La Spagna - Abel: Between two Worlds (2024) [Hi-Res]
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BAND/ARTIST: La Spagna
- Title: Abel: Between two Worlds
- Year Of Release: 2024
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 192.0kHz
- Total Time: 01:22:32
- Total Size: 425 mb / 2.88 gb
- WebSite: Album Preview
Tracklist
01. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 I. Presto
02. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 II. Andante
03. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 III. Allegro
04. Abel Aria Frena le belle lagrime from Sifari, AbelWV A8
05. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 I. Allegro
06. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 II. Adagio
07. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 III. Allegro
08. Abel Concerto Viola de Gamba in A Major, AbelWV A91A I. Allegro Moderato
09. Abel Concerto Viola de Gamba in A Major, AbelWV A91A II. Adagio
10. Abel Concerto Viola de Gamba in A Major, AbelWV A9 A III. Allegro
11. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 I. Moderato
12. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 II. Adagio
13. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 III. Allegro Assai
14. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 I. Moderato
15. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 II. Adagio ma non Troppo
16. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 III. Allegro
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There are many reasons to consider Carl Friedrich Abel (1723–1787) one of history’s most unique musicians. He was a gambist, a player of an instrument long associated with an aristocracy that was then at the height of its decadence. But today he would be labelled “avantgarde” as one who embraced the newest musical styles and indeed genres, playing a key role in the development of the symphony.
This album opens with the Symphony in C from his Opus 10 set of six symphonies. Featuring an instrumentation of two oboes, two horns, two violins, viola and basso, the score has all the hallmarks of the era’s symphonic music. Abel’s only vocal work of note is the aria “Frena le belle” which he contributed to the pastiche opera Sifare. So inspiring is the music, it is regrettable that Abel did not find greater repute in the vocal repertoire. Abel’s updated catalogue (AbelWV, publ. Günter von Zadow, 2023) includes 420 works, of which 29 are concertos for solo instruments.
These follow the typical pattern, with three movements (first and third played fast in the home key, the second more slowly in a separate albeit related key) starting and ending in orchestral ritornellos, which are also interposed between each solo. That notwithstanding, the Flute Concerto in E minor has a very particular structure consisting of three movements all in minor keys.
The viola section was reconstructed by Wolfgang Kostujak. The Harpsichord Concerto in D Güntersberg, 2022) derives from a manuscript produced by two unidentified copyists. This score, bearing an Italian title without reference to the pianoforte, suggests it was composed while Abel was still in Germany. Of the numerous concertos Abel himself performed as solo gambist during his life in London, tragically, none remain. The two on this album (Güntersberg) therefore merit some explanation.
The Concerto in A comes to us from an unfinished manuscript by an unknown copyist, with no mention of the work’s composer, but a comprehensive analysis of the music has led Thomas Fritzsch to attribute it to Abel. Kostujak has reconstructed the parts for first and second violins, viola, and a few passages for basso. The Concerto in G is none other than the Cello Concerto in B flat, in turn the same as the Flute Concerto in C. Such repurposing of works is not exceptional in Abel’s catalogue, and a detailed analysis provides ample evidence that this was intended for viola da gamba in the original version.
Jone Martinez, soprano
Rafael Ruiberriz de Torres, flute
Jordan Fumado, harpsichord
Alejandro Marias, viola da gamba, cello & director
La Spagna Baroque Orchestra
01. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 I. Presto
02. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 II. Andante
03. Abel Symphony in C Major, Op. 10 No. 4, AbelWV E22 III. Allegro
04. Abel Aria Frena le belle lagrime from Sifari, AbelWV A8
05. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 I. Allegro
06. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 II. Adagio
07. Abel Concerto Flauto Traverso Concertato in E Minor, AbelWV F14 III. Allegro
08. Abel Concerto Viola de Gamba in A Major, AbelWV A91A I. Allegro Moderato
09. Abel Concerto Viola de Gamba in A Major, AbelWV A91A II. Adagio
10. Abel Concerto Viola de Gamba in A Major, AbelWV A9 A III. Allegro
11. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 I. Moderato
12. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 II. Adagio
13. Abel Concerto a Cembalo obligato in D Major, AbelWV F7 III. Allegro Assai
14. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 I. Moderato
15. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 II. Adagio ma non Troppo
16. Abel Concerto a Viola da Gamba Concertata in G Major, AbelWV A92 III. Allegro
There are many reasons to consider Carl Friedrich Abel (1723–1787) one of history’s most unique musicians. He was a gambist, a player of an instrument long associated with an aristocracy that was then at the height of its decadence. But today he would be labelled “avantgarde” as one who embraced the newest musical styles and indeed genres, playing a key role in the development of the symphony.
This album opens with the Symphony in C from his Opus 10 set of six symphonies. Featuring an instrumentation of two oboes, two horns, two violins, viola and basso, the score has all the hallmarks of the era’s symphonic music. Abel’s only vocal work of note is the aria “Frena le belle” which he contributed to the pastiche opera Sifare. So inspiring is the music, it is regrettable that Abel did not find greater repute in the vocal repertoire. Abel’s updated catalogue (AbelWV, publ. Günter von Zadow, 2023) includes 420 works, of which 29 are concertos for solo instruments.
These follow the typical pattern, with three movements (first and third played fast in the home key, the second more slowly in a separate albeit related key) starting and ending in orchestral ritornellos, which are also interposed between each solo. That notwithstanding, the Flute Concerto in E minor has a very particular structure consisting of three movements all in minor keys.
The viola section was reconstructed by Wolfgang Kostujak. The Harpsichord Concerto in D Güntersberg, 2022) derives from a manuscript produced by two unidentified copyists. This score, bearing an Italian title without reference to the pianoforte, suggests it was composed while Abel was still in Germany. Of the numerous concertos Abel himself performed as solo gambist during his life in London, tragically, none remain. The two on this album (Güntersberg) therefore merit some explanation.
The Concerto in A comes to us from an unfinished manuscript by an unknown copyist, with no mention of the work’s composer, but a comprehensive analysis of the music has led Thomas Fritzsch to attribute it to Abel. Kostujak has reconstructed the parts for first and second violins, viola, and a few passages for basso. The Concerto in G is none other than the Cello Concerto in B flat, in turn the same as the Flute Concerto in C. Such repurposing of works is not exceptional in Abel’s catalogue, and a detailed analysis provides ample evidence that this was intended for viola da gamba in the original version.
Jone Martinez, soprano
Rafael Ruiberriz de Torres, flute
Jordan Fumado, harpsichord
Alejandro Marias, viola da gamba, cello & director
La Spagna Baroque Orchestra
Year 2024 | Classical | FLAC / APE | CD-Rip | HD & Vinyl
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