Caroline Shaw - Leonardo da Vinci (Original Score) (2024) [Hi-Res]
BAND/ARTIST: Caroline Shaw
- Title: Leonardo da Vinci (Original Score)
- Year Of Release: 2024
- Label: Nonesuch
- Genre: Film Soundtracks
- Quality: FLAC 24-Bit/48 kHz; 16-Bit/44.1 kHz; MP3 320 kbps
- Total Time: 01:18:45
- Total Size: 182; 355; 805 mb
- WebSite: Album Preview
Pulitzer Prize-winning artist Caroline Shaw, who has worked with a diverse array of artists ranging from Nas and Rosalía to Renée Fleming and the New York Philharmonic, brings her formidable talents to Leonardo da Vinci, the four-hour Ken Burns documentary about the 15th-century Italian polymath. Joined by longtime collaborators Attacca Quartet, Sō Percussion and Roomful of Teeth, Shaw delivers an original score of twenty-eight lively blasts analogous to da Vinci’s artistry and visionary ideas.
Film cues can often sound dashed off but Shaw is particularly skilled at mixing vocal and instrumental parts, as she demonstrates on "Guru of the Court," where bowed and plucked violins skip alongside brief vocal bursts for a bracing event. "The Last Supper" is a beautiful and inspiring mix of rising and falling vocals that transitions into violins that yield back to even higher and more glorying vocals. While careful not to sound like sacred music, the piece still evokes a sense of rejoicing. "The Virgin and Child with Saint Anne" uses pop music chords—with fiddles buzzing underneath a fragile understory of wordless vocals and bells—while a single violin plays a thoughtful, almost melancholy line. Recorded in New York City, San Francisco, and Los Angeles by engineer Alex Venguer and a supporting army producers, editors, and assistant engineers, the sound is as dynamic and exciting as its source of inspiration. © Robert Baird
Tracklist:
1 Intentions of the Mind
2 Ginevra de' Benci
3 Machine Drawings
4 Renaissance
5 Atmosphere
6 Lady with an Ermine
7 Pleasure and Pain
8 Il Paradiso
9 Treatise on Painting
10 Optics, Light & Shadow
11 Senso Comune
12 Virgin of the Rocks
13 The Grandchild of Nature
14 The Last Supper
15 Microcosm and Macrocosm
16 The Virgin and Child with Saint Anne
17 Notebooks
18 Blood Flow
19 A Man Without Letters
20 La Pittura È Mentale
21 Painter-Philosopher
22 Water Studies
23 Body as Nature
24 Guru of the Court
25 Cesare Borgia
26 Flying Machines
27 Symbol of the Modern Idea
28 The Mona Lisa
Film cues can often sound dashed off but Shaw is particularly skilled at mixing vocal and instrumental parts, as she demonstrates on "Guru of the Court," where bowed and plucked violins skip alongside brief vocal bursts for a bracing event. "The Last Supper" is a beautiful and inspiring mix of rising and falling vocals that transitions into violins that yield back to even higher and more glorying vocals. While careful not to sound like sacred music, the piece still evokes a sense of rejoicing. "The Virgin and Child with Saint Anne" uses pop music chords—with fiddles buzzing underneath a fragile understory of wordless vocals and bells—while a single violin plays a thoughtful, almost melancholy line. Recorded in New York City, San Francisco, and Los Angeles by engineer Alex Venguer and a supporting army producers, editors, and assistant engineers, the sound is as dynamic and exciting as its source of inspiration. © Robert Baird
Tracklist:
1 Intentions of the Mind
2 Ginevra de' Benci
3 Machine Drawings
4 Renaissance
5 Atmosphere
6 Lady with an Ermine
7 Pleasure and Pain
8 Il Paradiso
9 Treatise on Painting
10 Optics, Light & Shadow
11 Senso Comune
12 Virgin of the Rocks
13 The Grandchild of Nature
14 The Last Supper
15 Microcosm and Macrocosm
16 The Virgin and Child with Saint Anne
17 Notebooks
18 Blood Flow
19 A Man Without Letters
20 La Pittura È Mentale
21 Painter-Philosopher
22 Water Studies
23 Body as Nature
24 Guru of the Court
25 Cesare Borgia
26 Flying Machines
27 Symbol of the Modern Idea
28 The Mona Lisa
Year 2024 | Soundtracks | FLAC / APE | Mp3 | HD & Vinyl
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