Dramatodía and Alberto Allegrezza featuring Enrico Parizzi, Rosita Ippolito, Giovanni Bellini, Domenico Cerasani, Luca Tarantino, Margherita Burattini, Michele Vannelli - Giacobbi: L'Aurora ingannata (2025) [Hi-Res]
![Dramatodía and Alberto Allegrezza featuring Enrico Parizzi, Rosita Ippolito, Giovanni Bellini, Domenico Cerasani, Luca Tarantino, Margherita Burattini, Michele Vannelli - Giacobbi: L'Aurora ingannata (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-05/1746143637_michele-vannelli-giacobbi-laurora-ingannata-2025.jpg)
BAND/ARTIST: Dramatodía and Alberto Allegrezza featuring Enrico Parizzi, Rosita Ippolito, Giovanni Bellini, Domenico Cerasani, Luca Tarantino, Margherita Burattini, Michele Vannelli
- Title: Giacobbi: L'Aurora ingannata
- Year Of Release: 2025
- Label: Tactus
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
- Total Time: 00:55:14
- Total Size: 278 / 578 mb
- WebSite: Album Preview
Tracklist
01. Erina, Canzon ottava
02. Intermedio primo
03. Istrina, Canzon quarta
04. Intermedio secondo
05. Arete, Canzon seconda
06. Intermedio terzo
07. Intermedio quarto
08. Cleopatra, Toccata a 8
There was magnificent cultural vitality recorded in Bologna in the early seventeenth century, and it is always fascinating to grasp the links between academic undertakings and daily life, between the regular occurrences of festive occasions and the civic institutions. From this rich workshop of ideas, two centuries of splendour and eminent talents were to unfold, active in all fields of knowledge and the arts. The performance of the tragicomedy Filarmindo by Ridolfo Campeggi, which took place in 1605 to celebrate the wedding of Marquis Ferdinando Riario and Countess Laura Pepoli, was ‘stuffed’ – following a well-established theatrical practice – with the four intermezzi of Aurora Ingannata. The task of composing the music for these intermezzi was given to Girolamo Giacobbi, at the time the chapel master of the Basilica of San Petronio and highly respected professional. This memorable performance, preserved in the chronicles of the time, is masterfully revived by the ensemble Dramatodía (already featured in Il Festino del Giovedì Grasso by Adriano Banchieri, TC550008), paying homage to the gem from which the ensemble takes its name.
01. Erina, Canzon ottava
02. Intermedio primo
03. Istrina, Canzon quarta
04. Intermedio secondo
05. Arete, Canzon seconda
06. Intermedio terzo
07. Intermedio quarto
08. Cleopatra, Toccata a 8
There was magnificent cultural vitality recorded in Bologna in the early seventeenth century, and it is always fascinating to grasp the links between academic undertakings and daily life, between the regular occurrences of festive occasions and the civic institutions. From this rich workshop of ideas, two centuries of splendour and eminent talents were to unfold, active in all fields of knowledge and the arts. The performance of the tragicomedy Filarmindo by Ridolfo Campeggi, which took place in 1605 to celebrate the wedding of Marquis Ferdinando Riario and Countess Laura Pepoli, was ‘stuffed’ – following a well-established theatrical practice – with the four intermezzi of Aurora Ingannata. The task of composing the music for these intermezzi was given to Girolamo Giacobbi, at the time the chapel master of the Basilica of San Petronio and highly respected professional. This memorable performance, preserved in the chronicles of the time, is masterfully revived by the ensemble Dramatodía (already featured in Il Festino del Giovedì Grasso by Adriano Banchieri, TC550008), paying homage to the gem from which the ensemble takes its name.
| Classical | FLAC / APE | HD & Vinyl
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