Philip Dukes, Piers Lane - Berlioz: Harold en Italie - Roger: Viola Sonata (2013)
BAND/ARTIST: Philip Dukes, Piers Lane
- Title: Berlioz: Harold en Italie - Roger: Viola Sonata
- Year Of Release: 2013
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:11:41
- Total Size: 277 mb
- WebSite: Album Preview
Tracklist
01. Berlioz - Harold en Italie, S. 472/R. 138: I. Harold aux montagnes
02. Berlioz - Harold en Italie, S. 472/R. 138: II. Marche de pelerins
03. Berlioz - Harold en Italie, S. 472/R. 138: III. Serenade
04. Berlioz - Harold en Italie, S. 472/R. 138: IV. Orgie de brigands
05. Romance oubliée, S. 527: Romance oubliee, S. 132/R. 467a
06. Viola Sonata, Op. 37, "Irish Sonata": I. Allegro energico
07. Viola Sonata, Op. 37, "Irish Sonata": II. Andante molto espressivo
08. Viola Sonata, Op. 37, "Irish Sonata": III. Allegro con spirito
Hector Berlioz’s Harold en Italie draws both on Byron’s Childe Harold and the composer’s own experiences in Italy as winner of the Prix de Rome. Franz Liszt’s rarely heard transcription admirably encapsulates this work’s narrative dramas and landscapes, while his meditative Romance oubliée derives from an earlier song, Oh pourquoi donc. Austrian born Kurt Roger studied with Schoenberg, retaining his teacher’s contrapuntal tendencies while rejecting serial techniques for the lyricism which can be found in his Viola Sonata. Further chamber music by Kurt Roger can be heard on Naxos 8572238.
01. Berlioz - Harold en Italie, S. 472/R. 138: I. Harold aux montagnes
02. Berlioz - Harold en Italie, S. 472/R. 138: II. Marche de pelerins
03. Berlioz - Harold en Italie, S. 472/R. 138: III. Serenade
04. Berlioz - Harold en Italie, S. 472/R. 138: IV. Orgie de brigands
05. Romance oubliée, S. 527: Romance oubliee, S. 132/R. 467a
06. Viola Sonata, Op. 37, "Irish Sonata": I. Allegro energico
07. Viola Sonata, Op. 37, "Irish Sonata": II. Andante molto espressivo
08. Viola Sonata, Op. 37, "Irish Sonata": III. Allegro con spirito
Hector Berlioz’s Harold en Italie draws both on Byron’s Childe Harold and the composer’s own experiences in Italy as winner of the Prix de Rome. Franz Liszt’s rarely heard transcription admirably encapsulates this work’s narrative dramas and landscapes, while his meditative Romance oubliée derives from an earlier song, Oh pourquoi donc. Austrian born Kurt Roger studied with Schoenberg, retaining his teacher’s contrapuntal tendencies while rejecting serial techniques for the lyricism which can be found in his Viola Sonata. Further chamber music by Kurt Roger can be heard on Naxos 8572238.
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