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Maurizio Pollini - "A Journey from Baroque to Classical" - Maurizio Pollini (2025)
BAND/ARTIST: Maurizio Pollini
- Title: "A Journey from Baroque to Classical" - Maurizio Pollini
- Year Of Release: 2025
- Label: UMG Recordings, Inc. FP
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 3:32:04
- Total Size: 844 MB
- WebSite: Album Preview
Tracklist:
01. Prelude No. 1 in C Major, BWV 846/1
02. Fugue No. 1 in C Major, BWV 846/2
03. Prelude No. 2 in C Minor, BWV 847/1
04. Fugue No. 2 in C Minor, BWV 847/2
05. Prelude No. 3 in C-Sharp Major, BWV 848/1
06. Fugue No. 3 in C-Sharp Major, BWV 848/2
07. Prelude No. 4 in C-Sharp Minor, BWV 849/1
08. Fugue No. 4 in C-Sharp Minor, BWV 849/2
09. Prelude No. 5 in D Major, BWV 850/1
10. Fugue No. 5 in D Major, BWV 850/1
11. Prelude No. 6 in D Minor, BWV 851/1
12. Fugue No. 6 in D Minor, BWV 851/2
13. Prelude No. 7 in E-Flat Major, BWV 852/1
14. Fugue No. 7 in E-Flat Major, BWV 852/2
15. Prelude No. 8 in E-Flat Minor, BWV 853/1
16. Fugue No. 8 in E-Flat Minor, BWV 853/2
17. Prelude No. 9 in E Major, BWV 854/1
18. Fugue No. 9 in E Major, BWV 854/2
19. Prelude No. 10 in E Minor, BWV 855/1
20. Prelude No. 11 in F Major, BWV 856/1
21. Fugue No. 11 in F Major, BWV 856/2
22. Prelude No. 12 in F Minor, BWV 857/1
23. Fugue No. 12 in F Minor, BWV 857/2
24. 1. Allegro
25. 2. Andante
26. 3. Rondeau (Allegretto)
27. 1. Allegro - Cadenza: Mozart
28. 2. Adagio
29. 3. Allegro assai
30. 1. Allegro
31. 2. Andante
32. 3. Allegro vivace assai
33. 1. (Allegro)
34. 2. Larghetto
35. 3. (Allegretto)
36. Theme. Vivace
37. Var. 1. Alla marcia maestoso
38. Var. 2. Poco allegro
39. Var. 3. L'istesso tempo
40. Var. 4. Un poco più vivace
41. Var. 5. Allegro vivace
42. Var. 6. Allegro ma non troppo e serioso
43. Var. 7. Un poco più allegro
44. Var. 8. Poco vivace
45. Var. 9. Allegro pesante e risoluto
46. Var. 10. Presto
47. Var. 11. Allegretto
48. VAr. 12. Un poco più moto
49. Var. 13. Vivace
50. Var. 14. Grave e maestoso
51. Var. 15. Presto scherzando
52. Var. 16. Allegro
53. Var. 17. Allegro
54. Var. 18. Poco moderato
55. Var. 19. Presto
56. Var 20. Andante
57. Var. 21. Allegro con brio – Meno allegro – Tempo I
58. Var. 22. Allegro molto, alla "Notte e giorno faticar" di Mozart
59. Var. 23. Allegro assai
60. Var. 24. Fughetta. Andante
61. Var. 25. Allegro
62. Var. 26. Piacevole
63. Var. 27. Vivace
64. Var. 28. Allegro
65. Var. 29. Adagio ma non troppo
66. Var. 30. Andante, sempre cantabile
67. Var. 31. Largo, molto espressivo
68. Var. 32. Fugue. Allegro – Poco adagio
69. Var. 33. Tempo di minuetto moderato
01. Prelude No. 1 in C Major, BWV 846/1
02. Fugue No. 1 in C Major, BWV 846/2
03. Prelude No. 2 in C Minor, BWV 847/1
04. Fugue No. 2 in C Minor, BWV 847/2
05. Prelude No. 3 in C-Sharp Major, BWV 848/1
06. Fugue No. 3 in C-Sharp Major, BWV 848/2
07. Prelude No. 4 in C-Sharp Minor, BWV 849/1
08. Fugue No. 4 in C-Sharp Minor, BWV 849/2
09. Prelude No. 5 in D Major, BWV 850/1
10. Fugue No. 5 in D Major, BWV 850/1
11. Prelude No. 6 in D Minor, BWV 851/1
12. Fugue No. 6 in D Minor, BWV 851/2
13. Prelude No. 7 in E-Flat Major, BWV 852/1
14. Fugue No. 7 in E-Flat Major, BWV 852/2
15. Prelude No. 8 in E-Flat Minor, BWV 853/1
16. Fugue No. 8 in E-Flat Minor, BWV 853/2
17. Prelude No. 9 in E Major, BWV 854/1
18. Fugue No. 9 in E Major, BWV 854/2
19. Prelude No. 10 in E Minor, BWV 855/1
20. Prelude No. 11 in F Major, BWV 856/1
21. Fugue No. 11 in F Major, BWV 856/2
22. Prelude No. 12 in F Minor, BWV 857/1
23. Fugue No. 12 in F Minor, BWV 857/2
24. 1. Allegro
25. 2. Andante
26. 3. Rondeau (Allegretto)
27. 1. Allegro - Cadenza: Mozart
28. 2. Adagio
29. 3. Allegro assai
30. 1. Allegro
31. 2. Andante
32. 3. Allegro vivace assai
33. 1. (Allegro)
34. 2. Larghetto
35. 3. (Allegretto)
36. Theme. Vivace
37. Var. 1. Alla marcia maestoso
38. Var. 2. Poco allegro
39. Var. 3. L'istesso tempo
40. Var. 4. Un poco più vivace
41. Var. 5. Allegro vivace
42. Var. 6. Allegro ma non troppo e serioso
43. Var. 7. Un poco più allegro
44. Var. 8. Poco vivace
45. Var. 9. Allegro pesante e risoluto
46. Var. 10. Presto
47. Var. 11. Allegretto
48. VAr. 12. Un poco più moto
49. Var. 13. Vivace
50. Var. 14. Grave e maestoso
51. Var. 15. Presto scherzando
52. Var. 16. Allegro
53. Var. 17. Allegro
54. Var. 18. Poco moderato
55. Var. 19. Presto
56. Var 20. Andante
57. Var. 21. Allegro con brio – Meno allegro – Tempo I
58. Var. 22. Allegro molto, alla "Notte e giorno faticar" di Mozart
59. Var. 23. Allegro assai
60. Var. 24. Fughetta. Andante
61. Var. 25. Allegro
62. Var. 26. Piacevole
63. Var. 27. Vivace
64. Var. 28. Allegro
65. Var. 29. Adagio ma non troppo
66. Var. 30. Andante, sempre cantabile
67. Var. 31. Largo, molto espressivo
68. Var. 32. Fugue. Allegro – Poco adagio
69. Var. 33. Tempo di minuetto moderato
A marquee name among classical pianists since the 1970s, Maurizio Pollini has been noted for performances of some of the most monumental of contemporary music, and for pairing such works with standard repertory of the 19th century. Pollini's decades-long relationship as a recording artist with the Deutsche Grammophon label has been among the most stable in years. Pollini was born January 5, 1942, in Milan. His father was modernist architect and educator Gino Pollini. In 1957, in Milan, he performed a concert of Chopin Etudes that drew wide attention. Pollini attended the Milan Conservatory and won several major prizes as he completed his formal education, including the International Chopin Piano Competition in Warsaw in 1960. Arthur Rubinstein, one of the judges, is said to have remarked that the boy "can play the piano better than any of us." Pollini's concert and recording careers were launched, and his made his recording debut on the EMI label with the Philharmonia Orchestra, playing Chopin's Piano Concerto No. 1 in E minor, Op. 11. In the early and mid-'60s, however, Pollini hesitated, withdrawing from the scene for further study with Arturo Benedetti Michelangeli. Michelangeli's precise and graceful style exerted a formative influence on Pollini, who returned to the scene amidst the student unrest in the late '60s and together with conductor Claudio Abbado, performed concerts for students and workers. He made a major reappearance with his Carnegie Hall debut in New York in 1968, and for the next 50 years he would be an almost uninterrupted presence in the world's top concert halls. He has played contemporary works, including some, such as Luigi Nono's ... sofferte onde serene ... that were composed for him, and he has often paired the likes of Nono, Pierre Boulez (whose profoundly difficult Piano Sonata No. 2 is one of his specialties), and Karlheinz Stockhausen with Beethoven, Schubert, and Schumann, as if to emphasize the continuity of the classical tradition. In 1987 he rejoined Abbado, with the Vienna Philharmonic Orchestra, in New York for performances of all five of Beethoven's piano concertos. Later in his career he conducted piano concertos from the keyboard, and has sometimes led performances of opera. Beginning in 2000 he has presented concert series under the name "Pollini Project" (or Progetto Pollini) that have paired 19th century and contemporary works. Pollini made his first recording for the Deutsche Grammophon label in 1971, featuring works by Stravinsky and Prokofiev. In 2019 he released a recording on Deutsche Grammophon of works by Chopin, who has always remained at the center of his repertory. Although sometimes sidelined by illness, he has remained active in the concert hall and recording studio well into old age. Among his many awards is a 2007 Grammy for Best Solo Instrumental Performance, again for a Deutsche Grammophon recording of Chopin. © James Manheim
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