Fatma Said - Lieder (2025) [Hi-Res]
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BAND/ARTIST: Fatma Said, Malcolm Martineau, Joseph Middleton, Huw Montague Rendall, Sabine Meyer, Anneleen Lenaerts, Quatuor Arod
- Title: Lieder
- Year Of Release: 2025
- Label: Warner Classics
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
- Total Time: 01:09:02
- Total Size: 284 MB / 1.29 GB
- WebSite: Album Preview
Tracklist:
1. Schwanengesang, D. 957: No. 4, Ständchen (3:46)
2. Der Hirt auf dem Felsen, D. 965 (11:26)
3. Ständchen, D. 920 "Zögernd leise" (5:06)
4. 6 Gesänge, Op. 86: No. 3, Die Liebende schreibt, MWV K66 (2:57)
5. Auf dem Wasser zu singen, Op. 72, D. 774 (3:38)
6. Der Zwerg, D. 771 (5:40)
7. 12 Gesänge, Op. 8: No. 8, Hexenlied, MWV K33 (2:18)
8. 6 Gesänge, Op. 34: No. 4, Suleika, MWV K92 (2:37)
9. 6 Duette, Op. 63: No. 1, Ich wollt', meine Lieb' ergösse sich, MWV J5 (2:02)
10. Suleika und Hatem (From Felix Mendelssohn's Op. 8) (2:52)
11. 4 Lieder, Op. 70: No. 2, Lerchengesang (Version with Harp) (2:24)
12. 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir (Version with Harp) (2:03)
13. 49 Deutsche Volkslieder, WoO 33, Vol. 1: No. 6, Da unten im Thale (Version with Harp) (1:46)
14. 5 Lieder, Op. 105: No. 2, Immer leiser wird mein Schlummer (Version with Harp) (2:53)
15. 5 Ophelia-Lieder, WoO 22: No. 1, Wie erkenn ich dein Treulieb (Arr. Reimann for Voice and String Quartet) (0:45)
16. 5 Ophelia-Lieder, WoO 22: No. 2, Sein Leichenhemd Weiss wie Schnee zu sehn (Arr. Reimann for Voice and String Quartet) (0:28)
17. 5 Ophelia-Lieder, WoO 22: No. 3, Auf morgen ist sankt Valentins Tag (Arr. Reimann for Voice and String Quartet) (0:57)
18. 5 Ophelia-Lieder, WoO 22: No. 4, Sie trugen ihn auf der Bahre bloss (Arr. Reimann for Voice and String Quartet) (0:52)
19. 5 Ophelia-Lieder, WoO 22: No. 5, Und kommt er nicht mehr zurück (Arr. Reimann for Voice and String Quartet) (1:25)
20. Myrthen, Op. 25: No. 1, Widmung (2:26)
21. Lieder und Gesänge aus Wilhelm Meister, Op. 98a "Lieder für Mignon": No. 7, Singet nicht in Trauertönen (2:13)
22. 4 Duette, Op. 34: No. 3, Wer ist vor meiner Kammertür? (1:30)
23. 5 Lieder, Op. 51: No. 5, Liebeslied (2:06)
24. Spanisches Liederspiel, Op. 74: No. 4, In der Nacht (5:07)
1. Schwanengesang, D. 957: No. 4, Ständchen (3:46)
2. Der Hirt auf dem Felsen, D. 965 (11:26)
3. Ständchen, D. 920 "Zögernd leise" (5:06)
4. 6 Gesänge, Op. 86: No. 3, Die Liebende schreibt, MWV K66 (2:57)
5. Auf dem Wasser zu singen, Op. 72, D. 774 (3:38)
6. Der Zwerg, D. 771 (5:40)
7. 12 Gesänge, Op. 8: No. 8, Hexenlied, MWV K33 (2:18)
8. 6 Gesänge, Op. 34: No. 4, Suleika, MWV K92 (2:37)
9. 6 Duette, Op. 63: No. 1, Ich wollt', meine Lieb' ergösse sich, MWV J5 (2:02)
10. Suleika und Hatem (From Felix Mendelssohn's Op. 8) (2:52)
11. 4 Lieder, Op. 70: No. 2, Lerchengesang (Version with Harp) (2:24)
12. 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir (Version with Harp) (2:03)
13. 49 Deutsche Volkslieder, WoO 33, Vol. 1: No. 6, Da unten im Thale (Version with Harp) (1:46)
14. 5 Lieder, Op. 105: No. 2, Immer leiser wird mein Schlummer (Version with Harp) (2:53)
15. 5 Ophelia-Lieder, WoO 22: No. 1, Wie erkenn ich dein Treulieb (Arr. Reimann for Voice and String Quartet) (0:45)
16. 5 Ophelia-Lieder, WoO 22: No. 2, Sein Leichenhemd Weiss wie Schnee zu sehn (Arr. Reimann for Voice and String Quartet) (0:28)
17. 5 Ophelia-Lieder, WoO 22: No. 3, Auf morgen ist sankt Valentins Tag (Arr. Reimann for Voice and String Quartet) (0:57)
18. 5 Ophelia-Lieder, WoO 22: No. 4, Sie trugen ihn auf der Bahre bloss (Arr. Reimann for Voice and String Quartet) (0:52)
19. 5 Ophelia-Lieder, WoO 22: No. 5, Und kommt er nicht mehr zurück (Arr. Reimann for Voice and String Quartet) (1:25)
20. Myrthen, Op. 25: No. 1, Widmung (2:26)
21. Lieder und Gesänge aus Wilhelm Meister, Op. 98a "Lieder für Mignon": No. 7, Singet nicht in Trauertönen (2:13)
22. 4 Duette, Op. 34: No. 3, Wer ist vor meiner Kammertür? (1:30)
23. 5 Lieder, Op. 51: No. 5, Liebeslied (2:06)
24. Spanisches Liederspiel, Op. 74: No. 4, In der Nacht (5:07)
While soprano Fatma Said’s previous Warner Classics releases crossed cultures and musical genres, this album focuses entirely on German-language songs of the Romantic era: lieder by Schubert, Mendelssohn, Schumann and Brahms.
At the age of 18, Fatma left her native Cairo to study at the Hanns Eisler Conservatory in Berlin and “Ever since then, the joy of singing this genre has been central to my musical life … I am very passionate about lieder … This wonderful combination of great German poetry and genius composers like Schubert, Schumann, Mendelssohn, and Brahms.”
In the conventional course of things, a lieder recital involves one singer and one pianist, but Fatma Said, saying “I’ve always wanted to make music with friends”, has called on the talents of no fewer than three pianists – Malcolm Martineau,
Joseph Middleton and Yonatan Cohen. Also, harpist Anneleen Lenaerts, clarinettist Sabine Meyer (in Schubert’s ‘Der Hirt auf dem Felsen’), Quatuor Arod (accompanying Brahms’ Ophelia-Lieder in an arrangement by Aribert Reimann, who died in March 2024), male-voice ensemble Walhalla zum Seidlwirt, and another singer on the ascent – baritone Huw Montague Rendall.
The programme features some of the world’s best-loved lieder, such as Schubert’s ‘Ständchen’, Schumann’s ‘Widmung’ and Brahms’ ‘Wie Melodien zieht es mir’, but it also explores less familiar repertoire. Throughout the album, Fatma Said places a crucial emphasis on the poetic texts: “My priority was to convey the characterisation of the words most of all … Differentiating between diverse kinds of expressive worlds is for me what lieder-singing is all about.”
At the age of 18, Fatma left her native Cairo to study at the Hanns Eisler Conservatory in Berlin and “Ever since then, the joy of singing this genre has been central to my musical life … I am very passionate about lieder … This wonderful combination of great German poetry and genius composers like Schubert, Schumann, Mendelssohn, and Brahms.”
In the conventional course of things, a lieder recital involves one singer and one pianist, but Fatma Said, saying “I’ve always wanted to make music with friends”, has called on the talents of no fewer than three pianists – Malcolm Martineau,
Joseph Middleton and Yonatan Cohen. Also, harpist Anneleen Lenaerts, clarinettist Sabine Meyer (in Schubert’s ‘Der Hirt auf dem Felsen’), Quatuor Arod (accompanying Brahms’ Ophelia-Lieder in an arrangement by Aribert Reimann, who died in March 2024), male-voice ensemble Walhalla zum Seidlwirt, and another singer on the ascent – baritone Huw Montague Rendall.
The programme features some of the world’s best-loved lieder, such as Schubert’s ‘Ständchen’, Schumann’s ‘Widmung’ and Brahms’ ‘Wie Melodien zieht es mir’, but it also explores less familiar repertoire. Throughout the album, Fatma Said places a crucial emphasis on the poetic texts: “My priority was to convey the characterisation of the words most of all … Differentiating between diverse kinds of expressive worlds is for me what lieder-singing is all about.”
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Fatma Said - Lieder FLAC.rar - 284.7 MB
Fatma Said - Lieder Hi-Res.rar - 1.3 GB
Fatma Said - Lieder FLAC.rar - 284.7 MB
Fatma Said - Lieder Hi-Res.rar - 1.3 GB
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