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Marcello Fantoni - Legnani: Rossini Variations (2017) [Hi-Res]

Marcello Fantoni - Legnani: Rossini Variations (2017) [Hi-Res]

BAND/ARTIST: Marcello Fantoni

  • Title: Legnani: Rossini Variations
  • Year Of Release: 2017
  • Label: Naxos
  • Genre: Classical Guitar
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:19:32
  • Total Size: 346 mb / 1.3 gb
  • WebSite:
Tracklist

01. Gran sinfonia, Op. 2: I. Largo
02. Gran sinfonia, Op. 2: II. Allegro spiritoso
03. Guillaume Tell Overture, Op. 202: I. Andante
04. Guillaume Tell Overture, Op. 202: II. Allegro vivace
05. Ai capricci della sorte, Op. 5: I. Allegretto
06. Ai capricci della sorte, Op. 5: II. Allegro
07. Languir per una bella, Op. 7: I. Andante grazioso
08. Languir per una bella, Op. 7: II. Allegretto
09. Pensa alla patria, Op. 8: I. Allegro maestoso
10. Pensa alla patria, Op. 8: II. Moderato
11. Pensa alla patria, Op. 8: III. Allegro
12. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Tema. Allegro
13. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 1, —
14. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 2, —
15. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 3, —
16. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 4, —
17. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 5, Largo
18. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 6, Allegro
19. Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Coda
20. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Introduzione. Largo cantabile
21. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Tema. Allegro moderato
22. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 1, Più mosso
23. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 2, Più lento
24. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 3, Tempo I
25. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 4, —
26. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 5, Minore, un poco più moderato
27. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 6, Allegro brillante
28. Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Coda
29. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Tema. Vivace
30. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 1, —
31. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 2, —
32. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 3, —
33. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 4, —
34. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 5, Largo
35. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 6, Vivace
36. Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Coda
37. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Introduzione
38. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Tema. Andantino
39. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 1, —
40. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 2, —
41. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 3, —
42. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 4, —
43. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 5, —
44. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 6, —
45. Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Coda
46. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Largo marziale
47. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Tema. Andnate
48. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 1, —
49. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 2, —
50. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 3, —
51. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 4, Allegretto
52. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 5, —
53. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Largo cantabile
54. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 6, —
55. Variations on "Cara, per te quest'anima" from Rossini's "Armida": Coda

Italian guitarist, composer and instrument maker Luigi Legnani performed widely throughout Europe and was admired by Paganini as the guitar’s “leading player” of his day. Legnani’s virtuosity was eminently suited to the 19th century fashion for transcribing and writing variations on famous opera themes that range from the romance of L’Italiana in Algeri to the drama of Armida. The ‘orchestral’ colours of the guitar are fully explored with breathtaking special techniques and imitative effects.


Year 2017 | Classical | FLAC / APE | HD & Vinyl

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