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Noemi Gyori, Zoltán Fejérvári, Kate Fleetwood - L'après-midi d'une nymphe (2025) [Hi-Res]

Noemi Gyori, Zoltán Fejérvári, Kate Fleetwood - L'après-midi d'une nymphe (2025) [Hi-Res]
  • Title: L'après-midi d'une nymphe
  • Year Of Release: 2025
  • Label: RUBICON
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0/96.0kHz +Booklet
  • Total Time: 01:16:27
  • Total Size: 280 / 876 mb
  • WebSite:
Tracklist

01. The Song of the Wood Nymphs
02. Syrinx, L. 129
03. Echo's First Dance
04. A Musical Instrument
05. Sacrifice (The First Song of Fulvia, Nymph of Spring)
06. Prélude à l'après-midi d'un faune, L. 86 (Arr. for Flute and Piano by Karl Lenski)
07. Instructions on Steaming Your Face
08. En Garde
09. Spring's Fashion Week (Fulvia's Song)
10. Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": I. Pan et les bergers
11. There is nothing but
12. The Nymph to the Faun
13. Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": II. Pan et les oiseaux
14. The Air is Full
15. Spring Carnival (A Fragment)
16. Sonata for Flute & Piano, Op. 15 "La Flûte de Pan": III. Pan et les nymphes
17. The Song of Free Nymphs
18. Diana's Dance
19. The Cruel Nymph
20. Song of Nymphs
21. The Thirst (Song of Lorelei, the Water Nymph)
22. Chant de Linos

Greek mythology has profoundly shaped society, influencing cultural norms, traditions, and even giving rise to celebrated works like those of Claude Debussy, which redefined Western art music and revolutionized the flute’s role within it.

At the heart of The Afternoon of a Nymph are Debussy’s masterpieces, complemented by Jules Mouquet’s La Flûte de Pan and André Jolivet’s Chant de Linos. Each is paired with original poetry by Anna T. Szabó, and to provide historical literary context, Elizabeth Barrett Browning’s A Musical Instrument, while excerpts from Leonardo De Lorenzo’s Suite Mythologique, Op.38 add further musical texture with its first movement, Pan.

Noemi Gyori is a celebrated flautist on modern and baroque flutes, hailed internationally for her ‘phenomenal technique and sparkling play of colours’ (Opus Klassiek), ‘rich tonal repertoire and enchanting melodic shaping’ (Turun Sanomat), and ‘great skill and intensity’ (Flute Journal).



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