Stephanie Sant'Ambrogio - Going Solo - Unaccompanied Violin and Viola (2011)
BAND/ARTIST: Stephanie Sant'Ambrogio
- Title: Going Solo - Unaccompanied Violin and Viola
- Year Of Release: 2011
- Label: MSR Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:10:18
- Total Size: 345 MB
- WebSite: Album Preview
Tracklist:
1. Fantasia No. 7 in E-Flat Major for Solo Violin: I. Dolce (02:06)
2. Fantasia No. 7 in E-Flat Major for Solo Violin: II. Allegro (03:15)
3. Fantasia No. 7 in E-Flat Major for Solo Violin: III. Largo (02:20)
4. Fantasia No. 7 in E-Flat Major for Solo Violin: IV. Presto (01:12)
5. Capriccio No. 9 for Solo Viola (03:35)
6. Sonata for Solo Violin, Op. 27, No. 4: I. Allemanda: Lento maestoso (05:45)
7. Sonata for Solo Violin, Op. 27, No. 4: II. Sarabande: Quasi lento (03:53)
8. Sonata for Solo Violin, Op. 27, No. 4: III. Finale: Presto ma non troppo (03:40)
9. Recitativo and Scherzo Caprice for Solo Violin, Op. 6: I. Recitativo (02:48)
10. Recitativo and Scherzo Caprice for Solo Violin, Op. 6: II. Scherzo Caprice (02:14)
11. Incantation for Solo Viola (04:45)
12. Pibroch for Solo Violin (First Recording) (05:32)
13. Sonata for Solo Violin: I. Allegro con fuoco (01:49)
14. Sonata for Solo Violin: II. Andante cantabile (05:19)
15. Sonata for Solo Violin: III. Scherzo: Allegretto grazioso (02:23)
16. Sonata for Solo Violin: IV. Finale: Allegro risoluto (02:52)
17. Suite for Viola Alone: I. Lento (01:39)
18. Suite for Viola Alone: II. Allegro furioso (02:00)
19. Suite for Viola Alone: III. Larghetto espressivo (02:06)
20. Suite for Viola Alone: IV. Allegro spirituoso (01:17)
21. Tango Etude No. 4 - Lento, Meditativo (03:46)
22. Tango Etude No. 5 - Allegro (02:10)
23. Tango Etude No. 3 - Molto marcato e energico (03:40)
1. Fantasia No. 7 in E-Flat Major for Solo Violin: I. Dolce (02:06)
2. Fantasia No. 7 in E-Flat Major for Solo Violin: II. Allegro (03:15)
3. Fantasia No. 7 in E-Flat Major for Solo Violin: III. Largo (02:20)
4. Fantasia No. 7 in E-Flat Major for Solo Violin: IV. Presto (01:12)
5. Capriccio No. 9 for Solo Viola (03:35)
6. Sonata for Solo Violin, Op. 27, No. 4: I. Allemanda: Lento maestoso (05:45)
7. Sonata for Solo Violin, Op. 27, No. 4: II. Sarabande: Quasi lento (03:53)
8. Sonata for Solo Violin, Op. 27, No. 4: III. Finale: Presto ma non troppo (03:40)
9. Recitativo and Scherzo Caprice for Solo Violin, Op. 6: I. Recitativo (02:48)
10. Recitativo and Scherzo Caprice for Solo Violin, Op. 6: II. Scherzo Caprice (02:14)
11. Incantation for Solo Viola (04:45)
12. Pibroch for Solo Violin (First Recording) (05:32)
13. Sonata for Solo Violin: I. Allegro con fuoco (01:49)
14. Sonata for Solo Violin: II. Andante cantabile (05:19)
15. Sonata for Solo Violin: III. Scherzo: Allegretto grazioso (02:23)
16. Sonata for Solo Violin: IV. Finale: Allegro risoluto (02:52)
17. Suite for Viola Alone: I. Lento (01:39)
18. Suite for Viola Alone: II. Allegro furioso (02:00)
19. Suite for Viola Alone: III. Larghetto espressivo (02:06)
20. Suite for Viola Alone: IV. Allegro spirituoso (01:17)
21. Tango Etude No. 4 - Lento, Meditativo (03:46)
22. Tango Etude No. 5 - Allegro (02:10)
23. Tango Etude No. 3 - Molto marcato e energico (03:40)
With such an abundance of repertoire for the solo violin, it's a curiosity why violinists seem to focus on such a narrow swath of these pieces. On her MSR Classics album, Going Solo, Stephanie Sant'Ambrogio explores some of the lesser-known repertoire not only for solo violin, but solo viola as well. Her program ranges from the early Fantasia No. 7 of Telemann to the world-premiere recording of James Winn's 2008 Pibroch for solo violin. Sant'Ambrogio's is typically straightforward and no-nonsense. There are times when a little bit more emotional liberty might be desired. How about a bit more ferocity in the second movement of Porter's Suite for viola alone? Or a bit of sensuality in the Sarabande of Ysaÿe's Op. 27/4 Sonata for solo violin? Missed opportunities such as these result in a performance that's relatively successful from a purely technical standpoint, but a bit lackluster musically. MSR's recorded sound is exceptionally dry and close, making it difficult for Sant'Ambrogio to produce long, smoothly connected lines; it also picks up on every tiny little production noise. As a result of this recorded sound quality, Sant'Ambrogio's violin doesn't have as much of a developed, warm sound as might be hoped for. Her viola fares better, producing a richer, more resonant tone.
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