
Simon Peguiron & Guy Bovet - Brahms - Schumann: Works for Organ (2025) [Hi-Res]
BAND/ARTIST: Simon Peguiron, Guy Bovet
- Title: Brahms - Schumann: Works for Organ
- Year Of Release: 2025
- Label: VDE-GALLO
- Genre: Classical
- Quality: FLAC (tracks) [96kHz/24bit]
- Total Time: 2:06:10
- Total Size: 2.09 GB / 463 MB
- WebSite: Album Preview
Tracklist:
Disc 1
1. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: I. Mein Jesu, der du mich zum Lustspiel (03:58)
2. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: II. Herzliebster Jesu, was hast du verbrochen (02:57)
3. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: III. O Welt, ich muß dich lassen (02:35)
4. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: IV. Herzlich tut mich erfreuen (01:51)
5. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: V. Schmücke dich, o liebe Seele (02:45)
6. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VI. O wie selig seid ihr doch, ihr Frommen (01:57)
7. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VII. O Gott, du frommer Gott (05:24)
8. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VIII. Es ist ein Ros’ entsprungen (02:26)
9. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: IX. Herzlich tut mich verlangen I (02:41)
10. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: X. Herzlich tut mich verlangen II (02:57)
11. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: XI. O Welt, ich muß dich lassen (02:43)
12. Simon Peguiron – Prelude and Fugue, WoO 9: I. Prelude (01:53)
13. Simon Peguiron – Prelude and Fugue, WoO 9: II. Fugue (03:37)
14. Simon Peguiron – Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid", WoO 7: I. Prelude (01:54)
15. Simon Peguiron – Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid", WoO 7: II. Fugue (04:00)
16. Simon Peguiron – Fugue in A-Flat Minor, WoO 8 (06:49)
17. Simon Peguiron – Prelude and Fugue in G Minor, WoO 10: I. Prelude (03:15)
18. Simon Peguiron – Prelude and Fugue in G Minor, WoO 10: II. Fugue (03:16)
Disc 2
1. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: I. Langsam (06:07)
2. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: II. Lebhaft (06:28)
3. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: I. Nicht schnell und sehr markiert (C Minor) (02:12)
4. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: II. Nicht schnell und sehr markiert (C Major) (03:22)
5. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: III. Lebhaft (F Minor) (03:50)
6. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: IV. Allegretto (D-Flat Major) (03:01)
7. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: III. Mit sanften Stimmen (03:29)
8. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: IV. Mässig doch nicht zu langsam (06:57)
9. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: I. Nicht zu schnell (C Major) (02:09)
10. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: II. Mit innigem Ausdruck (A Minor) (04:17)
11. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: III. Andantino (E Major) (02:08)
12. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: IV. Innig (A-Flat Major) (04:00)
13. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: V. Nicht zu schnell (B Minor) (03:03)
14. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: VI. Adagio (B Major) (03:20)
15. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: V. Lebhaft (03:23)
16. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: VI. Mässig, nach und nach schneller (11:09)
Disc 1
1. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: I. Mein Jesu, der du mich zum Lustspiel (03:58)
2. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: II. Herzliebster Jesu, was hast du verbrochen (02:57)
3. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: III. O Welt, ich muß dich lassen (02:35)
4. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: IV. Herzlich tut mich erfreuen (01:51)
5. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: V. Schmücke dich, o liebe Seele (02:45)
6. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VI. O wie selig seid ihr doch, ihr Frommen (01:57)
7. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VII. O Gott, du frommer Gott (05:24)
8. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: VIII. Es ist ein Ros’ entsprungen (02:26)
9. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: IX. Herzlich tut mich verlangen I (02:41)
10. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: X. Herzlich tut mich verlangen II (02:57)
11. Simon Peguiron – 11 Chorale Preludes, Op. Posth. 122: XI. O Welt, ich muß dich lassen (02:43)
12. Simon Peguiron – Prelude and Fugue, WoO 9: I. Prelude (01:53)
13. Simon Peguiron – Prelude and Fugue, WoO 9: II. Fugue (03:37)
14. Simon Peguiron – Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid", WoO 7: I. Prelude (01:54)
15. Simon Peguiron – Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid", WoO 7: II. Fugue (04:00)
16. Simon Peguiron – Fugue in A-Flat Minor, WoO 8 (06:49)
17. Simon Peguiron – Prelude and Fugue in G Minor, WoO 10: I. Prelude (03:15)
18. Simon Peguiron – Prelude and Fugue in G Minor, WoO 10: II. Fugue (03:16)
Disc 2
1. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: I. Langsam (06:07)
2. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: II. Lebhaft (06:28)
3. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: I. Nicht schnell und sehr markiert (C Minor) (02:12)
4. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: II. Nicht schnell und sehr markiert (C Major) (03:22)
5. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: III. Lebhaft (F Minor) (03:50)
6. Guy Bovet – 4 Skizzen für den Pedalflügel, Op. 58: IV. Allegretto (D-Flat Major) (03:01)
7. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: III. Mit sanften Stimmen (03:29)
8. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: IV. Mässig doch nicht zu langsam (06:57)
9. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: I. Nicht zu schnell (C Major) (02:09)
10. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: II. Mit innigem Ausdruck (A Minor) (04:17)
11. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: III. Andantino (E Major) (02:08)
12. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: IV. Innig (A-Flat Major) (04:00)
13. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: V. Nicht zu schnell (B Minor) (03:03)
14. Guy Bovet – 6 Studien in kanonischer Form, Op. 56: VI. Adagio (B Major) (03:20)
15. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: V. Lebhaft (03:23)
16. Guy Bovet – 6 Fugues on B.A.C.H., Op. 60: VI. Mässig, nach und nach schneller (11:09)
Guy Bovet (born May 22, 1942), is appreciated in the musical world as a many-sided, original and cultivated artist, active in many fields. He is constantly on the road travelling to all parts of the world where organs are played, and keeps a busy concert schedule of about 60 recitals per year.
His discography of more than 50 records and CD’s includes recordings made mostly on historical instruments of Switzerland, France, Spain, Latin America and lately also in Japan and in the Philippines. Several of these recordings have been distinguished with prizes like the French « Laser d’or » or the German « Grammi » award. His activities in the preservation of historical instruments are appreciated all over the world and he has advised organ builders and restorers in Europe, Japan and both Americas, as well as in the Republic of the Philippines.
With his wife, Marisa, Guy Bovet has revived the organ of the Alain family, for which Jehan Alain composed most of his music. This instrument is now restored and re-installed in one of the former convent buildings of the beautiful Clunysian site and village of Romainmôtier, Switzerland, where yearly organ academies are held under his direction.
As a composer, Guy Bovet has worked much for theatre and films, but his catalogue of over 250 opus numbers includes all kinds of music. Much of his organ music has been published by various companies (Oxford University, Schola Cantorum, Eulenburg).
Guy Bovet has published works for four organs by composers from the Einsiedeln Abbey (Doblinger) and the complete organ work by Spanish composer José Lidón (Schola Cantorum). His long-awaited new edition of Francisco Correa de Arauxo’s Facultad organica (1626), with translation and explanation of the treatise in French, German, English and Japanese, has been published in 2007 by « Ut Orpheus » in Bologna.
A scholar and investigator, Guy Bovet has also published over 2000 various articles in musical journals on matters related to the organ. He is chief editor of the Swiss organ periodical "La Tribune de l’Orgue". A specialist of Hispanic organ music, he has carried out a survey of historical organs in Mexico and Brasil, in cooperation with UNESCO and the Swiss cultural foundation PRO HELVETIA. During twenty years, he has taught courses for interpretation of Spanish organ music at the University of Salamanca. He is giving numerous masterclasses on this and other subjects in many festivals, universities and academies all over the world. He functions as a juror in major international organ competitions.
Guy Bovet has been Professor of Organ at the Musikhochschule in Basel, Switzerland, from which he has retired in July 2008, and organist of the Collegiate Church of Neuchâtel from 1988 to 2009. He is honorary citizen of the City of Dallas, Texas, and doctor honoris causa of the University of Neuchâtel. He has been honoured twice by the Japanese government for his activities as a teacher, and by the government of the Philippines for his activities in favour of the preservation of historical organs and the education of young Filipino organists. He has been awarded in 2007 the prestigious Prize of the Institut Neuchâtelois.
His discography of more than 50 records and CD’s includes recordings made mostly on historical instruments of Switzerland, France, Spain, Latin America and lately also in Japan and in the Philippines. Several of these recordings have been distinguished with prizes like the French « Laser d’or » or the German « Grammi » award. His activities in the preservation of historical instruments are appreciated all over the world and he has advised organ builders and restorers in Europe, Japan and both Americas, as well as in the Republic of the Philippines.
With his wife, Marisa, Guy Bovet has revived the organ of the Alain family, for which Jehan Alain composed most of his music. This instrument is now restored and re-installed in one of the former convent buildings of the beautiful Clunysian site and village of Romainmôtier, Switzerland, where yearly organ academies are held under his direction.
As a composer, Guy Bovet has worked much for theatre and films, but his catalogue of over 250 opus numbers includes all kinds of music. Much of his organ music has been published by various companies (Oxford University, Schola Cantorum, Eulenburg).
Guy Bovet has published works for four organs by composers from the Einsiedeln Abbey (Doblinger) and the complete organ work by Spanish composer José Lidón (Schola Cantorum). His long-awaited new edition of Francisco Correa de Arauxo’s Facultad organica (1626), with translation and explanation of the treatise in French, German, English and Japanese, has been published in 2007 by « Ut Orpheus » in Bologna.
A scholar and investigator, Guy Bovet has also published over 2000 various articles in musical journals on matters related to the organ. He is chief editor of the Swiss organ periodical "La Tribune de l’Orgue". A specialist of Hispanic organ music, he has carried out a survey of historical organs in Mexico and Brasil, in cooperation with UNESCO and the Swiss cultural foundation PRO HELVETIA. During twenty years, he has taught courses for interpretation of Spanish organ music at the University of Salamanca. He is giving numerous masterclasses on this and other subjects in many festivals, universities and academies all over the world. He functions as a juror in major international organ competitions.
Guy Bovet has been Professor of Organ at the Musikhochschule in Basel, Switzerland, from which he has retired in July 2008, and organist of the Collegiate Church of Neuchâtel from 1988 to 2009. He is honorary citizen of the City of Dallas, Texas, and doctor honoris causa of the University of Neuchâtel. He has been honoured twice by the Japanese government for his activities as a teacher, and by the government of the Philippines for his activities in favour of the preservation of historical organs and the education of young Filipino organists. He has been awarded in 2007 the prestigious Prize of the Institut Neuchâtelois.
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