Adrian Younge & Ali Shaheed Muhammad - The Midnight Hour (Deluxe) (2018) Flac

Adrian Younge:
Multi-instrumentalist/composer Adrian Younge synthesizes styles across the spectrum of Black music with a crate-digger's perspective. He scored the blaxploitation homage Black Dynamite in 2009 and released conceptual solo projects ranging from the psychedelic pop-soul Something About April (2011) to synthesizer experimentation on The Electronique Void (2016). Concurrent sessions yielded full-lengths headlined by major influences such as the Delfonics and Ghostface Killah. Ali Shaheed Muhammad became a constant collaborator and business partner. The two worked together on 2018's The Midnight Hour and inaugurated the Jazz Is Dead label, studios, and album series -- featuring a fertile series of collaborative works with legendary artists -- in 2020. The first JID series ran through 2021, and a second series spanned 2022 and 2023. The pair announced a third series in 2024, taking listeners through Ghanaian funk and Brazilian MPB, soul, and samba. The preview anthology JID 021 arrived that October, followed by Adrian Younge Presents Linear Labs: S​ã​o Paulo in November and JID 022, featuring African guitar legend Ebo Taylor, in January 2025.
A native of Los Angeles, Adrian Younge got into sample-based hip-hop production during his late teens, in 1996. Eventually drawn more to the live instrumentation and recording techniques that went into the source material, he abandoned beatmaking with an MPC 2000 and TASCAM Portastudio to become a self-taught musician, composer, and producer, and gradually increased his instrumental versatility. He performed bass and keyboards in a band but grew frustrated having to rely upon his mates, which prompted him to take complete control. In 2000, he debuted with Venice Dawn, an album inspired by Italian film music -- especially that of Ennio Morricone -- and progressive rock. It was released on compact disc in an edition of 1,000. Younge continued studying music and entertainment law and was teaching the latter by the time he took up his next recording project. Black Dynamite, a blaxploitation homage directed by friend Scott Sanders, premiered at the 2009 Sundance Film Festival and was a critical success, in part because of Younge's knowing score, which was released on Wax Poetics that October.
The positive reception of Black Dynamite emboldened Younge to reanimate and expand the Venice Dawn concept into a performing and recording group. Issued on Wax Poetics in November 2011, Something About April was nostalgic yet utterly unique, a tale of star-crossed lovers steeped in psychedelic soul, with long-term associate Loren Oden one of the lead voices and Motown guitar wiz Dennis Coffey among the instrumentalists. Although many of its elements seemed custom-made for sampling, the album strongly emphasized songwriting and production. Around the same time, Wax Poetics made available a digital-only EP consisting of five tracks from the 2000 album.
Younge continued to refine his methodology throughout a steady succession of independent and collaborative recordings into the late 2010s. First, a listener put him in touch with William Hart, whose Delfonics were an inspiration behind Something About April highlight "Turn Down the Sound." This led to a third Wax Poetics release, Adrian Younge Presents the Delfonics, in March 2013. Only a month later, the cinematic-comic Ghostface Killah collaboration Adrian Younge Presents Twelve Reasons to Die arrived on the RZA's Soul Temple label. Whereas samples are often lifted from recordings dating back decades, savvy producers started sourcing Younge's records before the dust settled on them. The Delfonics LP was only three months old when Prodigy's Albert Einstein hit shelves with "The One," an Alchemist production co-credited to Younge via the Delfonics cut "To Be Your One." Weeks later, Jay-Z's Magna Carta Holy Grail was out with two Timbaland and J-Roc co-productions, most notably "Picasso Baby," built on Something About April material.
Over the next two years, Younge established the Linear Labs label and maintained his production load. Adrian Younge Presents There Is Only Now, a return from Oakland veterans Souls of Mischief, launched Linear Labs in August 2014 and began Younge's alliance with album host Ali Shaheed Muhammad, who also remixed the set. The Linear Labs: Los Angeles compilation surfaced in May 2015 with a selection of Wax Poetics-era standouts and previews of forthcoming releases. Within the next two months, Younge's name was attached to two more full-lengths: Bilal's In Another Life (eOne) and Ghostface's Twelve Reasons to Die II (Linear Labs). Meanwhile, two tracks on the deluxe edition of Common's Nobody's Smiling and all nine numbers on the self-titled album from PRhyme sampled Younge compositions, consequently enabling the producer to add No I.D. and DJ Premier to the list of golden-age pioneers who have repurposed his works. Younge during this period was also credited as co-producer, beside hero the RZA, of two cuts off Wu-Tang Clan's A Better Tomorrow.
Younge filled 2016 with another assortment of personal projects and joint efforts. Linear Labs supplied the Venice Dawn sequel Something About April II (January), with Raphael Saadiq and Laetitia Sadier among the supporting cast, and The Electronique Void (October), an analog synthesizer-oriented concept album with narration from long-term associate Jack Waterson. Additionally, a Younge/Muhammad demo made its way to Kendrick Lamar, who used it as the foundation for the sixth track on untitled unmastered. Younge and Muhammad were also enlisted to create the score for Marvel's Luke Cage. Comparatively quiet in 2017, Younge and his wife relocated The Artform Studio, a salon they had been operating for over a decade, into a second Los Angeles location with a community-friendly retail space for records and books.
Younge's 2018 output started in March with Voices of Gemma, a showcase for singers Brooke deRosa and Rebecca Engelhardt likened to David Axelrod and the Rotary Connection. A self-titled album in June from the Midnight Hour, another Younge/Muhammad endeavor, featured a polished version of the demo used by Kendrick Lamar ("Questions") and lead turns from several familiar Younge affiliates, while Luther Vandross' original vocal for "So Amazing" was given a new orchestral bossa-soul backing. Shortly thereafter, Younge and Muhammad's score for the second season of Luke Cage was made available, led by a collaboration with Rakim on "King's Paradise."
Younge assisted Waterson with a solo album in 2019 (Adrian Younge Presents Jack Waterson), and with Muhammad put together Jazz Is Dead 001, featuring material recorded with admired jazz and MPB legends such as Roy Ayers, Gary Bartz, João Donato, and Marcos Valle. The album arrived in March 2020 -- the same month as Younge and Muhammad's score for the drama Run This Town -- and proved to be a preview of LPs devoted to showcasing the musicians individually, starting with Roy Ayers JID002 and Marcos Valle JID003. After two more full-length Younge productions, Angela Muñoz's Introspection and Loren Oden's My Heart, My Love, two further collaborative volumes in the Jazz Is Dead series, Azymuth JID004 and Doug Carn JID005, appeared by the end of 2020.
During Black History Month 2021, Younge issued the solo album The American Negro, part of an intensive multimedia project that also involved a short film (T.A.N.) and podcast (Invisible Blackness) examining the effects of systemic racism on Black America. Younge provided all the instrumentation and spoken interludes and was joined by several vocalists. Loren Oden took the lead on a song sung from the perspective of James Mincey, Jr., a Los Angeles man who in 1982 was killed by police chokehold. (Mincey was Oden's uncle.) That April, Younge and Muhammad returned with JID006 with saxophonist Gary Bartz. In June, the duo issued JID007 in collaboration with Brazilian heavyweight João Donato. Younge and Muhammad then realized a long-held desire when they recruited another keyboardist/composer, Brian Jackson -- a musician known most for his '70s work with Gil Scott-Heron -- showcasing him on JID008, issued in August.
Following JID009 and JID010 -- comprising instrumental versions and remixes of selections from the preceding volumes -- Younge and Muhammad launched "series two" of Jazz Is Dead in May 2022, previewed by the compilation Jazz Is Dead 011 -- having already formally started with JID012, featuring the voice and writing of Jean Carn). The pair switched their script for JID013, recorded with the new-school nine-member ensemble Katalyst. By the end of 2022, JID014 and JID015 were out with respective spotlights on West Coast bassist Henry Franklin and under-recorded pianist/composer Garrett Saracho. Reedsman Wendell Harrison and trombonist Phil Ranelin, two of the core players in Detroit's Tribe Records, helped Younge and Muhammed take the series into 2023 with JID016. That January release was followed in April by JID017, featuring keyboardist Lonnie Liston Smith, and JID018 in July, a set made from studio recordings with legendary Afrobeat drummer Tony Allen before his death in 2020. In September 2023, Instrumentals JID019 appeared; the effort by the label's creators offered a buoyant approach to the music that influenced them and the artists they'd showcased in the series. That December, Remixes JID020 rounded out the second series of Jazz Is Dead releases.
After working on several projects individually and together between 2021 and 2023, Younge and Muhammed retooled the Jazz Is Dead series, showcasing musical experiments ranging from Ghanaian funk to Brazilian MPB, soul, and samba. They issued the preview anthology JID 021 in October 2024 featuring the series' artists. Adrian Younge Presents Linear Labs: São Paulo, appeared in November. (LL is the label precursor to Jazz Is Dead.) They followed with JID 022, honoring African guitar legend Ebo Taylor, in January 2025.

Ali Shaheed Muhammad:
As a member of A Tribe Called Quest, Ali Shaheed Muhammad played a pivotal role in the evolution of rap music throughout the 1990s, factoring in the development of the jazz-rooted, sample-based production approach that epitomized Native Tongues, the beloved collective of unorthodox groups that also included the Jungle Brothers and De La Soul. During and following the activity of Tribe -- whose six studio albums (from 1990 to 2016) went either gold or platinum and bagged a handful of Grammy nominations -- the DJ, producer, multi-instrumentalist, and songwriter has been vital on his own and with other collaborators. Muhammad co-wrote and co-produced the Top 40 pop hit that instigated the neo-soul movement, D'Angelo's "Brown Sugar" (1995), and earned another Grammy nomination with Lucy Pearl's "Dance Tonight" (2000). After releasing his lone solo album, Shaheedullah and Stereotypes (2004), Muhammad continued performing and recording with the sporadically active Tribe. Since 2016, Muhammad has been especially prolific with Adrian Younge. The two first composed together for the score of Marvel's Luke Cage series (2016-2018), leading to The Midnight Hour (2018), and even more notably the Jazz Is Dead label, venue, and release series, a succession of performances and full-length collaborations with inspirations like Roy Ayers, Azymuth, Brian Jackson, and Lonnie Liston Smith, Joao Donato, Marcos Valle, and Tony Allen. In 2023, after releasing 20 volumes in the JID series, the duo took a break. They reactivated it the following year with Jazz Is Dead 021, an introduction to upcoming collaborative releases from African and Brazilian artists.
A native of Brooklyn's Bedford-Stuyvesant neighborhood, Ali Shaheed Muhammad first DJ'ed at the age of eight, when he relieved his uncle on the turntables at one of his mother's house parties. Within a few years, thanks in part to the availability of his uncle's studio equipment, Muhammad and Q-Tip -- eventually joined by Phife and Jarobi White -- laid the foundation for A Tribe Called Quest. Muhammad was still a teenager when Tribe debuted with People's Instinctive Travels and the Paths of Rhythm (1990), an album that set off one of the richest and most inspiring discographies in rap music, crowned by the undisputed classics A Low End Theory (1991) and Midnight Marauders (1993). Tribe split ahead of the release of fifth full-length The Love Movement (1998), but almost 20 years later regrouped to record their final statement, We Got It from Here...Thank You 4 Your Service (2016), before Phife died of complications related to diabetes. Tribe amassed gold or platinum RIAA certifications for each one of their LPs and were nominated for four Grammy Awards, including Best Rap Album for The Love Movement.
Muhammad's outside pursuits commenced during Tribe's rise. Although Fu-Schnickens' F.U. Don't Take It Personal (1992) assigns credit to A Tribe Called Quest on three tracks, including the Phife-featuring single "La Schmoove," Muhammad alone was responsible for their production, invested more in his group's name than his own. By the end of Tribe's '90s run, his birth name was on dozens of other recordings, including work by Young MC, Shaquille O'Neal, Da Bush Babees, and Gil Scott-Heron. Most significantly, Muhammad co-wrote and co-produced D'Angelo's "Brown Sugar" (1995), a Top 30 pop, Top Five R&B/hip-hop hit. Shortly after that success, Muhammad and Q-Tip forged a studio alliance with emergent beatmaking wiz Jay Dee (aka J Dilla), naming themselves the Ummah. The production team worked together on the fourth and fifth Tribe albums and in varying configurations either produced or remixed material by an assortment of artists for a few years. Meanwhile, Muhammad placed solo productions on a couple of the decade's biggest solo debuts, namely Angie Stone's Black Diamond and Mos Def's Black on Both Sides (both 1999).
Around the time the Ummah were winding down, associate Raphael Saadiq and Muhammad conceived a short-lived R&B group that added En Vogue's Dawn Robinson. Titled after their name, Lucy Pearl (2000) peaked within the Top 30 of the Billboard 200 and went gold, propelled by the Top 40 pop, Top Five R&B/hip-hop hit "Dance Tonight," which was nominated for a Grammy in the category of Best R&B Vocal Performance by a Duo or Group. Muhammad's next project was the solo album Shaheedullah and Stereotypes (2004). Produced with Chris Dave, it showcased Muhammad's multi-instrumentalist and rapping skills with Sy Smith and Mint Condition's Stokley Williams among the featured guests. Around this time, Tribe reactivated for festival performances and touring that occurred irregularly through the next several years. Muhammad concurrently recorded with some of the Shaheedullah co-stars, as well as Kanyu Tree, ZZ Ward, and John Legend.
Muhammad and fellow producer Adrian Younge established a deep partnership on Souls of Mischief's There Is Only Now (2014), for which the former provided narration and later remixed five of its tracks for a separate release. The two continued to work extensively beyond Tribe's sixth and last album, heard on collaborative scores for both seasons of Marvel's Luke Cage series (2016-2018) and The Midnight Hour (2018), an expansive synthesis of orchestral soul, post-bop jazz, and hip-hop.
In 2020, Muhammad and Younge returned with the Jazz Is Dead label. Beginning with Jazz Is Dead 001, a preview of what they had up their sleeves, they curated a bimonthly series of collaborative recordings that featured the pair supporting elder jazz-funk and Brazilian music legends. Their second volume, Roy Ayers JID 002, was followed that year by Marcos Valle JID 003, Azymuth JID 004, and Doug Carn JID 005. Jazz Is Dead resumed operations in 2021 with the pair's long-planned Gary Bartz JID 006 in April, followed in early June by João Donato JID 007, a session with the legendary Brazilian composer and pianist. In September, they realized a long-held ambition and released a collaboration with pianist and composer Brian Jackson as Brian Jackson JID 008. Jackson was Gil Scott-Heron's songwriting partner during the '70s, and the architect and music director of their Midnight Band. This collaborative date marked Jackson's first full-length studio release since the early 2000s. After the release of Instrumentals JID 009 and Remixes JID 010, Muhammad and Younge previewed their next round of sessions with Jazz Is Dead 011 and kept moving forward in May 2022 with soul-jazz and R&B luminary Jean Carne (aka Jean Carn) for Jean Carne JID 012. Further collaborations followed that year under the Jazz Is Dead banner; JID 013 saw the duo recording with the L.A. performing and recording collective Katalyst; on JID 014 they worked with bassist Henry Franklin, and JID 015 was a set of recordings made with reclusive underground pianist Garrett Saracho. Starting off 2013 strong, they worked with Tribe Records founders, saxophonist Wendell Harrison and trombonist Phil Ranelin, on JID016. For JID017, they brought in one of their big inspirations: soul-jazz legend Lonnie Liston Smith. Issued in July 2023, the duo released a posthumous, album-length collaboration with Afrobeat drumming legend Tony Allen as JID 018. In September, Muhammad and Young issued JID 019 Instrumentals, their own attempt at capturing the spirit of the Jazz Is Dead series; it and Remixes JID 020 closed the first two series.
After a break that included international travel, they reactivated the label in October 2024 with JID 021 under their own names. The volume served as an introduction to an additional program of releases showcasing collaborations with artists from Africa and Brazil. They kicked off 2025 with January's Ebo Taylor JID 022.