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Green Day - Aragon Ballroom, Chicago, November 10th, 1994 (Remastered, Live On Broadcasting) (2025)

Green Day - Aragon Ballroom, Chicago, November 10th, 1994 (Remastered, Live On Broadcasting) (2025)

BAND/ARTIST: Green Day

  • Title: Aragon Ballroom, Chicago, November 10th, 1994 (Remastered, Live On Broadcasting)
  • Year Of Release: 2025
  • Label: DMG
  • Genre: Rock, Punk Rock, Pop-Punk, Alternative Rock
  • Quality: FLAC (tracks)
  • Total Time: 38:58
  • Total Size: 263 MB
  • WebSite:
Tracklist:

1. Going to Pasalacqua (Live) (04:44)
2. Chump (Live) (02:34)
3. Longview (Live) (03:35)
4. Burnout (Live) (02:20)
5. When I Come Around (Live) (02:58)
6. Welcome to Paradise (Live) (03:35)
7. 2,000 Light Years Away (Live) (03:20)
8. Basket Case (Live) (02:53)
9. All by Myself (Live) (01:11)
10. Dominated Love Slave (Live) (02:06)
11. F.O.D (Live) (02:22)
12. Paper Lanterns (Live) (03:48)
13. Christie Road (Live) (03:27)

Since the early '90s, Bay Area trio Green Day has been one of the most celebrated and successful bands in the world, growing from an energetic and snarling pop-punk group into an increasingly melodic and stylistically adventurous act and infiltrating the mainstream early in the process. From the start, the band took notes from the anarchic attitudes and loud, fast, snotty approach of jittery late-'70s punk acts like the Jam and Sham 69, but elevated their blasting sound with pop elements like catchy hooks, tightly arranged song structures, and Beatlesque vocal harmonies. This winning combination made their 1994 major-label debut, Dookie, an enormous breakthrough hit, serving as an entry point to punk for many listeners who were coming of age when it first blasted up the charts. As they soldiered through the ensuing decades, Green Day matured without losing any of the lawless attitude they'd built their sound on, reaching a career peak with 2004's American Idiot (a sociopolitical rock opera and Grammy-winning international success). Over the years, Green Day expanded their sound to include nods to glam rock, soul, and larger-than-life arena rock, taking the time to make such detours as 2020's Father of All..., but they also found sustenance in their pop-punk, as indicated by 2024's rousing Saviors.




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