Lorenzo Ghielmi - Bach And The Romanticist (2005)
BAND/ARTIST: Lorenzo Ghielmi
- Title: Bach And The Romanticist
- Year Of Release: 2005
- Label: Winter and Winter
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 1:09:25
- Total Size: 316 MB
- WebSite: Album Preview
Tracklist:
1. BWV 543 in A Minor: Praeludium & Fuga (09:00)
2. BWV 599: Nun Komm, Der Heiden Heiland (01:17)
3. BWV 614: Das Alte Jahr Vergangen Ist (01:55)
4. BWV 654: Schmücke Dich, O Liebe Seele (07:37)
5. BWV 618: O Lamm Gottes, Unschuldig (04:04)
6. BWV 636: Vater Unser Im Himmelreich (01:23)
7. BWV 610: Jesu, Meine Freude (02:50)
8. BWV 727: Herzlich Tut Mich Verlangen (02:17)
9. BWV 639: Ich Ruf Zu Dir, Herr Jesu Christ (02:15)
10. BWV 643: Alle Menschen Müssen Sterben (01:31)
11. BWV 637: Durch Adams Fall (01:36)
12. BWV 641: Wenn Wir in Höchsten Nöten (01:54)
13. WoO 9 in A Minor: Praeludium & Fuga (05:25)
14. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 1: Mein Jesu, Der Du Mich (03:48)
15. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 2: Schmücke Dich, O Liebe Seele (02:30)
16. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 3: Herzliebster Jesu (02:09)
17. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 4: O Wie Selig Seid Ihr Doch, Ihr Frommen (01:35)
18. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 5: O Gott, Du Frommer Gott (04:00)
19. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 6: O Welt, Ich Muß Dich Lassen (02:04)
20. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 7: Herzlich Tut Mich Erfreuen (02:00)
21. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 8: Es Ist Ein Ros' Entsprungen (01:56)
22. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 9: Herzlich Tut Mich Verlangen (01:25)
23. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 10: Herzlich Tut Mich Verlangen (02:35)
24. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 11: O Welt, Ich Muß Dich Lassen (02:06)
1. BWV 543 in A Minor: Praeludium & Fuga (09:00)
2. BWV 599: Nun Komm, Der Heiden Heiland (01:17)
3. BWV 614: Das Alte Jahr Vergangen Ist (01:55)
4. BWV 654: Schmücke Dich, O Liebe Seele (07:37)
5. BWV 618: O Lamm Gottes, Unschuldig (04:04)
6. BWV 636: Vater Unser Im Himmelreich (01:23)
7. BWV 610: Jesu, Meine Freude (02:50)
8. BWV 727: Herzlich Tut Mich Verlangen (02:17)
9. BWV 639: Ich Ruf Zu Dir, Herr Jesu Christ (02:15)
10. BWV 643: Alle Menschen Müssen Sterben (01:31)
11. BWV 637: Durch Adams Fall (01:36)
12. BWV 641: Wenn Wir in Höchsten Nöten (01:54)
13. WoO 9 in A Minor: Praeludium & Fuga (05:25)
14. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 1: Mein Jesu, Der Du Mich (03:48)
15. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 2: Schmücke Dich, O Liebe Seele (02:30)
16. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 3: Herzliebster Jesu (02:09)
17. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 4: O Wie Selig Seid Ihr Doch, Ihr Frommen (01:35)
18. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 5: O Gott, Du Frommer Gott (04:00)
19. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 6: O Welt, Ich Muß Dich Lassen (02:04)
20. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 7: Herzlich Tut Mich Erfreuen (02:00)
21. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 8: Es Ist Ein Ros' Entsprungen (01:56)
22. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 9: Herzlich Tut Mich Verlangen (01:25)
23. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 10: Herzlich Tut Mich Verlangen (02:35)
24. Choralvorspiele, Op. Posth. 122 No. 1-11, No. 11: O Welt, Ich Muß Dich Lassen (02:06)
On Bach and the Romanticist, brilliant organist and scholar Lorenzo Ghielmi draws direct parallels between the organ works of J.S. Bach and Johannes Brahms by dividing his program into equal, corresponding halves: both composers' chorale preludes -- 11 taken from the Orgelbüchlein and the Elf Choralvorspiele, Op. posth. 122 -- take up the lion's share of the CD; but to make the comparison even neater, Brahms' Prelude and Fugue in A minor, WoO9, is matched by Bach's Prelude and Fugue in A minor, BWV 543, and these pieces introduce their respective portions of the program. Where Ghielmi makes the strongest distinctions is in his choice of instruments: Bach's music is appropriately performed on the brightly colored, Baroque-styled Ahrend organ (1991) of the church of San Simpliciano, Milan, Italy; and Brahms' works are played on the richer, Romantic Walcker organ (1887-1888, restored 1982-1984) of the Stadtkirche Winterthur, Switzerland. Their different registrations give a proper period flavor to each composer's works, and contribute more depth and interest than the CD's quid pro quo arrangement might suggest. Edel's digital reproduction is skillfully engineered and unprocessed, so the sound is wonderfully alive and clean, and apparently recorded at floor level to eliminate the noises of the organs' mechanisms.
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