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Ensemble Vivant - Palm Court Pleasures (2025)

Ensemble Vivant - Palm Court Pleasures (2025)
  • Title: Palm Court Pleasures
  • Year Of Release: 2009 / 2025
  • Label: Canadian Brass Publications Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 1:03:24
  • Total Size: 245 MB
  • WebSite:
Tracklist:

1. Catherine Wilson & Ensemble Vivant – Arrival of the Queen of Sheba (03:03)
2. Catherine Wilson & Ensemble Vivant – Bethena Waltz (06:55)
3. Catherine Wilson & Ensemble Vivant – Liebesfreud (03:38)
4. Catherine Wilson & Ensemble Vivant – Sackville Street Ballad (04:02)
5. Catherine Wilson & Ensemble Vivant – Ragtime Nightingale (03:59)
6. Catherine Wilson & Ensemble Vivant – Pearl Fisher Aria (03:54)
7. Catherine Wilson & Ensemble Vivant – Hungarian Dance No. 5 (02:27)
8. Catherine Wilson & Ensemble Vivant – Elite Syncopations (04:08)
9. Catherine Wilson & Ensemble Vivant – Waltz in A-Flat Major, Op. 69, No. 1 (04:53)
10. Catherine Wilson & Ensemble Vivant – Tango de la Rose (02:49)
11. Catherine Wilson & Ensemble Vivant – Du and Du (07:15)
12. Catherine Wilson & Ensemble Vivant – O Gee, O Joy (02:29)
13. Catherine Wilson & Ensemble Vivant – Minuet (04:15)
14. Catherine Wilson & Ensemble Vivant – I'll See You Again (05:15)
15. Catherine Wilson & Ensemble Vivant – Someone to Watch Over Me (04:13)

Palm Court Pleasures was first released in the fall of 1987 on Fanfare Records, a Toronto based Label. It was an instantaneous ‘hit’, receiving frequent international radio play and critical acclaim. By 1988 Pro Arte/Intersound, based in Atlanta, Georgia, had scooped up Palm Court Pleasures and re-released it on their prestigious label. A best-seller, Palm Court Pleasures was quickly chosen by the Columbia Record Club to join their selective roster of acclaimed recordings.

Recorded at Humbercrest United Church in the late spring of 1987, the dynamic Trio Vivant of Catherine Wilson, piano; Marie Bérard, violin; and Dorothy Lawson, cello, created magic. Julian Rice, the President of Fanfare Records, ran the recording session, allowing two takes per piece. The popularity of Trio Vivant continued to grow with concert series in Canada, the United States and Europe actively engaging the group.


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