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Black Sabbath - Paranoid (1970/2010) [E-AC-3 JOC Dolby Atmos]

Black Sabbath - Paranoid (1970/2010) [E-AC-3 JOC Dolby Atmos]

BAND/ARTIST: Black Sabbath

  • Title: Paranoid
  • Year Of Release: 1970
  • Label: Warner Records Inc.
  • Genre: Hard Rock, Arena Rock
  • Quality: E-AC-3 JOC Dolby Atmos
  • Total Time: 00:41:45
  • Total Size: 245.2 MB
  • WebSite:
Black Sabbath – Paranoid

Year: 1970-09-18
Genre: Hard Rock, Arena Rock

Tracklist
1. War Pigs / Luke's Wall (07:54)
2. Paranoid (02:48)
3. Planet Caravan (04:29)
4. Iron Man (05:55)
5. Electric Funeral (04:49)
6. Hand of Doom (07:08)
7. Rat Salad (02:30)
8. Jack the Stripper / Fairies Wear Boots (06:12)

________________________________
Total length: 00:41:45





Released 18 September 1970
℗ 1970 Warner Records Inc. Marketed by Rhino Entertainment, a Warner Music Group Company.



Black Sabbath - Paranoid (1970/2010) [E-AC-3 JOC Dolby Atmos]




Sample rate : 48000 Hz
Channels : 6: FL FR FC LFE SL SR
Bitrate : 768 kbps
Codec : E-AC3
Encoding : lossy



Paranoid
Black Sabbath · 1970

If any album signaled the definitive end of the ’60s, it was Paranoid. Gone were the flower children, peace chants, and Day-Glo paint; in came monumental, vicious guitar riffs, Ozzy Osbourne’s snarling twist of a voice, and stories of doom, drug addiction, and death. It wasn’t always this way, of course: Confirmed Beatles fans, Sabbath’s members had their psychedelic period. But by the late ’60s, the death toll in Vietnam was rising, the band’s native Birmingham remained studded with World War II bomb sites, and these blue-collar boys saw only mind-dulling factory work ahead of them.

Out of that despair came this furious, uncompromising record. Despite critics’ misreading of the album as a Satanic screed (a perception Sabbath played up), the album in fact contained searing indictments of the elite. “War Pigs”—meant at one point to be the album’s title track—opens with air-raid sirens and ultimately envisions the evisceration of warmongering politicians. “Iron Man,” bearing one of the most recognizable guitar riffs on the planet, is told from the perspective of a man who, after being blasted into space, has seen humanity’s grim future but is unable to communicate it upon his return. “Hand of Doom” deals with heroin addiction among soldiers, while “Paranoid” traffics in depression.

This is heavy subject matter, and the band developed a musical vocabulary to match it, with ponderous drums and scowling guitars that felt light-years away from, say, CSN&Y. Many critics found the songs overly theatrical, but the public was ravenous for them. Within just over two years, Black Sabbath released four albums and birthed something much bigger than themselves: heavy metal. Paranoid remains the diabolical wellspring from which innumerable bands—and many metal subgenres—have sprung.






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Black Sabbath - Paranoid (1970/2010) [E-AC-3 JOC Dolby Atmos]

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