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Utah Symphony Orchestra and Maurice Abravanel - Tchaikovsky: Symphony No. 4 & Romeo & Juliet (2023 Remastered Version) (2023) [Hi-Res]

Utah Symphony Orchestra and Maurice Abravanel - Tchaikovsky: Symphony No. 4 & Romeo & Juliet (2023 Remastered Version) (2023) [Hi-Res]
  • Title: Tchaikovsky: Symphony No. 4 & Romeo & Juliet (2023 Remastered Version)
  • Year Of Release: 2001 / 2023
  • Label: Vox
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [192kHz/24bit]
  • Total Time: 1:01:01
  • Total Size: 2.18 GB
  • WebSite:
Tracklist:

1. Utah Symphony & Maurice Abravanel – Symphony No. 4 in F Minor, Op. 36: I. Andante sostenuto - Moderato con anima (2023 Remastered Version) (18:12)
2. Utah Symphony & Maurice Abravanel – Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona (2023 Remastered Version) (08:45)
3. Utah Symphony & Maurice Abravanel – Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro (2023 Remastered Version) (05:34)
4. Utah Symphony & Maurice Abravanel – Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco (2023 Remastered Version) (08:46)
5. Utah Symphony & Maurice Abravanel – Romeo and Juliet (1880 Version) [2023 Remastered Version] (19:43)

Maurice Abravanel and the Utah Symphony Orchestra’s recordings of Tchaikovsky’s orchestral works, originally released on Vox in 1974, remain much admired to this day. These classic recordings of Symphony No. 4 and Romeo and Juliet make a welcome return to the catalogue, newly remastered in 192 kHz / 24-bit resolution.

"These sonically remastered recordings are from Maurice Abravanel’s legendary Tchaikovsky Integrale. The remastering probably couldn’t make the violins sound much fuller and warmer, but the slight limitations as far as the Utah orchestra and the somewhat treble-emphasized recording, especially in the Fantasy Overture, can’t really detract from the quality of Abravanel’s delicate, spontaneous, elegant and tense interpretations. In the Fourth Symphony, Abravanel by no means overplays the darker side of the music, expressing fatum feelings as well as nostalgia."
- Pizzicato

"Although the Salt Lake Tabernacle was far from an ideal recording venue, its oval domed shape being highly reflective, the Elite Recordings team did their best to deaden the space. The end result is excellent, the orchestra sounding as though it is playing in a large hall, but nothing is blurred.

As for the performances, they are also excellent, Abravanel careful not to overplay the dramatic elements to the point where they start to sound hysterical. That is not to say the playing lacks energy, for it certainly does not. This is simply very good, straightforward, well-played, and excellently recorded Tchaikovsky. Good stuff."
- Classical Candor, Karl Nehring


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