122: No. 14, Recit. Odi la mia ragion! Sorda son io! (Apollo, Dafne)
15. Apollo e Dafne, HWV 122: No. 15, Duet. Deh! Lascia addolcire (Dafne, Apollo)
16. Apollo e Dafne, HWV 122: No. 16, Recit. Sempre t'adorerò! (Apollo, Dafne)
17. Apollo e Dafne, HWV 122: No. 17, Aria. Mie piante correte
18. Apollo e Dafne, HWV 122: No. 18, Aria. Cara pianta, co'miei pianti
On 28 May 2025, the great baritone Dietrich Fischer-Dieskau would have been 100 years old. To mark the occasion, Deutsche Grammophon is releasing his performance of Handel’s secular cantata Apollo e Dafne, an album that has not yet entered the digital supply chain. On the album, Fischer-Dieskau is accompanied by members of the Berliner Philarmoniker, augmented by harpsichord, lute and viola da gamba. Günter Weissenborn, Fischer-Dieskau’s long-time piano accompanist, conducts the chamber ensemble with an astonishing knowledge of historical performance practice.
01. Apollo e Dafne, HWV 122: No. 1, Recit. La terra è liberata
02. Apollo e Dafne, HWV 122: No. 2, Aria. Pende il ben dell'universo
03. Apollo e Dafne, HWV 122: No. 3, Recit. Ch'il superbetto Amore
04. Apollo e Dafne, HWV 122: No. 4, Aria. Spezza l'arco e getta l'armi
05. Apollo e Dafne, HWV 122: No. 5, Aria. Felicissima quest'alma
06. Apollo e Dafne, HWV 122: No. 6, Recit. Che voce! Che beltà! (Apollo, Dafne)
07. Apollo e Dafne, HWV 122: No. 7, Aria. Ardi, adori e preghi invano
08. Apollo e Dafne, HWV 122: No. 8, Recit. Che crudel! Ch‘importuno (Apollo, Dafne)
09. Apollo e Dafne, HWV 122: No. 9, Duet. Una guerra ho dentro il seno (Dafne, Apollo)
10. Apollo e Dafne, HWV 122: No. 10, Recit. Placati al fin, o cara
11. Apollo e Dafne, HWV 122: No. 11, Aria. Come rosa in su la spina
12. Apollo e Dafne, HWV 122: No. 12, Recit. Ah! Ch'un Dio non dovrebbe
13. Apollo e Dafne, HWV 122: No. 13, Aria. Come in ciel benigna stella
14. Apollo e Dafne, HWV 122: No. 14, Recit. Odi la mia ragion! Sorda son io! (Apollo, Dafne)
15. Apollo e Dafne, HWV 122: No. 15, Duet. Deh! Lascia addolcire (Dafne, Apollo)
16. Apollo e Dafne, HWV 122: No. 16, Recit. Sempre t'adorerò! (Apollo, Dafne)
17. Apollo e Dafne, HWV 122: No. 17, Aria. Mie piante correte
18. Apollo e Dafne, HWV 122: No. 18, Aria. Cara pianta, co'miei pianti
On 28 May 2025, the great baritone Dietrich Fischer-Dieskau would have been 100 years old. To mark the occasion, Deutsche Grammophon is releasing his performance of Handel’s secular cantata Apollo e Dafne, an album that has not yet entered the digital supply chain. On the album, Fischer-Dieskau is accompanied by members of the Berliner Philarmoniker, augmented by harpsichord, lute and viola da gamba. Günter Weissenborn, Fischer-Dieskau’s long-time piano accompanist, conducts the chamber ensemble with an astonishing knowledge of historical performance practice.
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