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Khosrow Soltani, NAT 28, Kara Cornell & Daniel Nesta Curtis - Esfahân: Chamber Music of Reza Vali (2024) [Hi-Res]

Khosrow Soltani, NAT 28, Kara Cornell & Daniel Nesta Curtis - Esfahân: Chamber Music of Reza Vali (2024) [Hi-Res]
  • Title: Esfahân: Chamber Music of Reza Vali
  • Year Of Release: 2024
  • Label: Navona
  • Genre: Classical
  • Quality: FLAC (tracks) [44.1kHz/24bit]
  • Total Time: 1:25:57
  • Total Size: 854 / 431 MB
  • WebSite:
Tracklist:

Disc 1

1. Reality Music No. 1 "Hajiani" (05:58)
2. 4 Persian Mystic Poems: No. 1, The Morning Discourse (04:24)
3. 4 Persian Mystic Poems: No. 2, Do Not Sorrow (03:56)
4. 4 Persian Mystic Poems: No. 3, The Mystery of the Rose (02:22)
5. 4 Persian Mystic Poems: No. 4, When I Think of the Creator (04:47)
6. Carpe Diem String Quartet – Calligraphy No. 17 "Esfahân" (15:44)
7. Calligraphy No. 2 "Zand" (04:08)

Disc 2

1. Carpe Diem String Quartet & Daphne Alderson – Calligraphy No. 18 "Dashti" (11:11)
2. Lura Johnson, Netanel Draiblate, Sonja Chung, Nana Gaskins Vaughn, Danielle Cho, Charles Paul & Marcia McHugh – Persian Suite No. 2: I. — (01:40)
3. Lura Johnson, Netanel Draiblate, Sonja Chung, Nana Gaskins Vaughn, Danielle Cho, Charles Paul & Marcia McHugh – Persian Suite No. 2: II. — (02:02)
4. Lura Johnson, Netanel Draiblate, Sonja Chung, Nana Gaskins Vaughn, Danielle Cho, Charles Paul & Marcia McHugh – Persian Suite No. 2: III. — (02:27)
5. Lura Johnson, Netanel Draiblate, Sonja Chung, Nana Gaskins Vaughn, Danielle Cho, Charles Paul & Marcia McHugh – Persian Suite No. 2: IV. — (05:00)
6. Lura Johnson, Netanel Draiblate, Sonja Chung, Nana Gaskins Vaughn, Danielle Cho, Charles Paul & Marcia McHugh – Persian Suite No. 2: V. — (02:39)
7. Carpe Diem String Quartet – Calligraphy No. 19 "Châhârgâh" (06:29)
8. Sornâ: I. — (01:17)
9. Sornâ: II. — (02:33)
10. Sornâ: III. — (04:33)
11. Sornâ: IV. — (04:39)


Esfahân features eight cross-cultural compositions by Reza Vali. Blending Persian and Western classical traditions, the album is the first commercial recording of these works. Highlights include Hajiani, featuring traditional Iranian instruments and electronics, Four Persian Mystic Poems for mezzo-soprano and ensemble, and Esfahân for string quartet. Vali’s music is both highly innovative and deeply rooted in tradition; the unique modal system he uses borrows from the ancient Iranian Dastgâh-Maqâm system, which was rediscovered through his extensive study of Iranian folk music. Despite eschewing Western approaches to counterpoint and musical form, Vali’s music is polyphonic and highly structured. The result is a compelling marriage of East and West, old and new.


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