Simone El Oufir Pierini - De Mars: Pièces de Clavecin (2025)
BAND/ARTIST: Simone El Oufir Pierini
- Title: De Mars: Pièces de Clavecin
- Year Of Release: 2025
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:10:13
- Total Size: 467 mb
- WebSite: Album Preview
Tracklist
01. Première suite in A Major: I. Prélude
02. Première suite in A Major: II. Allemande
03. Première suite in A Major: III. Courante
04. Première suite in A Major: IV. Rondeau
05. Première suite in A Major: V. Vivement
06. Deusième suite in G Minor: I. Prèlude. Légèrement
07. Deusième suite in G Minor: II. Allemande
08. Deusième suite in G Minor: III. Courante
09. Deusième suite in G Minor: IV. Les badinages - Rondeau
10. Deusième suite in G Minor: V. Sarabande
11. Deusième suite in G Minor: VI. Gigue
12. Troisième suite in D Minor: I. Prélude
13. Troisième suite in D Minor: II. Allemande
14. Troisième suite in D Minor: III. Courante
15. Troisième suite in D Minor: IV. Un peu vivement et très lié
16. Troisième suite in D Minor: V. Premier air. Rondeau
17. Troisième suite in D Minor: VI. 2e Air. Rondeau
18. Troisième suite in D Minor: VII. Gigue
19. Quatrième suite in C Minor: I. Allemande
20. Quatrième suite in C Minor: II. Courante
21. Quatrième suite in C Minor: III. Air avec 4 doubles. Air
22. Quatrième suite in C Minor: IV. Air avec 4 doubles. Double 1
23. Quatrième suite in C Minor: V. Air avec 4 doubles. Double 2
24. Quatrième suite in C Minor: VI. Air avec 4 doubles. Double 3
26. Quatrième suite in C Minor: VIII. Gigue (en rondeau)
The Pieces de Clavecin by Charles De Mars (1702-1774) are written in the rich tradition of French Baroque harpsichord music. A composer largely overshadowed by luminaries like Francois Couperin and Jean-Philippe Rameau, De Mars nonetheless contributed to the genre with his distinctive style, characterized by elegant ornamentation and a refined sense of harmony. \u25CF De Mars's harpsichord works are steeped in the galant aesthetic, bridging the ornate Baroque style with the more expressive and accessible traits of the early Classical peri- od. His music often features dance forms like the allemande, courante, and sarabande, which were central to the French clavecinistes. \u25CF One of the hallmarks of his Pieces de Clavecin is his innovative use of ornaments, or agrements, which add a shimmering quality to the melodies. These works also reflect de Mars's ability to evoke character and mood, making them miniature portraits of the 18th-century French musical ethos. \u25CF Played by Simone Pierini on a harpsichord by Giulio Fratini after M. Mietke, 2014. Born in Rome in 1996, Pierini began studying music at the age of eight. Aged eighteen, he graduated in piano at S. Cecilia Conservatory of Music, Rome, with highest honors. He afterwards grew interest in historically informed piano practice, attending master- classes led by Alexei Lubimov, Andreas Staier, Tobias Koch, Stefano Fiuzzi. Subsequently, his interest about historical keyboards in general grew further, and he began studying harpsichord and basso continuo with such teachers as Andrea Coen and Giovanni Togni. His recordings with music by Cherubini and the complete piano sonatas by Helene de Montgeroult were very positively received by the press. Classic FM nominated him as one of the 30 best musicians under 30 in 2024.
01. Première suite in A Major: I. Prélude
02. Première suite in A Major: II. Allemande
03. Première suite in A Major: III. Courante
04. Première suite in A Major: IV. Rondeau
05. Première suite in A Major: V. Vivement
06. Deusième suite in G Minor: I. Prèlude. Légèrement
07. Deusième suite in G Minor: II. Allemande
08. Deusième suite in G Minor: III. Courante
09. Deusième suite in G Minor: IV. Les badinages - Rondeau
10. Deusième suite in G Minor: V. Sarabande
11. Deusième suite in G Minor: VI. Gigue
12. Troisième suite in D Minor: I. Prélude
13. Troisième suite in D Minor: II. Allemande
14. Troisième suite in D Minor: III. Courante
15. Troisième suite in D Minor: IV. Un peu vivement et très lié
16. Troisième suite in D Minor: V. Premier air. Rondeau
17. Troisième suite in D Minor: VI. 2e Air. Rondeau
18. Troisième suite in D Minor: VII. Gigue
19. Quatrième suite in C Minor: I. Allemande
20. Quatrième suite in C Minor: II. Courante
21. Quatrième suite in C Minor: III. Air avec 4 doubles. Air
22. Quatrième suite in C Minor: IV. Air avec 4 doubles. Double 1
23. Quatrième suite in C Minor: V. Air avec 4 doubles. Double 2
24. Quatrième suite in C Minor: VI. Air avec 4 doubles. Double 3
26. Quatrième suite in C Minor: VIII. Gigue (en rondeau)
The Pieces de Clavecin by Charles De Mars (1702-1774) are written in the rich tradition of French Baroque harpsichord music. A composer largely overshadowed by luminaries like Francois Couperin and Jean-Philippe Rameau, De Mars nonetheless contributed to the genre with his distinctive style, characterized by elegant ornamentation and a refined sense of harmony. \u25CF De Mars's harpsichord works are steeped in the galant aesthetic, bridging the ornate Baroque style with the more expressive and accessible traits of the early Classical peri- od. His music often features dance forms like the allemande, courante, and sarabande, which were central to the French clavecinistes. \u25CF One of the hallmarks of his Pieces de Clavecin is his innovative use of ornaments, or agrements, which add a shimmering quality to the melodies. These works also reflect de Mars's ability to evoke character and mood, making them miniature portraits of the 18th-century French musical ethos. \u25CF Played by Simone Pierini on a harpsichord by Giulio Fratini after M. Mietke, 2014. Born in Rome in 1996, Pierini began studying music at the age of eight. Aged eighteen, he graduated in piano at S. Cecilia Conservatory of Music, Rome, with highest honors. He afterwards grew interest in historically informed piano practice, attending master- classes led by Alexei Lubimov, Andreas Staier, Tobias Koch, Stefano Fiuzzi. Subsequently, his interest about historical keyboards in general grew further, and he began studying harpsichord and basso continuo with such teachers as Andrea Coen and Giovanni Togni. His recordings with music by Cherubini and the complete piano sonatas by Helene de Montgeroult were very positively received by the press. Classic FM nominated him as one of the 30 best musicians under 30 in 2024.
| Classical | FLAC / APE
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