Hansgeorg Schmeiser, Matteo Fossi - Roussel, Milhaud, Martinu, Poulenc, Schulhoff & Honegger: Music for Flute and Piano (2015)
BAND/ARTIST: Hansgeorg Schmeiser, Matteo Fossi
- Title: Roussel, Milhaud, Martinu, Poulenc, Schulhoff & Honegger: Music for Flute and Piano
- Year Of Release: 2015
- Label: Nimbus Records
- Genre: Clsaaical
- Quality: flac lossless (tracks)
- Total Time: 01:07:38
- Total Size: 243 mb
- WebSite: Album Preview
Tracklist
01. Flute Sonatine, Op. 76: I. Tendre
02. Flute Sonatine, Op. 76: II. Souple
03. Flute Sonatine, Op. 76: III. Clair
04. Joueurs de Flûte, Op. 27: I. Pan
05. Joueurs de Flûte, Op. 27: II. Tityre
06. Joueurs de Flûte, Op. 27: III. Krishna
07. Joueurs de Flûte, Op. 27: IV. Mr de la Péjaudie
08. Sonata for Flute and Piano: I. Allegro moderato
09. Sonata for Flute and Piano: II. Scherzo. Allegro giocoso
10. Sonata for Flute and Piano: III. Aria. Andante
11. Sonata for Flute and Piano: IV. Rondo - Finale. Allegro molto gajo
12. Aria in B-Flat Major
13. Sonata for Flute and Piano, H. 306: I. Allegro moderato
14. Sonata for Flute and Piano, H. 306: II. Adagio
15. Sonata for Flute and Piano, H. 306: III. Allegro poco moderato
16. Romance
17. Flute Sonata, FP 164: I. Allegretto malinconico
18. Flute Sonata, FP 164: II. Cantilena
19. Flute Sonata, FP 164: III. Presto giocoso
Every century since the Baroque era can lay some claim to having a European ‘golden age’ for the flute, but it was Theobald Böhm’s 1847 patented invention of a much improved system of keys and fingerings which at last provided flautists with the kind of flexibility long enjoyed by violinists. Influential flautist and educator Claude-Paul Taffanel (1844-1908) made the most of Böhm’s revolutionary design and is considered the founding father of the ‘French Flute School’ established by the turn of the century. The outstanding expressive and technical prowess of flautists graduating from those classes at the Paris Conservatoire saw numerous composers paying the instrument serious attention in the 20th century, and even today you will struggle to find a leading flautist without a ‘six degrees of separation’ musical ancestry that is traceable to Taffanel.
01. Flute Sonatine, Op. 76: I. Tendre
02. Flute Sonatine, Op. 76: II. Souple
03. Flute Sonatine, Op. 76: III. Clair
04. Joueurs de Flûte, Op. 27: I. Pan
05. Joueurs de Flûte, Op. 27: II. Tityre
06. Joueurs de Flûte, Op. 27: III. Krishna
07. Joueurs de Flûte, Op. 27: IV. Mr de la Péjaudie
08. Sonata for Flute and Piano: I. Allegro moderato
09. Sonata for Flute and Piano: II. Scherzo. Allegro giocoso
10. Sonata for Flute and Piano: III. Aria. Andante
11. Sonata for Flute and Piano: IV. Rondo - Finale. Allegro molto gajo
12. Aria in B-Flat Major
13. Sonata for Flute and Piano, H. 306: I. Allegro moderato
14. Sonata for Flute and Piano, H. 306: II. Adagio
15. Sonata for Flute and Piano, H. 306: III. Allegro poco moderato
16. Romance
17. Flute Sonata, FP 164: I. Allegretto malinconico
18. Flute Sonata, FP 164: II. Cantilena
19. Flute Sonata, FP 164: III. Presto giocoso
Every century since the Baroque era can lay some claim to having a European ‘golden age’ for the flute, but it was Theobald Böhm’s 1847 patented invention of a much improved system of keys and fingerings which at last provided flautists with the kind of flexibility long enjoyed by violinists. Influential flautist and educator Claude-Paul Taffanel (1844-1908) made the most of Böhm’s revolutionary design and is considered the founding father of the ‘French Flute School’ established by the turn of the century. The outstanding expressive and technical prowess of flautists graduating from those classes at the Paris Conservatoire saw numerous composers paying the instrument serious attention in the 20th century, and even today you will struggle to find a leading flautist without a ‘six degrees of separation’ musical ancestry that is traceable to Taffanel.
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