Elizabeth Cotten - Euphoria Blues (Live Portland '75) (2023)

Elizabeth Cotten was among the most influential guitarists to surface during the roots music revival era, her wonderfully expressive and dexterous fingerpicking style a major inspiration to the generations of players who followed in her wake.

Cotten was born in Chapel Hill, North Carolina, in the early weeks of 1893. After first picking up the banjo at the age of eight, she soon moved on to her brother's guitar, laying it flat on her lap and over time developing her picking pattern and eventually her chording. By the age of 12 she was working as a domestic, and three years later gave birth to her first child. Upon joining the church, she gave up the guitar, playing it only on the rarest of occasions over the course of the next quarter-century. By the early '40s, Cotten had relocated to Washington, D.C., where she eventually began working for the legendary Charles Seeger family and caring for children Pete, Peggy, and Mike.

When the Seegers learned of Cotten's guitar skills a decade later, they recorded her for Folkways, and in 1957 she issued her debut LP, Folksongs and Instrumentals. The track "Freight Train," written when she was 12, became a Top Five hit in the U.K., and its success ensured her a handful of concert performances. The great interest in her music spurred her to write new material, which appeared on her second album, Shake Sugaree. As Cotten became increasingly comfortable performing live, her presentation evolved, and in addition to playing guitar she told stories about her life and even led her audiences in singing her songs; over the years, she recalled more and more tunes from her childhood, and in the course of tours also learned new material. Cotten did not retire from domestic work until 1970, and did not tour actively until the end of the decade. The winner of a National Endowment for the Arts National Heritage Fellowship Award as well as a Grammy -- both earned during the final years of her life -- she died on June 29, 1987. © Jason Ankeny