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Peter Mallinson, Matthias Wiesner, Lynn Arnold - Two Violas: Regeneration (2025) [Hi-Res]

Peter Mallinson, Matthias Wiesner, Lynn Arnold - Two Violas: Regeneration (2025) [Hi-Res]
  • Title: Two Violas: Regeneration
  • Year Of Release: 2025
  • Label: Meridian Records
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 192.0kHz
  • Total Time: 01:14:21
  • Total Size: 281 mb / 2.53 gb
  • WebSite:
Tracklist

01. Sonata for Viola da Gamba in G Minor, BWV 1029 (Arr. for 2 Viola and Piano by Iain Farrington): I. Vivace
02. Sonata for Viola da Gamba in G Minor, BWV 1029 (Arr. for 2 Viola and Piano by Iain Farrington): II. Adagio
03. Sonata for Viola da Gamba in G Minor, BWV 1029 (Arr. for 2 Viola and Piano by Iain Farrington): III. Allegro
04. Prelude and Canon (Version for 2 Violas): Prelude and Canon
05. From 6 Fantasias for Two Trebles (Rearranged by Stephen Kiser): I. Fantasia in F Major
06. From 6 Fantasias for Two Trebles (Rearranged by Stephen Kiser): II. Fantasia in B-Flat Major
07. The Pleiades: I. Celaeno
08. The Pleiades: II. Asterope
09. The Pleiades: III. Alkyone
10. The Pleiades: IV. Elektra
11. The Pleiades: V. Maia
12. The Pleiades: VI. Merope
13. The Pleiades: VII. Taygete
14. Three Shidaiqu Transcriptions: I. Tonkin Jasmine
15. Three Shidaiqu Transcriptions: II. Man In My Dream
16. Three Shidaiqu Transcriptions: III. Night Shanghai
17. Duo in G Major: I. Andante
18. Duo in G Major: II. Presto
19. Duett in G Major: I. Allegretto espressivo
20. Duett in G Major: II. Presto
21. Duett in G Major: III. Allegretto
22. Gershwinian Nostalgia
23. The Wand of Youth, Suite No. 2, Op. 1b: VI. The Wild Bears (Arr. for 2 Violas and Piano by Dan Jenkins): The Wild Bears

"Regeneration" is re-creation, contemporary work inspired by the past, lost or neglected work given fresh life for the present. Two Violas: Regeneration, which features many premiere recordings, explores repertoire which, in different ways, embodies this creative approach.??Detlev Glanert’s The Pleiades evokes myths surrounding the star cluster of the same name. Sally Beamish’s Prelude and Canon draws on centuries-old Scottish soundscapes, whereas Raymond Yiu and Peter Letanka, in Three Shidaiqu Transcriptions and Gershwinian Nostalgia respectively, have chosen influences from their own past to highlight and develop. Iain Farrington follows J.S. Bach’s lead, re-imagining the Sonata in G minor (BWV 1029) with an alternative scoring, whereas the works of Alexander Wunderer and York Bowen, the first long overlooked and the second newly rediscovered, see the light of today after decades in the shadows. ??These works, like the Gibbons Two Fantasias and the arrangement by Dan Jenkins of Edward Elgar’s The Wild Bears, all look back to the past from the perspective of a different time, place or sensitivity. But through their composition (or adaptation) for two violas, they also enrich a tradition of writing for this ensemble which dates back more than three hundred years, and which is no less vital as a means of expression today. The past is always with us.?

Peter Mallinson, viola
Matthias Wiesner, viola
Lynn Arnold, piano


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