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Henry Threadgill - Easily Slip Into Another World (1988)

Henry Threadgill - Easily Slip Into Another World (1988)

BAND/ARTIST: Henry Threadgill

  • Title: Easily Slip Into Another World
  • Year Of Release: 1988
  • Label: Legacy Recordings
  • Genre: Jazz, Contemporary Jazz
  • Quality: FLAC (tracks)
  • Total Time: 46:43
  • Total Size: 262 MB
  • WebSite:
Tracklist:

1. I Can't Wait Till I Get Home (04:07)
2. Black Hands Bejewelled (07:04)
3. Spotted Dick Is Pudding (08:53)
4. Let Me Look Down Your Throat or Say Ah (07:11)
5. My Rock (08:10)
6. Hall (Dedicated to Muhal Richard Abrams) (04:14)
7. Award the Squadtett (07:01)

This Henry Threadgill title is one of three excellent recordings the jazz alto and flute player made for Novus in the late '80s. He is joined here by his stellar sextet (actually a septet) comprised of trumpeter Rasul Saddik, trombonist Frank Lacy, cellist Diedre Murray, bassist Fred Hopkins, and drummers Pheeroan Aklaff and Reggie Nicholson. Like avant-garde contemporaries Anthony Braxton and Muhal Richard Abrams, Threadgill created a seamless mix of improvisation space and complex arrangements to galvanize his musicians. Threadgill, though, went further by exploring a wider range of styles. The positive effects are made evident here by the group's inspired solos and ensemble playing on everything from the New Orleans' march "Black Hands Bejeweled" and Olu Dara's calypso-funk tune "I Can't Wait to Get Home" to the manic, free-form number "Hall" and sprechstimme-jazz piece "My Rock." Threadgill's acerbic and mercurial alto work seem to point to the dark humor underlying these and many of his other compositions, while Lacy's warbling and growling trombone statements bask in their inherent joy; the two sentiments made respectively clear on the expressionist-flavored "Let Me Look Down Your Throat or Say Ah" and the ecstatic, Raymond Scott-inspired "Award the Squadtett." Easily Slip Into Another World and Threadgill's other Novus titles (You Know the Number and Rag Bush and All) offer a fine introduction to the work of one of jazz's best and most underrated composers and improvisers.

Review by Stephen Cook


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