Sophie Junker, {oh!} Orkiestra, Martyna Pastuszka - La Serenissima (Venetian Silhouettes) (2025) [Hi-Res]
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BAND/ARTIST: Sophie Junker, {oh!} Orkiestra, Martyna Pastuszka
- Title: La Serenissima (Venetian Silhouettes)
- Year Of Release: 2025
- Label: Aparté
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
- Total Time: 01:13:28
- Total Size: 367 MB / 1.35 GB
- WebSite: Album Preview
Tracklist:
1. Giove in Argo, Act II: Con fiamme, e con straggi (Iside) (3:13)
2. Temistocle, Act I Scene 6: Chi mai d'iniqua stella (Aspasia) (6:50)
3. Atenaide, RV 702, Act III Scene 7: Qual demone, qual furia (Eudossa) (2:25)
4. La Silvia, RV 734, Act I Scene 14: Mio cor, s'io ti credessi (Nerina) (4:31)
5. Arianna, Parte seconda. Scene 2: Come mai puoi vedermi piangere (Arianna) (8:29)
6. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: I. Allegro (3:16)
7. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: II. Grave (2:32)
8. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: III. Allegro (2:39)
9. Ottone in villa, RV 729, Act II Scene 3: L'ombre, l'aure, e ancora il rio (Caio) (7:25)
10. Bajazet, Act I Scene 15: Vendetta sì, farò (Asteria) (3:15)
11. Ambleto, Act II: Sì, ti sente l'alma mia (Ildegarde) (4:46)
12. Andromeda liberata, Parte prima: Si, rinforzi in te la spene (Cassiope) (3:09)
13. Ifigenia in Aulide, Act III Scene 13: Madre diletta, abbracciami (Ifigenia) (8:39)
14. Zeffiretti, che sussurrate, RV 749.21 (7:57)
15. Caio Marzio Coriolano, Act III Scene 7: Per combatter con lo sdegno (Claudia) (4:29)
1. Giove in Argo, Act II: Con fiamme, e con straggi (Iside) (3:13)
2. Temistocle, Act I Scene 6: Chi mai d'iniqua stella (Aspasia) (6:50)
3. Atenaide, RV 702, Act III Scene 7: Qual demone, qual furia (Eudossa) (2:25)
4. La Silvia, RV 734, Act I Scene 14: Mio cor, s'io ti credessi (Nerina) (4:31)
5. Arianna, Parte seconda. Scene 2: Come mai puoi vedermi piangere (Arianna) (8:29)
6. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: I. Allegro (3:16)
7. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: II. Grave (2:32)
8. Violin Concerto in A Minor, Op. 4 No. 4, RV 357: III. Allegro (2:39)
9. Ottone in villa, RV 729, Act II Scene 3: L'ombre, l'aure, e ancora il rio (Caio) (7:25)
10. Bajazet, Act I Scene 15: Vendetta sì, farò (Asteria) (3:15)
11. Ambleto, Act II: Sì, ti sente l'alma mia (Ildegarde) (4:46)
12. Andromeda liberata, Parte prima: Si, rinforzi in te la spene (Cassiope) (3:09)
13. Ifigenia in Aulide, Act III Scene 13: Madre diletta, abbracciami (Ifigenia) (8:39)
14. Zeffiretti, che sussurrate, RV 749.21 (7:57)
15. Caio Marzio Coriolano, Act III Scene 7: Per combatter con lo sdegno (Claudia) (4:29)
18th-century Venice is the ultimate setting for splendor—architectural, pictorial, theatrical, musical, and vocal. Venetian opera shines across Europe, combining dramatic intensity with the beauty of vocal lines. Just as Canaletto and Guardi capture every facet of La Serenissima in their panoramic paintings, composers seek to explore the full spectrum of human emotions through opera.
Returning to the recording scene, Sophie Junker invites us to discover these composers alongside Martyna Pastuszka, leading the {oh!} Orkiestra. Her brilliant and agile soprano flourishes in arias of fury and vengeance (Vivaldi and Lotti) as well as in the heartrending laments of an Iphigenia (Porta) or an Ariadne (Marcello). Meanwhile, Martyna Pastuszka’s violin leads one of the magnificent concertos from La Stravaganza (“The Extraordinary”)—a fitting subtitle for this program!
Returning to the recording scene, Sophie Junker invites us to discover these composers alongside Martyna Pastuszka, leading the {oh!} Orkiestra. Her brilliant and agile soprano flourishes in arias of fury and vengeance (Vivaldi and Lotti) as well as in the heartrending laments of an Iphigenia (Porta) or an Ariadne (Marcello). Meanwhile, Martyna Pastuszka’s violin leads one of the magnificent concertos from La Stravaganza (“The Extraordinary”)—a fitting subtitle for this program!
| Classical | FLAC / APE | HD & Vinyl
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