Olga Zdorenko - Mussorgsky, Scriabin, Kabalevskij: Golden Dore (2024)
BAND/ARTIST: Olga Zdorenko
- Title: Mussorgsky, Scriabin, Kabalevskij: Golden Dore
- Year Of Release: 2024
- Label: Aulicus Classics
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 00:47:57
- Total Size: 163 mb
- WebSite: Album Preview
Tracklist
01. Pictures at an Exhibition: Promenade [I]
02. Pictures at an Exhibition: I. Gnomus
03. Pictures at an Exhibition: [Promenade II]. Moderato commodo assai e con delicatezza
04. Pictures at an Exhibition: II. Il Vecchio Castello
05. Pictures at an Exhibition: [Promenade III]. Moderato non tanto, pesamente
06. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
07. Pictures at an Exhibition: IV. Bydlo
08. Pictures at an Exhibition: [Promenade IV]. Tranquillo
09. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
10. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle
11. Pictures at an Exhibition: Promenade [V]
12. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
13. Pictures at an Exhibition: VIII. Catacombæ (Sepulcrum romanum)
14. Pictures at an Exhibition: Cum mortuis in lingua morta
15. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yagá)
16. Pictures at an Exhibition: X. The Great Gate of Kiev
17. 6 Preludes Op. 13, No. 1 in C Major: I. Maestoso
18. 6 Preludes Op. 13, No. 2 in A minor: II. Allegro
19. 6 Preludes Op. 13, No. 3 in G Major: III. Andante
20. 6 Preludes Op. 13, No. 4 in E minor: IV. Allegro
21. 6 Preludes Op. 13, No. 5 in D Major: V. Allegro
22. 6 Preludes Op. 13, No. 6 in B minor: IV. Presto
23. Rondò Op. 59
"Pictures at an Exhibition" of Musorgskij is, according to the brilliant interpreter Sviatoslav Richter, the most beautiful composition for piano in all Russian music but, unfortunately, it is ruined by the orchestration of Ravel. Zdorenko, in her interpretation of this classic, finds a very personal approach both regarding the construction and the expression, overcoming with confidence the difficulty of a strictly technical nature. Her Promenade that, as everybody knows, joins the ten pieces in one only cycle, cones from afar and gradually gets closer to explode in a thousand of sounds and colours in the conclusive "The Great Door of Kiev" (the pianist's city of birth). Although the beginning has a rather lyrical and singable nature, the classical “russico" and “senza allegrezza" styles are not missing, as requested by the author himself. "The Gnome" or “Gnomus" by Zdorenko is slower and rather heavy, just to better correspond to the tiny and clumsy image of the character. In "The Old Castle" maybe we don't find that magical nostalgia of the medieval troubadour, which we are used to, but a low suitability for the voice sleeped in a soft pain. The scene of the arguing children in the avenue of the "Tuileries" is very picturesque with a un poco piu ritenuto Trio, coloured with insults and consolations. The “Bydlo" expresses not only the exterior image of the Polish cart with its enormous wheels, but in particular, the hard work of those carrying it. In the tender dance of “Pulcini", the interpreter gives to the piece some surprising rubato and accelerando, rendering it even more funny and amusing. Also the next picture, the unequal discussion between the poor and the rich Hebrews, is performed with optimum recitative intonation: one voice is deep, energetic and self-confident, the other is imploring, sad, almost humiliated.
01. Pictures at an Exhibition: Promenade [I]
02. Pictures at an Exhibition: I. Gnomus
03. Pictures at an Exhibition: [Promenade II]. Moderato commodo assai e con delicatezza
04. Pictures at an Exhibition: II. Il Vecchio Castello
05. Pictures at an Exhibition: [Promenade III]. Moderato non tanto, pesamente
06. Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux)
07. Pictures at an Exhibition: IV. Bydlo
08. Pictures at an Exhibition: [Promenade IV]. Tranquillo
09. Pictures at an Exhibition: V. Ballet of the Unhatched Chicks
10. Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle
11. Pictures at an Exhibition: Promenade [V]
12. Pictures at an Exhibition: VII. Limoges, le marché (La grande nouvelle)
13. Pictures at an Exhibition: VIII. Catacombæ (Sepulcrum romanum)
14. Pictures at an Exhibition: Cum mortuis in lingua morta
15. Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yagá)
16. Pictures at an Exhibition: X. The Great Gate of Kiev
17. 6 Preludes Op. 13, No. 1 in C Major: I. Maestoso
18. 6 Preludes Op. 13, No. 2 in A minor: II. Allegro
19. 6 Preludes Op. 13, No. 3 in G Major: III. Andante
20. 6 Preludes Op. 13, No. 4 in E minor: IV. Allegro
21. 6 Preludes Op. 13, No. 5 in D Major: V. Allegro
22. 6 Preludes Op. 13, No. 6 in B minor: IV. Presto
23. Rondò Op. 59
"Pictures at an Exhibition" of Musorgskij is, according to the brilliant interpreter Sviatoslav Richter, the most beautiful composition for piano in all Russian music but, unfortunately, it is ruined by the orchestration of Ravel. Zdorenko, in her interpretation of this classic, finds a very personal approach both regarding the construction and the expression, overcoming with confidence the difficulty of a strictly technical nature. Her Promenade that, as everybody knows, joins the ten pieces in one only cycle, cones from afar and gradually gets closer to explode in a thousand of sounds and colours in the conclusive "The Great Door of Kiev" (the pianist's city of birth). Although the beginning has a rather lyrical and singable nature, the classical “russico" and “senza allegrezza" styles are not missing, as requested by the author himself. "The Gnome" or “Gnomus" by Zdorenko is slower and rather heavy, just to better correspond to the tiny and clumsy image of the character. In "The Old Castle" maybe we don't find that magical nostalgia of the medieval troubadour, which we are used to, but a low suitability for the voice sleeped in a soft pain. The scene of the arguing children in the avenue of the "Tuileries" is very picturesque with a un poco piu ritenuto Trio, coloured with insults and consolations. The “Bydlo" expresses not only the exterior image of the Polish cart with its enormous wheels, but in particular, the hard work of those carrying it. In the tender dance of “Pulcini", the interpreter gives to the piece some surprising rubato and accelerando, rendering it even more funny and amusing. Also the next picture, the unequal discussion between the poor and the rich Hebrews, is performed with optimum recitative intonation: one voice is deep, energetic and self-confident, the other is imploring, sad, almost humiliated.
Year 2022 | Classical | FLAC / APE
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