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Rob Burger - City of Strangers (2009)

Rob Burger - City of Strangers (2009)

BAND/ARTIST: Rob Burger

  • Title: City of Strangers
  • Year Of Release: 2009
  • Label: Tzadik
  • Genre: Jazz, World
  • Quality: FLAC (tracks)
  • Total Time: 51:08
  • Total Size: 227 MB
  • WebSite:
Tracklist:

1. Diminished Capacity (01:47)
2. Welcome Home, Cooper (01:39)
3. That's My Burglar (01:03)
4. Falling Spaniels (02:09)
5. Short Tux (01:20)
6. The Great Port (02:41)
7. Wtc (00:56)
8. Bazaar (01:55)
9. Charlotte's Theme Part 1 (02:18)
10. Charlotte's Theme Part 2 (02:12)
11. It's Alright, Uncle Rollie (02:02)
12. The Accident (00:39)
13. I Do Say So (00:24)
14. Glad You're Here (01:14)
15. Bundles & the Flick (02:09)
16. Cooper & Charlotte (01:27)
17. The Cameraman's Revenge (01:14)
18. Tale Around the Fire (01:11)
19. The Tunnel (01:50)
20. Brother Donny (03:09)
21. Wendell Kendall (01:41)
22. The Card (01:42)
23. In the Yard (02:09)
24. I'll Show You Dumb (00:56)
25. City of Strangers (01:23)
26. Timescapes (00:52)
27. The Kiss (01:07)
28. Stan's Favor (01:37)
29. Dad Is Gone (01:06)
30. Thinuette (02:30)
31. Glad You're Here Reprise (02:31)

As a composer, arranger, and performer, Robert Burger has worked with a variety of musicians, including Bill Frisell, Marianne Faithfull, Rufus Wainwright, and Laurie Anderson. This release of selections from his music for film includes tracks from the soundtracks to the films Diminished Capacity (2008, directed by Terry Kinney), and Timescapes: A Portrait of New York (2005, directed by Jake Barton and James Sanders), and a track to accompany Ladislaw Starewicz's The Cameraman's Revenge (1912). The tracks are brief and aphoristic, most lasting only a minute or two, and they make their statement effectively and bow out before they've worn out their welcome. Burger's music is gently melodic, often rhythmically punchy, comfortable, and familiar sounding, with various folk traditions, jazz, and light rock influences filtered through a freely classical sensibility. He uses mostly a broad assortment of acoustic instruments (including piano, accordion, marimba, vibraphone, assorted percussion, violin, viola, ukulele, and harmonica), but some tracks include electric guitar and keyboards. The music is notable for its variety and for its delicate, inventive orchestrations. Many tracks have a folk-like sound, but the variety of instruments he uses allows for richer and more varied textures than many conventional, small folk ensembles. Even though the tracks are widely diverse in tone, style, and instrumentation, certain themes return on various tracks, and the album is fully successful as an integrated listening experience. The sound is clean and resonant. © Stephen Eddins


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