Ivan Ronda - J.S. Bach: At Arlesheim (2025) [Hi-Res]
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BAND/ARTIST: Ivan Ronda
- Title: J.S. Bach: At Arlesheim
- Year Of Release: 2025
- Label: Brilliant Classics
- Genre: Classical Organ
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
- Total Time: 01:55:44
- Total Size: 515 mb / 1.02 gb
- WebSite: Album Preview
Tracklist
01. Toccata and Fugue in D Minor, BWV 565: I. Toccata
02. Toccata and Fugue in D Minor, BWV 565: II. Fugue
03. Choralvorspiele "Nun komm, der Heiden Heiland", BWV 659
04. Trio Sonata No. 6, BWV 530: I. Vivace
05. Trio Sonata No. 6, BWV 530: II. Lento
06. Trio Sonata No. 6, BWV 530: III. Allegro
07. Little Prelude and Fugue No. 1 in C Major, BWV 553
08. Little Prelude and Fugue No. 4 in F Major, BWV 556
09. Little Prelude and Fugue No. 7 in A Minor, BWV 559
10. Little Prelude and Fugue No. 8 in B Major, BWV 560
11. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: I. (No Tempo Indication)
12. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: II. Grave
13. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: III. Fuga
14. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: IV. Largo Spiccato
15. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: V. (No Tempo Indication)
16. Choralvorspiele "Erbarm' dich mein, o Herre Gott", BWV 721
17. Concert in A Minor, BWV 593 from Antonio Vivaldi: I. (No Tempo Indication)
18. Concert in A Minor, BWV 593 from Antonio Vivaldi: II. Adagio Cantabile
19. Concert in A Minor, BWV 593 from Antonio Vivaldi: III. Allegro
20. Pastorella in F Major, BWV 590: I. Bewegung
21. Pastorella in F Major, BWV 590: II. Bewegung
22. Pastorella in F Major, BWV 590: III. Bewegung
23. Pastorella in F Major, BWV 590: IV. Bewegung
24. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: I. (No Tempo Indication)
25. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: II. Grave
26. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: III. Presto
27. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: I. Thema
28. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: II. Var.1
29. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: III. Var.2
30. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: IV. Var.3
31. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: V. Var.4
32. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VI. Var.5
33. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VII. Var.6
34. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VIII. Var.7
35. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: IX. Var.8
36. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: X. Var.9
37. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: XI. Var.10
38. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: XII. Var.11
This recital offers a fine mix of Bach’s organ works, at larger and smaller scales, on the renowned historical instrument made by Alsatian organ builder Johann Andreas Silbermann of Strasbourg, a master of French baroque organ construction. It follows in a distinguished line of recordings of Bach made in the extraordinary acoustic of the Arlesheim Cathedral, by such luminaries as Walter Kraft, Karl Richter and Lionel Rogg.
Situated just outside the city of Basel, the village of Arlesheim grew up around its Cathedral, which was the church of the displaced cathedral chapter of the Diocese of Basel from 1679 to 1792. The first three years of this tenure saw the Bishop build not only the cathedral, but also a complete town centre with houses for the advisors and the administration of the See, using architect Franz Demess.
A total refurbishment and enlargement of the Cathedral was begun in 1759, culminating in the installation of the Silbermann organ two years later. The organ builder was included in the renovation’s planning from the start, such that modifications to the Cathedral’s architecture were made with a view to enhancing the nave’s musical acoustics. The instrument was restored by Metzler in 1959–62 and then again in 2005 by Gaston Kern. It is an example of the fusion of French and German organ building styles.
01. Toccata and Fugue in D Minor, BWV 565: I. Toccata
02. Toccata and Fugue in D Minor, BWV 565: II. Fugue
03. Choralvorspiele "Nun komm, der Heiden Heiland", BWV 659
04. Trio Sonata No. 6, BWV 530: I. Vivace
05. Trio Sonata No. 6, BWV 530: II. Lento
06. Trio Sonata No. 6, BWV 530: III. Allegro
07. Little Prelude and Fugue No. 1 in C Major, BWV 553
08. Little Prelude and Fugue No. 4 in F Major, BWV 556
09. Little Prelude and Fugue No. 7 in A Minor, BWV 559
10. Little Prelude and Fugue No. 8 in B Major, BWV 560
11. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: I. (No Tempo Indication)
12. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: II. Grave
13. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: III. Fuga
14. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: IV. Largo Spiccato
15. Concert Grosso in D Minor, BWV 596 from Antonio Vivaldi: V. (No Tempo Indication)
16. Choralvorspiele "Erbarm' dich mein, o Herre Gott", BWV 721
17. Concert in A Minor, BWV 593 from Antonio Vivaldi: I. (No Tempo Indication)
18. Concert in A Minor, BWV 593 from Antonio Vivaldi: II. Adagio Cantabile
19. Concert in A Minor, BWV 593 from Antonio Vivaldi: III. Allegro
20. Pastorella in F Major, BWV 590: I. Bewegung
21. Pastorella in F Major, BWV 590: II. Bewegung
22. Pastorella in F Major, BWV 590: III. Bewegung
23. Pastorella in F Major, BWV 590: IV. Bewegung
24. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: I. (No Tempo Indication)
25. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: II. Grave
26. Concert in G Major, BWV 592 from Prince Duke Johann Ernst of Saxony: III. Presto
27. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: I. Thema
28. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: II. Var.1
29. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: III. Var.2
30. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: IV. Var.3
31. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: V. Var.4
32. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VI. Var.5
33. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VII. Var.6
34. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: VIII. Var.7
35. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: IX. Var.8
36. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: X. Var.9
37. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: XI. Var.10
38. Partite diverse über Sei gegrüßet, Jesu gütig, BWV 768: XII. Var.11
This recital offers a fine mix of Bach’s organ works, at larger and smaller scales, on the renowned historical instrument made by Alsatian organ builder Johann Andreas Silbermann of Strasbourg, a master of French baroque organ construction. It follows in a distinguished line of recordings of Bach made in the extraordinary acoustic of the Arlesheim Cathedral, by such luminaries as Walter Kraft, Karl Richter and Lionel Rogg.
Situated just outside the city of Basel, the village of Arlesheim grew up around its Cathedral, which was the church of the displaced cathedral chapter of the Diocese of Basel from 1679 to 1792. The first three years of this tenure saw the Bishop build not only the cathedral, but also a complete town centre with houses for the advisors and the administration of the See, using architect Franz Demess.
A total refurbishment and enlargement of the Cathedral was begun in 1759, culminating in the installation of the Silbermann organ two years later. The organ builder was included in the renovation’s planning from the start, such that modifications to the Cathedral’s architecture were made with a view to enhancing the nave’s musical acoustics. The instrument was restored by Metzler in 1959–62 and then again in 2005 by Gaston Kern. It is an example of the fusion of French and German organ building styles.
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