David Oïstrakh, Lev Oborin - Beethoven: The Violin Sonatas (2001)
BAND/ARTIST: David Oïstrakh, Lev Oborin
- Title: Beethoven: The Violin Sonatas
- Year Of Release: 2001
- Label: Decca Music Group Ltd.
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 03:47:28
- Total Size: 1010 mb
- WebSite: Album Preview
Tracklist
CD1
01. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 1. Allegro con brio
02. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 2. Tema con variazioni (Andante con moto)
03. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 3. Rondo (Allegro)
04. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 1. Allegro vivace
05. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 2. Andante più tosto allegretto
06. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 3. Allegro piacevole
07. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 1. Allegro con spirito
08. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 2. Adagio con molt' espressione
09. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 3. Rondo (Allegro molto)
CD2
01. Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
02. Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
03. Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
04. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 1. Allegro
05. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 2. Adagio molto espressivo
06. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 3. Scherzo (Allegro molto)
07. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 4. Rondo (Allegro ma non troppo)
08. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 1. Allegro
09. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 2. Adagio
10. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 3. Allegretto con variazioni
CD3
01. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 1. Allegro con brio
02. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 2. Adagio cantabile
03. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 3. Scherzo (Allegro)
04. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 4. Finale (Allegro)
05. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 1. Allegro assai
06. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 2. Tempo di minuetto, ma molto moderato e grazioso
07. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 3. Allegro vivace
CD4
01. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto
02. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. Andante con variazioni
03. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto
04. Sonata For Violin And Piano No. 10 In G, Op. 96: 1. Allegro moderato
05. Sonata For Violin And Piano No. 10 In G, Op. 96: 2. Adagio espressivo - 3. Scherzo (Allegro)
06. Sonata For Violin And Piano No. 10 In G, Op. 96: 4. Poco allegretto
The greatest Russian violinist of the twentieth century is the legendary David Oistrakh, the virtuoso whose muscular tone and tender lyricism were the culmination of the Russian tradition of violin playing and whose influence is still felt in the playing of Gidon Kremer, Vadim Repin, Viktoria Mullova, and dozens of others. But what makes Oistrakh legendary when most of his best work is so easily available? As Philips realized early on, reissuing Oistrakh not only kept his work before the public, but was an assured income. In this reissue of Oistrakh's magisterial set of the ten Beethoven violin sonatas recorded in 1962 with pianist Lev Oborin, Philips kept before the public what is arguably the best set of the sonatas since the classic Fritz Kreisler set of the '30s. Oistrakh's interpretations are fresh but thoughtful, seasoned but still passionately involved with the music. His slow movements sing, his fast movements dance, his melodies are endless, his harmonies flawless, and his form is exquisitely poised between consideration and inspiration. Lev Oborin is wholly as one with Oistrakh and a terrific player in his own right. Together, their performances are perhaps the most satisfying and exalting ever made. Indeed, the only real problem with Oistrakh's recordings is the sound of the recordings. Hazy and recessed, the sound slightly softens Oistrakh's attacks and blurs the balance between Oistrakh and Oborin.
CD1
01. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 1. Allegro con brio
02. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 2. Tema con variazioni (Andante con moto)
03. Sonata For Violin And Piano No. 1 In D, Op. 12 No. 1: 3. Rondo (Allegro)
04. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 1. Allegro vivace
05. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 2. Andante più tosto allegretto
06. Sonata For Violin And Piano No. 2 In A, Op. 12 No. 2: 3. Allegro piacevole
07. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 1. Allegro con spirito
08. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 2. Adagio con molt' espressione
09. Sonata For Violin And Piano No. 3 In E Flat, Op. 12 No. 3: 3. Rondo (Allegro molto)
CD2
01. Violin Sonata No. 4 in A Minor, Op. 23: I. Presto
02. Violin Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso, più allegretto
03. Violin Sonata No. 4 in A Minor, Op. 23: III. Allegro molto
04. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 1. Allegro
05. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 2. Adagio molto espressivo
06. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 3. Scherzo (Allegro molto)
07. Sonata for Violin and Piano No. 5 in F, Op. 24 - "Spring": 4. Rondo (Allegro ma non troppo)
08. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 1. Allegro
09. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 2. Adagio
10. Sonata for Violin and Piano No. 6 in A, Op. 30 No. 1: 3. Allegretto con variazioni
CD3
01. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 1. Allegro con brio
02. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 2. Adagio cantabile
03. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 3. Scherzo (Allegro)
04. Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 4. Finale (Allegro)
05. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 1. Allegro assai
06. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 2. Tempo di minuetto, ma molto moderato e grazioso
07. Sonata For Violin And Piano No. 8 In G, Op. 30 No. 3: 3. Allegro vivace
CD4
01. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto
02. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": II. Andante con variazioni
03. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto
04. Sonata For Violin And Piano No. 10 In G, Op. 96: 1. Allegro moderato
05. Sonata For Violin And Piano No. 10 In G, Op. 96: 2. Adagio espressivo - 3. Scherzo (Allegro)
06. Sonata For Violin And Piano No. 10 In G, Op. 96: 4. Poco allegretto
The greatest Russian violinist of the twentieth century is the legendary David Oistrakh, the virtuoso whose muscular tone and tender lyricism were the culmination of the Russian tradition of violin playing and whose influence is still felt in the playing of Gidon Kremer, Vadim Repin, Viktoria Mullova, and dozens of others. But what makes Oistrakh legendary when most of his best work is so easily available? As Philips realized early on, reissuing Oistrakh not only kept his work before the public, but was an assured income. In this reissue of Oistrakh's magisterial set of the ten Beethoven violin sonatas recorded in 1962 with pianist Lev Oborin, Philips kept before the public what is arguably the best set of the sonatas since the classic Fritz Kreisler set of the '30s. Oistrakh's interpretations are fresh but thoughtful, seasoned but still passionately involved with the music. His slow movements sing, his fast movements dance, his melodies are endless, his harmonies flawless, and his form is exquisitely poised between consideration and inspiration. Lev Oborin is wholly as one with Oistrakh and a terrific player in his own right. Together, their performances are perhaps the most satisfying and exalting ever made. Indeed, the only real problem with Oistrakh's recordings is the sound of the recordings. Hazy and recessed, the sound slightly softens Oistrakh's attacks and blurs the balance between Oistrakh and Oborin.
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