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Kévin Amiel, Orchestra Sinfonica G. Rossini, Frédéric Chaslin - Backstage (2025) [Hi-Res]

Kévin Amiel, Orchestra Sinfonica G. Rossini, Frédéric Chaslin - Backstage (2025) [Hi-Res]
  • Title: Backstage
  • Year Of Release: 2025
  • Label: Aparté
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:08:50
  • Total Size: 356 mb / 1.2 gb
  • WebSite:
Tracklist

01. La Traviata, Act II: Lunge da lei… De' miei bollenti spiriti (Alfredo)
02. Rigoletto, Act II: Ella mi fu rapita!… Parmi veder le lagrime (Duca)
03. Lucia di Lammermoor, Act III: Tombe degli avi miei… Fra poco a me ricovero (Edgardo)
04. Macbeth, Act IV: O figli miei!… Ah, la paterna mano (Macduff)
05. Rigoletto, Act III: La donna è mobile (Duca)
06. Gianni Schicchi, SC 88: Avete torto!... Firenze è come un albero fiorito (Rinuccio)
07. Il duca d'Alba, Act IV, Scene 1: Inosservato, penetrava in questo… (Marcello)
08. Il duca d'Alba, Act IV, Scene 1: Angelo casto e bel (Marcello)
09. Roméo et Juliette, CG 9, Act II: L'amour… Ah ! Lève-toi, soleil ! (Roméo)
10. La bohème, SC 67, Act I: Che gelida manina! (Rodolfo)
11. Lakmé, Act III: Lakmé ! Lakmé ! Lakmé ! Ah ! viens dans la forêt profonde (Gérald)
12. Werther, Act III: Toute mon âme est là !… Pourquoi me réveiller, ô souffle du printemps ? (Werther)
13. Mireille, CG 8, Act V: Mon cœur est plein d'un noir souci… Anges du paradis (Vincent)
14. L'Elisir d'amore, Act II: Una furtiva lagrima (Nemorino)
15. La danza
16. Core 'ngrato
17. Le pays du sourire, Act II: Je t'ai donné mon cœur (Sou-Chong)

Kévin Amiel, the rising voice of French opera, confirms his talent with a first album of the highest calibre. Nominated for a ‘Révélations’ award at the Victoires de la musique classique awards in 2020 and an Adami artist, the tenor explores the great arias of the 19th century, a period when opera celebrated extraordinary destinies, from the stage to backstage, with Verdi, Gounod, Puccini and Delibes.
Combining a luminous timbre, virtuosity and dramatic talent, Kévin Amiel embodies this demanding art, forged by passion, patience and hard work. With a nod to Pavarotti, arguably the greatest and most popular of opera singers, he slips a few traditional Neapolitan arias into this programme, as if to remind us that the joy of singing must always come first.


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  • platico
  •  wrote in 04:27
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gracias...