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Tempesta di Mare - Fasch: Orchestral Works, Vol. 4 (2024) [Hi-Res]

Tempesta di Mare - Fasch: Orchestral Works, Vol. 4 (2024) [Hi-Res]

BAND/ARTIST: Tempesta di Mare

  • Title: Fasch: Orchestral Works, Vol. 4
  • Year Of Release: 2024
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
  • Total Time: 01:07:13
  • Total Size: 366 MB / 1.30 GB
  • WebSite:
Tracklist:

1. Ouverture-Suite in E Minor, FaWV K:e1: I. Ouverture (4:34)
2. Ouverture-Suite in E Minor, FaWV K:e1: II. Aria (3:52)
3. Ouverture-Suite in E Minor, FaWV K:e1: III. Bourée (1:58)
4. Ouverture-Suite in E Minor, FaWV K:e1: IV. Aria. Largo (3:53)
5. Ouverture-Suite in E Minor, FaWV K:e1: V. Gavotte bien modéré (2:35)
6. Ouverture-Suite in E Minor, FaWV K:e1: VI. Menuet I - Menuet II (5:27)
7. Violin Concerto in G Major, FaWV L:G6: I. Allegro (5:20)
8. Violin Concerto in G Major, FaWV L:G6: II. Largo (3:18)
9. Violin Concerto in G Major, FaWV L:G6: III. Allegro (4:45)
10. Sinfonia in B-Flat Major, FaWV M:B1: I. Allegro (3:34)
11. Sinfonia in B-Flat Major, FaWV M:B1: II. Andante (1:23)
12. Sinfonia in B-Flat Major, FaWV M:B1: III. Alla breve (2:38)
13. Sinfonia in B-Flat Major, FaWV M:B1: IV. Un poco allegro (2:32)
14. Ouverture-Suite in D Major, FaWV K:D16: I. Ouverture (4:45)
15. Ouverture-Suite in D Major, FaWV K:D16: II. Air (2:56)
16. Ouverture-Suite in D Major, FaWV K:D16: III. Bouree (3:37)
17. Ouverture-Suite in D Major, FaWV K:D16: IV. Air (3:00)
18. Ouverture-Suite in D Major, FaWV K:D16: V. Gavotte (3:29)
19. Ouverture-Suite in D Major, FaWV K:D16: VI. Menuet (3:50)

The Japanese pianist and recent DG signing Nobuyuki Tsujii releases a further pre-release track of his intensely awaited upcoming debut album on DG. For the album, he has chosen Beethoven’s formidable Hammerklavier Sonata, renowned for its dual technical und intellectual challenges, combined with the lyricism of Liszt’s affectionate transcription of Beethoven’s An die ferne Geliebte, Op. 98 (“To the Distant Beloved”).

Nobuyuki, who learns every score by heart on account of his blindness, commented on the daunting nature of the Hammerklavier: “It’s such a long work that it’s very difficult to maintain your concentration. I spent a lot of time preparing for the recording … making the music my own. … The more you play it, the more deeply you feel it. There are aspects of Beethoven’s experience that overlap with my own – he lost his hearing but still wrote wonderful, and very difficult, pieces like this sonata. So I worked on it with great respect.”



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  • olga1001
  •  wrote in 00:38
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    • 3
Booklet is on Label

https://www.chandos.net/chanimages/Booklets/CH0829.pdf
  • Guest homhom
  •  wrote in 05:39
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    • 1
Great stuff, but the wrong comment below, therefore:

This volume of modern premières of works by Johann Friedrich Fasch (1688–1758) was recorded in concert, the programme opening the 2023 International Fasch Festival, in Zerbst, the city in which he was Capellmeister to the princely court. Tempesta di Mare has had an ongoing love affair with the orchestral music of Fasch that goes back to 2007, when the band received images of manuscript part books for several as-yet unpublished orchestral works held at the Dresden Library. They have been investigating, discovering, and performing works by Fasch every season since then, and recording those that have not already been recorded – this album is the fourth volume of such discoveries. One of the things that fascinate Tempesta di Mare about the music of Fasch, which goes beyond the craftsmanship, expressivity, inventiveness, and wit, is his very distinctive voice. Plenty of other central European composers of his time were content if their music could sound like that of Vivaldi, Corelli, or Telemann. Those influences remain clearly present in his music, but Fasch does not sound like any of them – nor, for that matter, like Bach, Handel, or any other of his contemporaries familiar to us.
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  • platico
  •  wrote in 19:58
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gracias...
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  • topomono
  •  wrote in 19:11
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Gracias!!!!