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Gary Willis - Bent (1998)

Gary Willis - Bent (1998)

BAND/ARTIST: Gary Willis

  • Title: Bent
  • Year Of Release: 1998
  • Label: Alchemy Records
  • Genre: Jazz-Rock, Fusion
  • Quality: Mp3 320 / Flac (tracks)
  • Total Time: 01:01:07
  • Total Size: 150/373 Mb
  • WebSite:
Tracklist:

01. Hipmotize 5:29
02. Armageddon Blues 6:12
03. Bent 6:02
04. It's Only Music 7:13
05. Do The Math 4:16
06. Bowlegged 6:12
07. Cadillac 7:17
08. Everything's Cool 4:46
09. Big Time 6:57
10. Before Your Eyes 1:52
11. Emancipation 4:52

- Gary Willis / bass
- Dennis Chambers / drums
- Scott Kinsey / keyboards
- Steve Tavaglione / EWI
- Kirk Covington / drums
- Bob Berg / tenor sax

Gary Willis is a bass player from the US known mostly for his work with Tribal Tech from 1984 to 2000, as well as several solo albums. On Gary's most recent album, 'Actual Fiction', Kirk Covington and Libert Fortuny make up the other two thirds of his power jazz-funk trio. Gary has also worked with other stellar fusion musicians such as Wayne Shorter, Dennis Chambers and Alan Holdsworth.

One of Gary's earliest musical performances was a solo vocal and guitar rendition of 'We May Never Pass This Way Again', which he performed for the 1974 graduating class at Pine Tree High School in Longview Texas. From Pine Tree High School, Gary moved on to East Texas State University (now called Texas A&M at Commerce TX) where he joined the school's jazz combo with other future pro jazz performers such as Nate Vinson who went on to form the avant drumnbass project known as beep squawk. Gary was still a guitarist at this point, but the ETSU combo already had a guitarist named Bruce Hodge who wasn't going to readily give up the instrument that had helped him meet so many young ladies. Since the group had no bassist, it only made since for Gary to switch to bass, thus a future fusion star bassist was on his way.

While at ETSU Gary also met future acid jazz sub-star John Sanders, who would go on to form several bands of his own such as New Power Soul, Memphis Mystics and Zazerac. While at school, Willis and Sanders recorded an avant-garde improvisation on 8-track tape which Gary used for his term paper on John Cage and the use of pure sound in music.



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