Udo Samel, Gerold Huber, Wolfgang Hörlin, Christian Pleines, Raphael Kohlhäufl, Achim Hoffmann, Hans Pritschet, Renner Ensemble - Venetian Journey - A Musical Diary (2025) [Hi-Res]
![Udo Samel, Gerold Huber, Wolfgang Hörlin, Christian Pleines, Raphael Kohlhäufl, Achim Hoffmann, Hans Pritschet, Renner Ensemble - Venetian Journey - A Musical Diary (2025) [Hi-Res]](https://www.dibpic.com/uploads/posts/2025-02/1738676803_udo-samel-gerold-huber-wolfgang-horlin-venetian-journey-a-musical-diary-2025.jpg)
BAND/ARTIST: Udo Samel, Gerold Huber, Wolfgang Hörlin, Christian Pleines, Raphael Kohlhäufl, Achim Hoffmann, Hans Pritschet, Renner Ensemble
- Title: Venetian Journey - A Musical Diary
- Year Of Release: 2025
- Label: TYXArt
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 02:32:21
- Total Size: 573 / 1.52 gb
- WebSite: Album Preview
Tracklist
CD1
01. Traversata (Intro)
02. Fahrt von Mestre nach Venedig
03. Der Markusplatz
04. Die Kirchen in Venedig, Die Venetianer (Auszug)
05. Der Palast des Dogen und der Glockenturm
06. Wasserfeste der Venetianer
07. Risonanza (Nachklang)
CD2
01. Fahrt nach dem Lido
02. Kunstschätze in Venedig
03. Der armenische Mönch, mit Anklängen an das Sololied „Der Gondelfahrer“ von Franz Schubert (D 808)
04. Abschied aus Venedig
05. Fantasie über das Lied „Nacht und Träume“ von Franz Schubert (D 827)
Hardly any other city has been romanticized as much in literature as Venice: poetry, love, dreams and an almost magical melancholy – leitmotifs of Venice literature are also key concepts of Romanticism. With this musical audio book, one of the first testimonies of the beginning of Venice Romanticism is made accessible again. The author of this travel diary, Joseph Kreil (1790–1855), who came from Linz, was close to the circle of friends of the great romantic composer Franz Schubert and visited Venice in the wake of the Austrian Emperor Franz I – at a time (1815/16) when the once proud republic had fallen to the Habsburgs after years of Napoleonic occupation.
Kreil's Venice Memoirs are the first milestone in the aesthetic reinvention of Venice in the early 19th century since its publication (1817). The basic features of the modern image of Venice are already emerging here: While Goethe once mocked the lagoon city as a "water nest", Venice was rediscovered after 1800 as a place of longing par excellence.
Like so many poets after him, Kreil, who was about 25 years old at the time, fell under the spell of this "miracle city". In the memory of the splendour and grandeur of the once "free" Venice, the (also politically motivated) "world-weariness" of many Schubert songs can be heard. For Kreil, too, Venice became a place of melancholy and the longing for a better world. His impressions of Venice, published here under the title Venetian Journey, are not only inspired by the unique topography, the architectural and artistic monuments and the special atmosphere of the lagoon city, but also regard the Serenissima itself as a work of art in which the human border situation between the awareness of transience and the longing for eternity is reflected.
Kreil's Venice memoirs, which come from his Italy travelogue Mnemosyne, were printed or discussed in renowned contemporary magazines after their publication. The leading philosopher of Romanticism, Friedrich Wilhelm Schelling, recommended Kreil's travelogue to the poet August von Platen. His Venice sonnets, in turn, inspired Thomas Mann to write his novella Death in Venice. The fundamental idea for Platen and Thomas Mann's Venice poems, that the transience of the beautiful seems to be suspended in the eternal, is already encountered in Kreil.
CD1
01. Traversata (Intro)
02. Fahrt von Mestre nach Venedig
03. Der Markusplatz
04. Die Kirchen in Venedig, Die Venetianer (Auszug)
05. Der Palast des Dogen und der Glockenturm
06. Wasserfeste der Venetianer
07. Risonanza (Nachklang)
CD2
01. Fahrt nach dem Lido
02. Kunstschätze in Venedig
03. Der armenische Mönch, mit Anklängen an das Sololied „Der Gondelfahrer“ von Franz Schubert (D 808)
04. Abschied aus Venedig
05. Fantasie über das Lied „Nacht und Träume“ von Franz Schubert (D 827)
Hardly any other city has been romanticized as much in literature as Venice: poetry, love, dreams and an almost magical melancholy – leitmotifs of Venice literature are also key concepts of Romanticism. With this musical audio book, one of the first testimonies of the beginning of Venice Romanticism is made accessible again. The author of this travel diary, Joseph Kreil (1790–1855), who came from Linz, was close to the circle of friends of the great romantic composer Franz Schubert and visited Venice in the wake of the Austrian Emperor Franz I – at a time (1815/16) when the once proud republic had fallen to the Habsburgs after years of Napoleonic occupation.
Kreil's Venice Memoirs are the first milestone in the aesthetic reinvention of Venice in the early 19th century since its publication (1817). The basic features of the modern image of Venice are already emerging here: While Goethe once mocked the lagoon city as a "water nest", Venice was rediscovered after 1800 as a place of longing par excellence.
Like so many poets after him, Kreil, who was about 25 years old at the time, fell under the spell of this "miracle city". In the memory of the splendour and grandeur of the once "free" Venice, the (also politically motivated) "world-weariness" of many Schubert songs can be heard. For Kreil, too, Venice became a place of melancholy and the longing for a better world. His impressions of Venice, published here under the title Venetian Journey, are not only inspired by the unique topography, the architectural and artistic monuments and the special atmosphere of the lagoon city, but also regard the Serenissima itself as a work of art in which the human border situation between the awareness of transience and the longing for eternity is reflected.
Kreil's Venice memoirs, which come from his Italy travelogue Mnemosyne, were printed or discussed in renowned contemporary magazines after their publication. The leading philosopher of Romanticism, Friedrich Wilhelm Schelling, recommended Kreil's travelogue to the poet August von Platen. His Venice sonnets, in turn, inspired Thomas Mann to write his novella Death in Venice. The fundamental idea for Platen and Thomas Mann's Venice poems, that the transience of the beautiful seems to be suspended in the eternal, is already encountered in Kreil.
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