
Elizabeth Sombart, Royal Philharmonic Orchestra, Pierre Vallet - Mozart: Piano Concertos 9 & 12 (2025) [Hi-Res]
BAND/ARTIST: Elizabeth Sombart, Royal Philharmonic Orchestra, Pierre Vallet
- Title: Mozart: Piano Concertos 9 & 12
- Year Of Release: 2025
- Label: Rubicon
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:04:22
- Total Size: 260 mb / 1.11 gb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No. 9 in E-Flat Major, K. 271: I. Allegro
02. Piano Concerto No. 9 in E-Flat Major, K. 271: II. Andantino
03. Piano Concerto No. 9 in E-Flat Major, K. 271: III. Rondeau. Presto
04. Piano Concerto No. 12 in A Major, K. 414: I. Allegro
05. Piano Concerto No. 12 in A Major, K. 414: II. Andante
06. Piano Concerto No. 12 in A Major, K. 414: III. Allegretto
With his 9th piano concerto, composed in 1777, Mozart entered a new world. The traditional long orchestral introduction is dispensed with, and the soloist enters after the second bar. Nothing as audacious as this would happen in a concerto until Beethoven’s 4th, where the soloist starts the work.
The 9th is a large-scale concerto running to over 30 minutes. By contrast, the group of three concertos composed in 1782 are less demanding, for both soloist and the listener. All three, numbers 11-13, can be performed without the wind instruments, making them ideal for domestic music making with a piano and string quartet. On this album, Elizabeth Sombart performs No.12 which may have had an alternative finale, the Rondo in A K386.
01. Piano Concerto No. 9 in E-Flat Major, K. 271: I. Allegro
02. Piano Concerto No. 9 in E-Flat Major, K. 271: II. Andantino
03. Piano Concerto No. 9 in E-Flat Major, K. 271: III. Rondeau. Presto
04. Piano Concerto No. 12 in A Major, K. 414: I. Allegro
05. Piano Concerto No. 12 in A Major, K. 414: II. Andante
06. Piano Concerto No. 12 in A Major, K. 414: III. Allegretto
With his 9th piano concerto, composed in 1777, Mozart entered a new world. The traditional long orchestral introduction is dispensed with, and the soloist enters after the second bar. Nothing as audacious as this would happen in a concerto until Beethoven’s 4th, where the soloist starts the work.
The 9th is a large-scale concerto running to over 30 minutes. By contrast, the group of three concertos composed in 1782 are less demanding, for both soloist and the listener. All three, numbers 11-13, can be performed without the wind instruments, making them ideal for domestic music making with a piano and string quartet. On this album, Elizabeth Sombart performs No.12 which may have had an alternative finale, the Rondo in A K386.
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