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James Brown - There It Is (1972) CD Rip

James Brown - There It Is (1972) CD Rip

BAND/ARTIST: James Brown

  • Title: There It Is
  • Year Of Release: 1993
  • Label: Polydor [517 986-2]
  • Genre: Soul, Funk
  • Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
  • Total Time: 46:36
  • Total Size: 310 MB(+3%) | 110 MB(+3%)
  • WebSite:
Tracklist

1 There It Is (Parts 1 & 2) (5:47)
2 King Heroin (3:58)
3 I'm A Greedy Man (Parts 1 & 2) (7:04)
4 Who Am I (4:59)
5 Talkin' Loud And Sayin' Nothing (7:47)
6 Public Enemy #1 (Part 1) (5:05)
7 Public Enemy #1 (Part 2) (5:07)
8 I Need Help (I Can't Do It Alone) (3:29)
9 Never Say Goodbye (3:02)
James Brown - There It Is (1972) CD Rip

personnel :

James Brown – lead vocal, record producer, arranger on tracks 1, 3, 5-8
Bobby Byrd - organ, vocal
Phelps "Catfish" Collins - guitar
William "Bootsy" Collins - bass
John "Jabo" Starks - drums
Joe Beck – guitar
Joe Farrell – sax
Clayton "Chicken" Gunnells - trumpet
Darryl "Hassan" Jamison - trumpet
Robert McCollough - tenor saxophone
St. Clair Pinckney - baritone saxophone
Richard Tee – keyboard, organ
Danny Stiles - trumpet
Marvin Stamm - trumpet
Jimmy Buffington - French horn
Seldon Powell - flute, tenor saxophone
Sam Brown - guitar

Brown's Polydor debut, Hot Pants, was nothing more than an inferior remake of the title track baited with a batch of half-baked vamps. There It Is, his second Polydor studio album, was a marked improvement. Not that he put much into it, either. This 1972 effort collected five of his best early-'70s tracks and mixed in minimal filler. "Talkin' Loud and Sayin' Nothing" and "There It Is (Pts. 1 & 2)," with its bebop-style horns, were both innovative and hard driving to a fault. The hilarious "I'm a Greedy Man," with its hypnotic bass and help from Bobby Byrd, has Brown firing off such witticisms as "I'm a greedy man/yes I are" and "Taking care of my business/now run tell that." Brown wasn't all fun and games on this one. "King Heroin," an eerie, laid-back jazz offering, has him reciting chilling poetry about the ills of the drug. "Public Enemy #1 (Pt. 1)" attempts to re-create the same message. By "Public Enemy #2 (Pt. 2)" he is doing nothing but connecting the same dots and screaming himself hoarse to little effect. Although by this point Brown was best known for his dance tracks, he still had a way with a ballad. "Who Am I," a song that had been kicking around his oeuvre for aeons, gets a strong arrangement and has Brown giving an impassioned performance. It's well worth picking up.~Jason Elias



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