The Scale Knitters - Sonnerie de Sainte-Geneviève du Mont (2025) [Hi-Res]
![The Scale Knitters - Sonnerie de Sainte-Geneviève du Mont (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-02/1739898992_the-scale-knitters-sonnerie-de-sainte-genevieve-du-mont-2025.jpg)
BAND/ARTIST: The Scale Knitters
- Title: Sonnerie de Sainte-Geneviève du Mont
- Year Of Release: 2025
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 01:08:05
- Total Size: 398 mb / 2.33 gb
- WebSite: Album Preview
Tracklist
01. La Gamme en forme de petit Opéra: I. Ut - Ré
02. La Gamme en forme de petit Opéra: II. Mi - Fa - Sol
03. La Gamme en forme de petit Opéra: III. La - Si - Ut
04. La Gamme en forme de petit Opéra: IV. Si - La - Sol
05. La Gamme en forme de petit Opéra: V. Sol - Fa - Mi - Ré
06. La Gamme en forme de petit Opéra: VI. Ré - Ut
07. Sonate à la Marésienne: I. Un peu grave
08. Sonate à la Marésienne: II. Légèrement - Très lent
09. Sonate à la Marésienne: III. Un peu gay
10. Sonate à la Marésienne: IV. Sarabande
11. Sonate à la Marésienne: V. Très vivement - Très doux
12. Sonate à la Marésienne: VI. Gigue
13. Sonnerie de Sainte-Geneviève du Mont de Paris
![The Scale Knitters - Sonnerie de Sainte-Geneviève du Mont (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-02/1739898933_2.jpg)
It was between the publication of the Quatrieme Livre de Pieces de Violes in 1717 and the Cinquieme in 1725 that Marin Marais offered his public an exceptional collection of works that use both the violin and the viol.
These works are very different from the earlier viol pieces, from the instruments used to the works' formal structures: they include a sonata inspired by Italian models marked a la maresienne (in Marais' own style), a piece on a three note basso ostinato that evokes the peals of bells in a Parisian church, and an astonishing monument of a piece - La Gamme - that Marais described as an example of a small opera for instruments.
01. La Gamme en forme de petit Opéra: I. Ut - Ré
02. La Gamme en forme de petit Opéra: II. Mi - Fa - Sol
03. La Gamme en forme de petit Opéra: III. La - Si - Ut
04. La Gamme en forme de petit Opéra: IV. Si - La - Sol
05. La Gamme en forme de petit Opéra: V. Sol - Fa - Mi - Ré
06. La Gamme en forme de petit Opéra: VI. Ré - Ut
07. Sonate à la Marésienne: I. Un peu grave
08. Sonate à la Marésienne: II. Légèrement - Très lent
09. Sonate à la Marésienne: III. Un peu gay
10. Sonate à la Marésienne: IV. Sarabande
11. Sonate à la Marésienne: V. Très vivement - Très doux
12. Sonate à la Marésienne: VI. Gigue
13. Sonnerie de Sainte-Geneviève du Mont de Paris
It was between the publication of the Quatrieme Livre de Pieces de Violes in 1717 and the Cinquieme in 1725 that Marin Marais offered his public an exceptional collection of works that use both the violin and the viol.
These works are very different from the earlier viol pieces, from the instruments used to the works' formal structures: they include a sonata inspired by Italian models marked a la maresienne (in Marais' own style), a piece on a three note basso ostinato that evokes the peals of bells in a Parisian church, and an astonishing monument of a piece - La Gamme - that Marais described as an example of a small opera for instruments.
| Classical | FLAC / APE | HD & Vinyl
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