Sagittarius - French Psalms of Catholics & Huguenotes (2015)
BAND/ARTIST: Sagittarius, Michel Laplénie
- Title: French Psalms of Catholics & Huguenotes
- Year Of Release: 2015
- Label: Etcetera
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 00:55:42
- Total Size: 222 mb
- WebSite: Album Preview
Tracklist
01. Psaume 69: Hélas Seigneur je te prie
02. Psaume 51: Miséricorde au povre vicieux
03. Psaume: Hélas mon Dieu ton ire (Chanson spirituelle)
04. Psaume 88: Seigneur, j'espars jour et nuit
05. Psaume 6: Tourne ailleurs ta rigueur
06. Psaume 54: Sus, sus mon âme
07. Psaume 29: Vous tous princes et seigneurs
08. Psaume 42
09. Psaume 150: En son temple sacré
10. Psaume 100: Pardon et Justice il me plait de chanter
11. Psaume 33: Réveillez-vous chacun fidèle
12. Psaume 133: O combien est plaisant
13. Psaume 80: O Pasteur d'Israël
14. Psaume 94: Venez et nous éjouissons
15. Psaume 1: D'un heur vraiment parfait
16. Psaume 47
17. Psaume 41: Le cerf si fort ne désire
18. Psaume 126: Si le Tout Puissant
19. Psaume 26: Juge ma cause
20. Psaume 136: Assis le long des eaux
21. Psaume 150: Louez Dieu grand en puissance
French psalms during the era of the Edict of Nantes In 1998 France commemorated the 400th year of the edict which temporarily brought to an end 30 years of troubles and civil wars and gave reformed religion the right to exist in the kingdom. A spirit of “Tolerance” was advocated which, although ambiguous, allowed enemies in religion to tolerate each other and even to collaborate. The spotlight put on the end of the XVIth century also provited an occasion to bring to the fore composers who were active at the time of this event and rescue their work from obsurity. Indeed, it is interesting to observe how the spirit of the Edict of Nantes was musically interpreted and how Huguenots and Catholics lived together and were able to have a mutual influence in the priviledged field of the French psalm, an art form common to both religions but interpreted in quite different ways. Interested in this repertoire for more than 10 years, the SAGITTARIUS ensemble presents in this recording an anthology of French psalms dating roughly from between 1560 and 1620. Their work puts French psalms of Catholic and Huguenot inspiration face to face with one another.
01. Psaume 69: Hélas Seigneur je te prie
02. Psaume 51: Miséricorde au povre vicieux
03. Psaume: Hélas mon Dieu ton ire (Chanson spirituelle)
04. Psaume 88: Seigneur, j'espars jour et nuit
05. Psaume 6: Tourne ailleurs ta rigueur
06. Psaume 54: Sus, sus mon âme
07. Psaume 29: Vous tous princes et seigneurs
08. Psaume 42
09. Psaume 150: En son temple sacré
10. Psaume 100: Pardon et Justice il me plait de chanter
11. Psaume 33: Réveillez-vous chacun fidèle
12. Psaume 133: O combien est plaisant
13. Psaume 80: O Pasteur d'Israël
14. Psaume 94: Venez et nous éjouissons
15. Psaume 1: D'un heur vraiment parfait
16. Psaume 47
17. Psaume 41: Le cerf si fort ne désire
18. Psaume 126: Si le Tout Puissant
19. Psaume 26: Juge ma cause
20. Psaume 136: Assis le long des eaux
21. Psaume 150: Louez Dieu grand en puissance
French psalms during the era of the Edict of Nantes In 1998 France commemorated the 400th year of the edict which temporarily brought to an end 30 years of troubles and civil wars and gave reformed religion the right to exist in the kingdom. A spirit of “Tolerance” was advocated which, although ambiguous, allowed enemies in religion to tolerate each other and even to collaborate. The spotlight put on the end of the XVIth century also provited an occasion to bring to the fore composers who were active at the time of this event and rescue their work from obsurity. Indeed, it is interesting to observe how the spirit of the Edict of Nantes was musically interpreted and how Huguenots and Catholics lived together and were able to have a mutual influence in the priviledged field of the French psalm, an art form common to both religions but interpreted in quite different ways. Interested in this repertoire for more than 10 years, the SAGITTARIUS ensemble presents in this recording an anthology of French psalms dating roughly from between 1560 and 1620. Their work puts French psalms of Catholic and Huguenot inspiration face to face with one another.
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