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Abdullah Ibrahim - Fats, Duke & The Monk (1994)
BAND/ARTIST: Abdullah Ibrahim
- Title: Fats, Duke & The Monk
- Year Of Release: 1994
- Label: Sackville Recordings [SKCD2-3048]
- Genre: Jazz, Post Bop
- Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
- Total Time: 53:54
- Total Size: 256 MB(+3%) | 127 MB(+3%)
- WebSite: Album Preview
Tracklist
01 - Salaam Peace
02 - Fats Duke & The Monk
03 - African Portraits
Recorded February 18, 1973 at Thunder Sound, Toronto.
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personnel :
Abdullah Ibrahim - piano
After a decade of generally intriguing recordings, pianist Abdullah Ibrahim really found his own voice by the early '70s. His lengthy solo set from February 18, 1973, was released as a pair of Sackville LPs (Sangoma and African Portraits). One selection apiece from the two albums have been grouped with the previously unreleased "Salaam Peace" to form this disc. Ibrahim is heard on three lengthy medleys; best are "African Portraits" and "Fats, Duke & the Monk," although Fats Waller (who is only represented by a brief "Honeysuckle Rose") gets short shrift on the latter. Ibrahim's passionate solos (which are sometimes joined by his verbal cries) are picturesque, episodic, and utterly fascinating on this set even if Ancient Africa actually gets the edge.~Scott Yanow
01 - Salaam Peace
02 - Fats Duke & The Monk
03 - African Portraits
Recorded February 18, 1973 at Thunder Sound, Toronto.

personnel :
Abdullah Ibrahim - piano
After a decade of generally intriguing recordings, pianist Abdullah Ibrahim really found his own voice by the early '70s. His lengthy solo set from February 18, 1973, was released as a pair of Sackville LPs (Sangoma and African Portraits). One selection apiece from the two albums have been grouped with the previously unreleased "Salaam Peace" to form this disc. Ibrahim is heard on three lengthy medleys; best are "African Portraits" and "Fats, Duke & the Monk," although Fats Waller (who is only represented by a brief "Honeysuckle Rose") gets short shrift on the latter. Ibrahim's passionate solos (which are sometimes joined by his verbal cries) are picturesque, episodic, and utterly fascinating on this set even if Ancient Africa actually gets the edge.~Scott Yanow
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