Jan Wachowski - Hevel, Reflections in Polish Piano Works of the 20th and 21st Century (2025) [Hi-Res]
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BAND/ARTIST: Jan Wachowski
- Title: Hevel, Reflections in Polish Piano Works of the 20th and 21st Century
- Year Of Release: 2025
- Label: DUX Recording Producers
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:10:55
- Total Size: 247 mb / 1.19 gb
- WebSite: Album Preview
Tracklist
01. Five Preludes: Allegro
02. Five Preludes: Allegretto tranquillo
03. Five Preludes: Allegro agitato
04. Five Preludes: Andante
05. Five Preludes: Prestissimo
06. Sonatina, Op. 49: Allegro leggiero
07. Sonatina, Op. 49: Adagietto lugubre
08. Sonatina, Op. 49: Allegretto
09. Sonata No. 4 in B minor, Op. 56: Allegro
10. Sonata No. 4 in B minor, Op. 56: Allegro
11. Sonata No. 4 in B minor, Op. 56: Adagio
12. Sonata No. 4 in B minor, Op. 56: Allegro
13. Three Nocturnes: Alsephina
14. Three Nocturnes: Thiaki
15. Three Nocturnes: Kraz
16. Variations in C major: Tema. Largo e dolce
17. Variations in C major: Variation I. Andantino con moto
18. Variations in C major: Variation II. Presto con vigore
19. Variations in C major: Variation III. Moderato, alla marcia
20. Variations in C major: Variation IV. Misterioso e molto rubato
21. Variations in C major: Variation V. Presto e capriccioso
22. Variations in C major: Variation VI. Andante molto affettuoso
23. Variations in C major: Variation VII. Con moto e leggiero
24. Variations in C major: Variation VIII. Andante ma non troppo
25. Variations in C major: Variation IX. Largo e sentimentale
26. Variations in C major: Variation X. Vivo e molto energico
'Hevel' is the key word that links all the pieces on this album. It comes from the Hebrew version of the Old Testament Book of Kohelet (Book of Ecclesiastes). Even though in most translations the word is rendered as 'vanity,' this does not fully convey its essence. For 'hevel' in Hebrew means 'vapour,' 'smoke,' or 'transience.' It also has a deeper meaning referring to transcendence, the tole of time and distancing oneself from life. Indeed, everything is bound to disappear one day, like vapour or breath.
The works selected for the recording refer to the literal translation of the word 'hevel,' that is to 'transience,' Jan Wachowski has in mind here Milosz Magin's Preludes, his own Variations in C major, and, in a certain sense, Mieczyslaw Weinberg's Sonatina.
But 'hevel' has another deep meaning which refers to the passing of pain, bitterness or sorrow. This permeates Weinberg's Sonata No. 4, which provides the album's emotional and expressive peak. It is important to recall here that in 1953, prior to composing the work, Weinberg spent three months in a Soviet prison. It was thanks to the good offices of Dmitri Shostakovich, coupled with Stalin's death, that the composer was freed. The time of imprisonment in inhumane conditions left an indelible mark on Weinberg. Despair, fear and pain, as well as hope - these are emotions that can be found in Sonata No. 4. When despair and breakdown come, Kohelet has the advice: 'There is a time for everything, and a season for every activity under heaven.
The word 'hevel' also brings to mind transcendence and the passing of time. Alsephina, Thiaki, and Kraz are the three of Pawel Lukaszewski's Fifteen Nocturnes that constitute a musical 'astral cycle.' They were written on the basis of earlier choral works, mostly on religious themes. All three are bound to transport listeners for a quarter of an hour into a starry night of contemplation. These pieces reflect in a subtle way the meaning of the word 'hevel'.
The idea behind programming the album was to highlight the notion of transience. The pieces are arranged in chronological order. Having started with Magin's Five Preludes, Wachowski gradually moves to works by 21st-century composers. The works by Magin and Weinberg are characterised by their dissonant writing as well as, in large measure, their harmonic connections that are not based on the traditional major-minor system. Even though they contain melody, there are more elements of avant-garde music in them than in Lukaszewski's Nocturnes or my Variations. These last two compositions are grounded in the obvious, albeit expanded, major- -minor system, and in their own way stand in opposition to avant-garde trends. The notion of transience in this context is the departure from the compositional experiments that were popular in the 20th century, experiments that were aimed at shocking listeners with new sound combinations and rejecting musical tradition.
'Chasing after the wind' which often permeates our daily life is not going to guarantee lasting happiness. Wachowski's intention is to make listeners pause for a while to allow time for a musical reflection.
01. Five Preludes: Allegro
02. Five Preludes: Allegretto tranquillo
03. Five Preludes: Allegro agitato
04. Five Preludes: Andante
05. Five Preludes: Prestissimo
06. Sonatina, Op. 49: Allegro leggiero
07. Sonatina, Op. 49: Adagietto lugubre
08. Sonatina, Op. 49: Allegretto
09. Sonata No. 4 in B minor, Op. 56: Allegro
10. Sonata No. 4 in B minor, Op. 56: Allegro
11. Sonata No. 4 in B minor, Op. 56: Adagio
12. Sonata No. 4 in B minor, Op. 56: Allegro
13. Three Nocturnes: Alsephina
14. Three Nocturnes: Thiaki
15. Three Nocturnes: Kraz
16. Variations in C major: Tema. Largo e dolce
17. Variations in C major: Variation I. Andantino con moto
18. Variations in C major: Variation II. Presto con vigore
19. Variations in C major: Variation III. Moderato, alla marcia
20. Variations in C major: Variation IV. Misterioso e molto rubato
21. Variations in C major: Variation V. Presto e capriccioso
22. Variations in C major: Variation VI. Andante molto affettuoso
23. Variations in C major: Variation VII. Con moto e leggiero
24. Variations in C major: Variation VIII. Andante ma non troppo
25. Variations in C major: Variation IX. Largo e sentimentale
26. Variations in C major: Variation X. Vivo e molto energico
'Hevel' is the key word that links all the pieces on this album. It comes from the Hebrew version of the Old Testament Book of Kohelet (Book of Ecclesiastes). Even though in most translations the word is rendered as 'vanity,' this does not fully convey its essence. For 'hevel' in Hebrew means 'vapour,' 'smoke,' or 'transience.' It also has a deeper meaning referring to transcendence, the tole of time and distancing oneself from life. Indeed, everything is bound to disappear one day, like vapour or breath.
The works selected for the recording refer to the literal translation of the word 'hevel,' that is to 'transience,' Jan Wachowski has in mind here Milosz Magin's Preludes, his own Variations in C major, and, in a certain sense, Mieczyslaw Weinberg's Sonatina.
But 'hevel' has another deep meaning which refers to the passing of pain, bitterness or sorrow. This permeates Weinberg's Sonata No. 4, which provides the album's emotional and expressive peak. It is important to recall here that in 1953, prior to composing the work, Weinberg spent three months in a Soviet prison. It was thanks to the good offices of Dmitri Shostakovich, coupled with Stalin's death, that the composer was freed. The time of imprisonment in inhumane conditions left an indelible mark on Weinberg. Despair, fear and pain, as well as hope - these are emotions that can be found in Sonata No. 4. When despair and breakdown come, Kohelet has the advice: 'There is a time for everything, and a season for every activity under heaven.
The word 'hevel' also brings to mind transcendence and the passing of time. Alsephina, Thiaki, and Kraz are the three of Pawel Lukaszewski's Fifteen Nocturnes that constitute a musical 'astral cycle.' They were written on the basis of earlier choral works, mostly on religious themes. All three are bound to transport listeners for a quarter of an hour into a starry night of contemplation. These pieces reflect in a subtle way the meaning of the word 'hevel'.
The idea behind programming the album was to highlight the notion of transience. The pieces are arranged in chronological order. Having started with Magin's Five Preludes, Wachowski gradually moves to works by 21st-century composers. The works by Magin and Weinberg are characterised by their dissonant writing as well as, in large measure, their harmonic connections that are not based on the traditional major-minor system. Even though they contain melody, there are more elements of avant-garde music in them than in Lukaszewski's Nocturnes or my Variations. These last two compositions are grounded in the obvious, albeit expanded, major- -minor system, and in their own way stand in opposition to avant-garde trends. The notion of transience in this context is the departure from the compositional experiments that were popular in the 20th century, experiments that were aimed at shocking listeners with new sound combinations and rejecting musical tradition.
'Chasing after the wind' which often permeates our daily life is not going to guarantee lasting happiness. Wachowski's intention is to make listeners pause for a while to allow time for a musical reflection.
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