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Iggy Pop - Waves Club, Chicago, October 1st, 1980 (Remastered, Live On Broadcasting) (2025)

Iggy Pop - Waves Club, Chicago, October 1st, 1980 (Remastered, Live On Broadcasting) (2025)

BAND/ARTIST: Iggy Pop

  • Title: Waves Club, Chicago, October 1st, 1980 (Remastered, Live On Broadcasting)
  • Year Of Release: 2025
  • Label: DMG
  • Genre: Rock, Punk
  • Quality: FLAC (tracks)
  • Total Time: 57:51
  • Total Size: 374 MB
  • WebSite:
Tracklist:

1. Raw Power (Live) (03:57)
2. I Wanna Be Your Dog (Live) (05:42)
3. Dog Food (Live) (02:16)
4. Shake Appeal (Live) (02:44)
5. TV Eye (Live) (04:10)
6. Search and Destroy (Live) (04:00)
7. No Fun (Live) (03:04)
8. Nightclubbing (Live) (05:04)
9. Brakes On (Live) (02:50)
10. Knocking 'Em Down (Live) (03:32)
11. Lust for Life (Live) (05:49)
12. One for My Baby (Live) (05:09)
13. Funtime (Live) (04:19)
14. Take Care of Me (Live) (05:10)

Often called the Godfather of Punk, Iggy Pop created a Dionysian performance style and a variety of street-smart primitivism that made him one of rock's most influential figures when he co-founded the Stooges in 1967. There are few bands in punk (or any sort of left-of-center hard rock) that didn't draw influence from the three studio albums the Stooges released between 1969 and 1973 (especially 1970's Fun House and 1973's Raw Power). After the original collapse of the Stooges, Pop launched a career on his own that was every bit as uncompromising and significantly more diverse, and his first two solo albums, produced by David Bowie (1977's The Idiot and Lust for Life) helped blaze a trail for post-punk. Through much of the 1970s and '80s, Pop explored a variety of musical avenues for his iconoclastic world view, but found a successful middle ground between the expressive and the commercially viable with 1990's Brick by Brick, which even produced a hit single, "Candy" (a duet with Kate Pierson of the B-52's). Into the 2000s, Pop sought to blend a new level of social commentary with impassioned hard rock, which climaxed with a Stooges reunion in 2003; along with extensive touring, the revived band cut a pair of new albums, The Weirdness (2007) and Ready to Die (2013). After the end of the Stooges, Pop collaborated with Josh Homme of Queens of the Stone Age for an album that recalled his work with Bowie, 2016's Post Pop Depression, and he explored new musical avenues outside the boundaries of rock music on 2009's Euro-pop-inspired Preliminaires, the ambient guitar and electronic soundscapes of 2019's Free, and an experimental collaboration with composer Catherine Graindorge, 2022's The Dictator.



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