Andrzej Szadejko, Cracow Singers, Agnieszka Budzinska-Bennett - Lublin: Tabulatura (2025)
BAND/ARTIST: Andrzej Szadejko, Cracow Singers, Agnieszka Budzinska-Bennett
- Title: Lublin: Tabulatura
- Year Of Release: 2025
- Label: Musikproduktion Dabringhaus und Grimm
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:02:06
- Total Size: 265 mb
- WebSite: Album Preview
Tracklist
01. Rorate: No. 1, Preambulum
02. Rorate: No. 2, Ave Ierarchia
03. Rorate: No. 3, Ave hierarchia
04. Rorate: No. 4, Zdrowa budź Maryja
05. Rorate: No. 5, Preambulum
06. Rorate: No. 6, Rorate celi
07. Rorate: No. 7, Introitus de beata Virgine
08. Rorate: No. 8, Preambulum
09. Missa votiva de Beata Maria Virgine: No. 1, Kyrie de Sancta Maria
10. Missa votiva de Beata Maria Virgine: No. 2, Christe eleison
11. Missa votiva de Beata Maria Virgine: No. 3, Kyrie ultimum
12. Gloria Spiritus et alme: No. 1, Gloria in excelsis Deo
13. Gloria Spiritus et alme: No. 2, Gratias agimus tibi
14. Gloria Spiritus et alme: No. 3, Primo genitus Marie
15. Sequence: No. 1, Congaudent angelorum chori
16. Sequence: No. 2, Quae sine virili
17. Sequence: No. 3, Nam ipsa laetatur
18. Sequence: No. 4, Quam celebris Angelis
19. Sequence: No. 5, Qua gloria in coelis
20. Sequence: No. 6, Te coeli regina
21. Sequence: No. 7, Te libri virgo concinunt
22. Sequence: No. 8, Sancta Maria
23. Credo: No. 1, Credo in unum Deum
24. Credo: No. 2, Deum de Deo
25. Credo: No. 3, Et incarnatus
26. Credo: No. 4, Preambulum
27. Sanctus solemne et Benedictus
28. Agnus solemne
29. Post Missam: No. 1, Preambulum
30. Post Missam: No. 2, Colenda
31. Post Missam: No. 3, Colenda Severini
32. Post Missam: No. 4, Nuż my dziatki zaśpiewajmy z weselem
For the first time in modern history, the colour and beauty of music written by Joannis de Lubin in the 16th century comes to life. Composed in the Golden Age of the First Polish Republic, the collection is the largest organ tablature in the world and one of the most important sources of European musical heritage. Andrzej Budzinska-Bennett and the Cracow Singers, delved deeply into the world of the Renaissance monk to faithfully recreate the composer's intentions. Their original performance practice, including the oldest organ in Europe, results in an incredible richness and surprising depth of expression of the polyphony and counterpoint, as well as timbral diversity, which were modern for those times.
The meticulous approach by these musicians and musicologists of international renown, based on archival sources and historical parameters, complete an important fragment of Polish and European music history.
Sophisticated multi-channel technology creates a spectacular sound image that reproduces the spatial distribution between the chorale choir at the front, the Gregorian chant in the choir loft and the organ in the rear gallery. The chuch space stretches out around the listener and the music unfolds with impressive transparency and striking naturalness.
01. Rorate: No. 1, Preambulum
02. Rorate: No. 2, Ave Ierarchia
03. Rorate: No. 3, Ave hierarchia
04. Rorate: No. 4, Zdrowa budź Maryja
05. Rorate: No. 5, Preambulum
06. Rorate: No. 6, Rorate celi
07. Rorate: No. 7, Introitus de beata Virgine
08. Rorate: No. 8, Preambulum
09. Missa votiva de Beata Maria Virgine: No. 1, Kyrie de Sancta Maria
10. Missa votiva de Beata Maria Virgine: No. 2, Christe eleison
11. Missa votiva de Beata Maria Virgine: No. 3, Kyrie ultimum
12. Gloria Spiritus et alme: No. 1, Gloria in excelsis Deo
13. Gloria Spiritus et alme: No. 2, Gratias agimus tibi
14. Gloria Spiritus et alme: No. 3, Primo genitus Marie
15. Sequence: No. 1, Congaudent angelorum chori
16. Sequence: No. 2, Quae sine virili
17. Sequence: No. 3, Nam ipsa laetatur
18. Sequence: No. 4, Quam celebris Angelis
19. Sequence: No. 5, Qua gloria in coelis
20. Sequence: No. 6, Te coeli regina
21. Sequence: No. 7, Te libri virgo concinunt
22. Sequence: No. 8, Sancta Maria
23. Credo: No. 1, Credo in unum Deum
24. Credo: No. 2, Deum de Deo
25. Credo: No. 3, Et incarnatus
26. Credo: No. 4, Preambulum
27. Sanctus solemne et Benedictus
28. Agnus solemne
29. Post Missam: No. 1, Preambulum
30. Post Missam: No. 2, Colenda
31. Post Missam: No. 3, Colenda Severini
32. Post Missam: No. 4, Nuż my dziatki zaśpiewajmy z weselem
For the first time in modern history, the colour and beauty of music written by Joannis de Lubin in the 16th century comes to life. Composed in the Golden Age of the First Polish Republic, the collection is the largest organ tablature in the world and one of the most important sources of European musical heritage. Andrzej Budzinska-Bennett and the Cracow Singers, delved deeply into the world of the Renaissance monk to faithfully recreate the composer's intentions. Their original performance practice, including the oldest organ in Europe, results in an incredible richness and surprising depth of expression of the polyphony and counterpoint, as well as timbral diversity, which were modern for those times.
The meticulous approach by these musicians and musicologists of international renown, based on archival sources and historical parameters, complete an important fragment of Polish and European music history.
Sophisticated multi-channel technology creates a spectacular sound image that reproduces the spatial distribution between the chorale choir at the front, the Gregorian chant in the choir loft and the organ in the rear gallery. The chuch space stretches out around the listener and the music unfolds with impressive transparency and striking naturalness.
| Classical | FLAC / APE
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