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InTactus featuring Simona Gatto, Efrén López Sanz, Miriam Encinas Laffitte - Ch’amor mi prese - Amore sacro e profano nel Medioevo italiano (2025) [Hi-Res]

InTactus featuring Simona Gatto, Efrén López Sanz, Miriam Encinas Laffitte - Ch’amor mi prese - Amore sacro e profano nel Medioevo italiano (2025) [Hi-Res]
  • Title: Ch’amor mi prese - Amore sacro e profano nel Medioevo italiano
  • Year Of Release: 2025
  • Label: Tactus
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 00:53:54
  • Total Size: 299 / 601 mb
  • WebSite:
Tracklist

01. Perugia Andray soulet au mielz que ie pourai
02. Anonimo Voi ch’amate lo criatore
03. Anonimo Quando i oselli canta
04. Anonimo Con la madre del beato
05. Anonimo Dolce lo mio drudo
06. Anonimo Parlamento
07. Caserta Amour m’a le cueur mis
08. Landini Questa fanciull’Amor
09. Anonimo Amor mi fa cantar a la Francescha Polska efter
10. Anonimo La Manfredina
11. Anonimo Che ti cova nasconder el bel volto
12. Anonimo Dulce solum natalis patriae
13. Perugia Andray soulet au mielz que ie pourai

The songs on this album come from a unique and extraordinary period of our history, between the 13th and 14th centuries, which saw the rise of Comuni and Signorie in central-northern Italy: in the years of truce after the end of struggles between the Empire and the Papacy, Italian national sentiment flared up in great spiritual, artistic, political and social fervor. In this fertile environment, a new musical art flourished, the Ars Nova. In contrast to the liturgical polyphony of the Ars Antiqua (12th-13th centuries), which from the first experiments with organa culminated in the highly refined practice of the School of Notre Dame, the term Ars Nova designates the development of secular polyphonic music from the 13th century in France and since the 14th century in Italy. The idea of dedicating an album to the theme of love in Italian music of the 14th century might seem a bit overused, given how rich and varied is the discography in this regard. But the reflection on love undeniably continues to be central in our lives, just as it was for the men and women of seven hundred years ago, whose voices in “Ch’amor mi prese” we interpret and we infuse with new life and meaning.


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