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Bright Sheng - Bright Sheng: A Night at the Chinese Opera (2015) [Hi-Res]

Bright Sheng - Bright Sheng: A Night at the Chinese Opera (2015) [Hi-Res]

BAND/ARTIST: Bright Sheng

  • Title: Bright Sheng: A Night at the Chinese Opera
  • Year Of Release: 2015
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:09:11
  • Total Size: 272 mb / 1.07 gb
  • WebSite:
Tracklist

01. Dance Capriccio
02. String Quartet No. 5 "The Miraculous"
03. A Night at the Chinese Opera
04. My Song: I. Eighth Note = 54
05. My Song: II. Quarter Note = 66-72
06. My Song: III. Quarter Note = 112
07. My Song: IV. Eighth Note = 63 "Nostalgia"
08. My Other Song: I. Quarter Note = 63
09. My Other Song: II. Quarter Note = 80 sempre, non rubato
10. My Other Song: III. Prestissimo. Quarter Note = 144-160
11. My Other Song: IV. Slow Funeral March. Eighth Note = 60 sempre

There's only one piece on this album of music by Chinese American composer Bright Sheng that's connected with Chinese opera, and that, A Night at the Chinese Opera for violin and piano, is the shortest of the five included. That little work evokes the vocal sound of Chinese opera singing in the violin, and actually, it suggests that the idea of instrumental music rooted in Chinese opera, rather than the ubiquitous folk melodies, is one that composers might profitably employ. So if you're looking for a whole album of that, you won't find it here. In general, though, this is an album that will satisfy fans of Sheng, a professor at the University of Michigan, as well as newcomers to his music. Sheng has found a middle path -- better, middle paths -- between grandly cinematic and rigorously modernist treatments of Chinese traditional materials, and the chamber and piano works here use structure and rhythm in addition to melody as organizing principles. The first movement of My Song (1989), for example, evokes in a general way the heterophony of much Chinese ensemble music. Another cause for celebration is the presence of onetime bad boy Peter Serkin, who has been a supporter of Sheng's music and was connected with the genesis of both My Song and the Dance Capriccio (2011). Lively and absorbing rather than catchy, this is recommended for anyone interested in the growing Chinese presence in American concert music.


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