Martin Jones - Esplá: Music for Piano (2013)
BAND/ARTIST: Martin Jones
- Title: Esplá: Music for Piano
- Year Of Release: 2013
- Label: Nimbus Records
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 02:26:13
- Total Size: 407 mb
- WebSite: Album Preview
Tracklist
01. Romanza antigua
02. Impresiones Musicales, Op. 2: I. En el Hogar
03. Impresiones Musicales, Op. 2: II. Barba Azul
04. Impresiones Musicales, Op. 2: III. Caperucita Roja
05. Impresiones Musicales, Op. 2: IV. Cenicienta
06. Impresiones Musicales, Op. 2: V. Antaño
07. Scherzo, Op. 5
08. Crepúsculum, Op. 15
09. Suite de pequeñas piezas: I. Preludio
10. Suite de pequeñas piezas: II. Canción de cuna
11. Suite de pequeñas piezas: III. Arie de Danza Pastoril
12. Suite de pequeñas piezas: IV. Ronda Levantina
13. Suite de pequeñas piezas: V. Paso de Opereta
14. Levante: I. Allegretto moderato
15. Levante: II. Andante
16. Levante: III. Allegro non molto
17. Levante: IV. Andantino
18. Levante: V. Andante
19. Levante: VI. Allegretto
20. Levante: VII. Allegro moderato
21. Levante: VIII. Moderato
22. Levante: IX. Allegro ritimico
23. Levante: X. Allegro animato
24. La pájara pinta, Op. 25: I. El Conde de Cabra
25. La pájara pinta, Op. 25: II. Doña Escotofina
26. La pájara pinta, Op. 25: III. Anton Pirulero
27. Tres Movimientos: I. Estudio
28. Tres Movimientos: II. Danza Antigua
29. Tres Movimientos: III. Pasodoble
30. Cantos de antaño, Piezas Infantiles: I. Estudio
31. Cantos de antaño, Piezas Infantiles: II. Danza antigua
32. Cantos de antaño, Piezas Infantiles: III Pasodoble
33. La Sierra, Suite folklórica: I. Canto de vendimia
34. La Sierra, Suite folklórica: II. Aire Pastoral
35. La Sierra, Suite folklórica: III. Danza Levantina
36. Lírica Española, Op. 54 (I): I. Evocatión costeña
37. Lírica Española, Op. 54 (I): II. Danza del Valle
38. Lírica Española, Op. 54 (I): III. Canción de cuna
39. Lírica Española, Op. 54 (I): IV. Paso de bail serrano
40. Lírica Española, Op. 54 (I): V. Canto de la Umbria
41. Lírica Española, Op. 54 (I): VI. Ritmos de la huerta
42. Lírica Española, Op. 54 (II): I. Romance
43. Lírica Española, Op. 54 (II): II. Canto de trilla
44. Lírica Española, Op. 54 (II): III. Conseja
45. Lírica Española, Op. 54 (III): I. Aire andaluz
46. Lírica Española, Op. 54 (III): II. Cadencia balear
47. Lírica Española, Op. 54 (III): III. Ritmo de bolero
48. Lírica Española, Op. 54 (IV): I. Habanera
49. Lírica Española, Op. 54 (IV): II. Ronda serrana
50. Lírica Española, Op. 54 (IV): III. Sonatina playera
51. Sonata Española, Op. 53: I. Andante romántico
52. Sonata Española, Op. 53: II. Mazurca sopra un tema popolare
53. Sonata Española, Op. 53: III. Allegro brioso
Óscar Esplá was born in Alicante, Spain in 1886 or 1889. This places Esplá in the same generation as his countrymen Joaquin Turina (b.1883) and Federico Mompou (b.1893).
His output includes a dozen stage works, some unfinished, and several large scale symphonic pieces incorporating chorus. His purely instrumental works include an unpublished Symphony in D (1912), orchestral arrangements his own piano pieces, two suites for chamber orchestra based on folksongs, and the Symphony ‘Aitana’ (1958). There are two published String Quartets, a Piano Trio, Piano Quintet and several duo works with piano.
The piano was an important feature of Esplá’s early successes: he was an outstanding pianist, and performer of his own early neo-classical pieces Romanza antigua, Impressiones musicales Op.2, and the Scherzo Op.5. The piano would remain a vehicle for his profoundest emotions throughout his life. Much of his keyboard music consists of ‘impressions’ particularly of a child’s world, or ‘evocations’ of the landscapes of Alicante.
01. Romanza antigua
02. Impresiones Musicales, Op. 2: I. En el Hogar
03. Impresiones Musicales, Op. 2: II. Barba Azul
04. Impresiones Musicales, Op. 2: III. Caperucita Roja
05. Impresiones Musicales, Op. 2: IV. Cenicienta
06. Impresiones Musicales, Op. 2: V. Antaño
07. Scherzo, Op. 5
08. Crepúsculum, Op. 15
09. Suite de pequeñas piezas: I. Preludio
10. Suite de pequeñas piezas: II. Canción de cuna
11. Suite de pequeñas piezas: III. Arie de Danza Pastoril
12. Suite de pequeñas piezas: IV. Ronda Levantina
13. Suite de pequeñas piezas: V. Paso de Opereta
14. Levante: I. Allegretto moderato
15. Levante: II. Andante
16. Levante: III. Allegro non molto
17. Levante: IV. Andantino
18. Levante: V. Andante
19. Levante: VI. Allegretto
20. Levante: VII. Allegro moderato
21. Levante: VIII. Moderato
22. Levante: IX. Allegro ritimico
23. Levante: X. Allegro animato
24. La pájara pinta, Op. 25: I. El Conde de Cabra
25. La pájara pinta, Op. 25: II. Doña Escotofina
26. La pájara pinta, Op. 25: III. Anton Pirulero
27. Tres Movimientos: I. Estudio
28. Tres Movimientos: II. Danza Antigua
29. Tres Movimientos: III. Pasodoble
30. Cantos de antaño, Piezas Infantiles: I. Estudio
31. Cantos de antaño, Piezas Infantiles: II. Danza antigua
32. Cantos de antaño, Piezas Infantiles: III Pasodoble
33. La Sierra, Suite folklórica: I. Canto de vendimia
34. La Sierra, Suite folklórica: II. Aire Pastoral
35. La Sierra, Suite folklórica: III. Danza Levantina
36. Lírica Española, Op. 54 (I): I. Evocatión costeña
37. Lírica Española, Op. 54 (I): II. Danza del Valle
38. Lírica Española, Op. 54 (I): III. Canción de cuna
39. Lírica Española, Op. 54 (I): IV. Paso de bail serrano
40. Lírica Española, Op. 54 (I): V. Canto de la Umbria
41. Lírica Española, Op. 54 (I): VI. Ritmos de la huerta
42. Lírica Española, Op. 54 (II): I. Romance
43. Lírica Española, Op. 54 (II): II. Canto de trilla
44. Lírica Española, Op. 54 (II): III. Conseja
45. Lírica Española, Op. 54 (III): I. Aire andaluz
46. Lírica Española, Op. 54 (III): II. Cadencia balear
47. Lírica Española, Op. 54 (III): III. Ritmo de bolero
48. Lírica Española, Op. 54 (IV): I. Habanera
49. Lírica Española, Op. 54 (IV): II. Ronda serrana
50. Lírica Española, Op. 54 (IV): III. Sonatina playera
51. Sonata Española, Op. 53: I. Andante romántico
52. Sonata Española, Op. 53: II. Mazurca sopra un tema popolare
53. Sonata Española, Op. 53: III. Allegro brioso
Óscar Esplá was born in Alicante, Spain in 1886 or 1889. This places Esplá in the same generation as his countrymen Joaquin Turina (b.1883) and Federico Mompou (b.1893).
His output includes a dozen stage works, some unfinished, and several large scale symphonic pieces incorporating chorus. His purely instrumental works include an unpublished Symphony in D (1912), orchestral arrangements his own piano pieces, two suites for chamber orchestra based on folksongs, and the Symphony ‘Aitana’ (1958). There are two published String Quartets, a Piano Trio, Piano Quintet and several duo works with piano.
The piano was an important feature of Esplá’s early successes: he was an outstanding pianist, and performer of his own early neo-classical pieces Romanza antigua, Impressiones musicales Op.2, and the Scherzo Op.5. The piano would remain a vehicle for his profoundest emotions throughout his life. Much of his keyboard music consists of ‘impressions’ particularly of a child’s world, or ‘evocations’ of the landscapes of Alicante.
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