Ichiko Aoba - Luminescent Creatures (2025) [Hi-Res]
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BAND/ARTIST: Ichiko Aoba
- Title: Luminescent Creatures
- Year Of Release: 2025
- Label: HERMINE
- Genre: Chamber folk, Contemporary folk, Singer-songwriter, Japanese
- Quality: FLAC 24-Bit/48 kHz; 16-Bit/44.1 kHz; MP3 320 kbps
- Total Time: 00:35:39
- Total Size: 83; 155; 363 mb
- WebSite: Album Preview
Album review
Over the past 15 years, Ichiko Aoba has expanded from sparse voice-and-guitar recordings to works that draw from classical, folk and orchestral elements. A Japanese singer, composer and classical guitarist, she aligns with artists like Vashti Bunyan, Van Dyke Parks and Brian Wilson but reaches beyond the singer-songwriter tradition. She cites guitarist Django Reinhardt and city pop singer Taeko Ohnuki as inspirations, reflecting her melodic and harmonic range. With a mother who worked for Disney, Aoba grew up surrounded by film music and played along with TV melodies on a toy piano, an early immersion that shaped her storytelling through sound.
Luminescent Creatures rises from the absence left by Windswept Adan, her 2020 concept album about a young girl exiled to a distant island where she discovers a world shaped by sound and nature. "I started wondering what happened after the protagonist of Windswept Adan disappeared along with the music of the island's inhabitants," Aoba said in release notes. "What would be left?" Named after that album's closing track, Luminescent Creatures lingers in that unknown. Co-produced with longtime collaborator Taro Umebayashi, the album balances Aoba's guitar and airy vocals with his orchestral arrangements, synth textures and layered instrumentation.
"Life quivers in time with city lights," she sings (in Japanese) on "Tower," a minor-key waltz with Umebayashi's piano rippling beneath her voice. "SONAR" moves as if scoring an underwater excursion, with vague, barely audible melodies intersecting with gentle piano chords. "Beyond the darkness, a glimmer of first song," Aoba sings.
Supported by sparse acoustic guitar phrases, a distant drone and layered vocals, "24° 3′ 27.0″ N, 123° 47′ 7.5″ E" finds Aoba singing, with whispered breathiness, a folk tune from Japan's southernmost island, Hateruma. The track draws its title from the coordinates of a lighthouse on the island—a fitting metaphor for the album's luminous search for connection. On the final song, "惑星の泪" ("Wakusei no Namida"), she ponders "a melody of a million light years" while laying out patient, nocturne-like acoustic guitar lines alongside Umebayashi's soft synth swells. Chimes ting on the periphery.
A meditative collection, Luminescent Creatures feels at home in the liminal hours, when night gives way to dawn or the day is just beginning. Each note is placed with care, measured and precise. It's an album that rewards close listening, revealing more with each return. © Randall Roberts
Tracklist:
1 COLORATURA
2 24° 03' 27.0" N 123° 47' 07.5" E
3 mazamun
4 tower
5 aurora
6 FLAG
7 Cochlea
8 Lucifèrine
9 prisomnia
10 SONAR
11 惑星の泪 (Wakusei No Namida)
Over the past 15 years, Ichiko Aoba has expanded from sparse voice-and-guitar recordings to works that draw from classical, folk and orchestral elements. A Japanese singer, composer and classical guitarist, she aligns with artists like Vashti Bunyan, Van Dyke Parks and Brian Wilson but reaches beyond the singer-songwriter tradition. She cites guitarist Django Reinhardt and city pop singer Taeko Ohnuki as inspirations, reflecting her melodic and harmonic range. With a mother who worked for Disney, Aoba grew up surrounded by film music and played along with TV melodies on a toy piano, an early immersion that shaped her storytelling through sound.
Luminescent Creatures rises from the absence left by Windswept Adan, her 2020 concept album about a young girl exiled to a distant island where she discovers a world shaped by sound and nature. "I started wondering what happened after the protagonist of Windswept Adan disappeared along with the music of the island's inhabitants," Aoba said in release notes. "What would be left?" Named after that album's closing track, Luminescent Creatures lingers in that unknown. Co-produced with longtime collaborator Taro Umebayashi, the album balances Aoba's guitar and airy vocals with his orchestral arrangements, synth textures and layered instrumentation.
"Life quivers in time with city lights," she sings (in Japanese) on "Tower," a minor-key waltz with Umebayashi's piano rippling beneath her voice. "SONAR" moves as if scoring an underwater excursion, with vague, barely audible melodies intersecting with gentle piano chords. "Beyond the darkness, a glimmer of first song," Aoba sings.
Supported by sparse acoustic guitar phrases, a distant drone and layered vocals, "24° 3′ 27.0″ N, 123° 47′ 7.5″ E" finds Aoba singing, with whispered breathiness, a folk tune from Japan's southernmost island, Hateruma. The track draws its title from the coordinates of a lighthouse on the island—a fitting metaphor for the album's luminous search for connection. On the final song, "惑星の泪" ("Wakusei no Namida"), she ponders "a melody of a million light years" while laying out patient, nocturne-like acoustic guitar lines alongside Umebayashi's soft synth swells. Chimes ting on the periphery.
A meditative collection, Luminescent Creatures feels at home in the liminal hours, when night gives way to dawn or the day is just beginning. Each note is placed with care, measured and precise. It's an album that rewards close listening, revealing more with each return. © Randall Roberts
Tracklist:
1 COLORATURA
2 24° 03' 27.0" N 123° 47' 07.5" E
3 mazamun
4 tower
5 aurora
6 FLAG
7 Cochlea
8 Lucifèrine
9 prisomnia
10 SONAR
11 惑星の泪 (Wakusei No Namida)
| Folk | Alternative | FLAC / APE | Mp3 | HD & Vinyl
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