Hetna Regitze Bruun, Kristoffer Nyholm Hyldig - Messiaen: Poèmes pour Mi, Vocalise-étude & Chants de terre et de ciel (2015) [Hi-Res]
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BAND/ARTIST: Hetna Regitze Bruun, Kristoffer Nyholm Hyldig
- Title: Messiaen: Poèmes pour Mi, Vocalise-étude & Chants de terre et de ciel
- Year Of Release: 2015
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:56:02
- Total Size: 204 / 954 mb
- WebSite: Album Preview
Tracklist
01. Poèmes pour Mi, Book 1: No. 1, Action de grâces
02. Poèmes pour Mi, Book 1: No. 2, Paysage
03. Poèmes pour Mi, Book 1: No. 3, La maison
04. Poèmes pour Mi, Book 1: No. 4, Epouvante
05. Poèmes pour Mi, Book 2: No. 5, L’épouse
06. Poèmes pour Mi, Book 2: No. 6, Ta voix
07. Poèmes pour Mi, Book 2: No. 7, Les deux guerriers
08. Poèmes pour Mi, Book 2: No. 8, Le collier
09. Poèmes pour Mi, Book 2: No. 9, Prière exaucée
10. Poèmes pour Mi, Book 2: Vocalise-étude
11. Chants de terre et de ciel: No. 1, Bail avec Mi
12. Chants de terre et de ciel: No. 2, Antienne du silence
13. Chants de terre et de ciel: No. 3, Danse du bébé-pilule
14. Chants de terre et de ciel: No. 4, Arc-en-ciel d’innocence
15. Chants de terre et de ciel: No. 5, Minuit pile et face
16. Chants de terre et de ciel: No. 6, Résurrection
The song cycles that Messiaen wrote between 1936 and 1945 perfectly convey the expressive and aesthetic evolution in his life and art over these years. They occupy a strikingly important place in his musical biography, and together form a composing workshop in which his latest innovations could be developed, while also exploring the full range and variety of writing for the voice.
Poèmes pour Mi is laid out on the largest scale – a richly composed cycle, intense and at times heroic. Chants de Terre et de Ciel, lighter in tone but still deeply expressive, celebrates the joy and energy of married love and family life.
Messiaen’s writing for piano, organ or large orchestral forces, and his very idiomatic writing for voice tends to be a very overlooked element of his compositions. It is worth noting that almost all the texts are by Messiaen himself. He also once said that anyone wishing to understand his musical language should study these two early song cycles because ‘they are true in sentiment and typical of my manner’. In some ways they hold the key to his early style.
01. Poèmes pour Mi, Book 1: No. 1, Action de grâces
02. Poèmes pour Mi, Book 1: No. 2, Paysage
03. Poèmes pour Mi, Book 1: No. 3, La maison
04. Poèmes pour Mi, Book 1: No. 4, Epouvante
05. Poèmes pour Mi, Book 2: No. 5, L’épouse
06. Poèmes pour Mi, Book 2: No. 6, Ta voix
07. Poèmes pour Mi, Book 2: No. 7, Les deux guerriers
08. Poèmes pour Mi, Book 2: No. 8, Le collier
09. Poèmes pour Mi, Book 2: No. 9, Prière exaucée
10. Poèmes pour Mi, Book 2: Vocalise-étude
11. Chants de terre et de ciel: No. 1, Bail avec Mi
12. Chants de terre et de ciel: No. 2, Antienne du silence
13. Chants de terre et de ciel: No. 3, Danse du bébé-pilule
14. Chants de terre et de ciel: No. 4, Arc-en-ciel d’innocence
15. Chants de terre et de ciel: No. 5, Minuit pile et face
16. Chants de terre et de ciel: No. 6, Résurrection
The song cycles that Messiaen wrote between 1936 and 1945 perfectly convey the expressive and aesthetic evolution in his life and art over these years. They occupy a strikingly important place in his musical biography, and together form a composing workshop in which his latest innovations could be developed, while also exploring the full range and variety of writing for the voice.
Poèmes pour Mi is laid out on the largest scale – a richly composed cycle, intense and at times heroic. Chants de Terre et de Ciel, lighter in tone but still deeply expressive, celebrates the joy and energy of married love and family life.
Messiaen’s writing for piano, organ or large orchestral forces, and his very idiomatic writing for voice tends to be a very overlooked element of his compositions. It is worth noting that almost all the texts are by Messiaen himself. He also once said that anyone wishing to understand his musical language should study these two early song cycles because ‘they are true in sentiment and typical of my manner’. In some ways they hold the key to his early style.
Classical | FLAC / APE | HD & Vinyl
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