Tristan Armstrong - The Lonely Avenue (2025)

“Tristan Armstrong is one of those ‘they don’t write ‘em like that anymore’ artists. For several years, the Toronto singer-songwriter has been following in the footsteps of Pete Townshend, Alex Chilton, Matthew Sweet, Redd Kross and other power-pop icons in establishing his own melody-driven, guitar-focused corner of the universe.
Armstrong has brilliantly captured it all on his debut solo album The Lonely Avenue, nine songs that rock with the swagger of every Dazed And Confused cast member, and roll with the sleekness of a ’72 Cutlass Supreme. Meticulously produced by Armstrong — with assistance by John Dinsmore (Sarah Harmer, Elliott Brood, Kathleen Edwards) — The Lonely Avenue is a testament to how the right alchemy leads to stunning results.

Prior to making The Lonely Avenue, Armstrong had co-founded roots-rock band The Actual Goners (whose Duncan Symonds contributes pedal steel to a few tracks on The Lonely Avenue), which made frequent appearances at popular Toronto venues. Although his new songs still contain some Americana echoes, having to work in isolation with drummer Trevor Falls during the pandemic brought out Armstrong’s pure inner rocker, as heard on The Lonely Avenue’s majestic single Queen Of Diamonds.

“I suppose the song is about committing,” Tristan says. “Whether you want to describe it as putting all your eggs in one basket, or ‘time to push all my chips into the pile,’ as the lyrics state, the song took on a romantic slant the more time I spent with it. My wife and I got married this past summer, and some of that energy is present in the song. In terms of musical influence, Joel Plaskett is definitely in there. And when Trevor Falls and I were working out the drum part, we settled on an Odds-meets-The Who sort of vibe.”

It’s hard not to describe every song on The Lonely Avenue as a gem, but other standout songs are the more adventurous Periscope featuring Kevin Breit on slide guitar, along with Armstrong’s tribute to The Tragically Hip’s Gord Downie, Gimme a Sign, and the pull-no-punches title track, mixed by Carlin Nicholson of fellow Toronto power-pop stalwarts Zeus. This last selection sets the tone for the entire album, and reflects its inner dichotomy, which, at its heart, is the essence of great power-pop.

“I began writing the song The Lonely Avenue after living in Toronto for about a year,” Armstrong says. “I had moved from where I’d grown up, Vancouver Island, a home I loved dearly, to pursue a career in music. I was living above a comedy club on Bloor Street and when I could hear groups of people interacting in the parking lot, it made me miss the friends and community I’d left behind on the west coast. In spite of being surrounded by these boisterous people, and this new urban energy, I did feel quite lonely. The overall spirit of the track could be described as a melding of raucous and melancholy.”